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How do a skirmish in the Italian Alps during WWII, a cache of looted art, and a plot to steal a seemingly worthless painting connect to a Canadian restaurateur Claudia Valli?When Claudia embarks on an emotional voyage from the West Coast of Canada to Geneva Switzerland to attend her uncle Renato's memorial service, she meets up with Michael, the son of Renato's longtime friend Katia. As their liaison gains momentum, so does Claudia's quest for answers about her uncle's past prompted by his journal and fueled by a recent plot to steal the painting her uncle had sent her prior to his death-a painting considered to be worthless by Katia, an art expert.The tale of emotional personal revelations, love, war and survival, unfolds from its central plot into various subplots through Renato's diary accounts as a partisan and Claudia's quest to unravel the mystery behind the painting she has dubbed The Capizzi Madonna.
More than 70 percent of women with children under the age of 18 work. And that's why I found it so astounding that when I searched for a book that explained to my toddler what I was doing all day after he was peeled from me, crying, at daycare, I couldn't find a thing.There was plenty out there about separation anxiety or going to school, but so little about what mommy did when she disappeared for the day. I had grown up without a role model for a working mother myself. Raised by a wonderful stay-at-home mom, I worried that I wouldn't know how to reconcile my career ambitions with my love for my family. Like many moms dissatisfied with what is available to them, I decided to make my own, and that's when I created Mommy Goes to Work. My goal is twofold: to facilitate the conversation between mother and child about what we moms are doing all day long in a relatable way, and to help employers signal to their employees that their workplace is family-friendly by giving them a copy of this book.I envision Mommy Goes to Work as a building block in your relationship with your child and with your colleagues and tribes. I hope it provides a conversation starting point where you can share with your little one the important things that you do all day when you're not with them--a foundation to be an incredible working mom role model. And I hope that it allows you to find your tribe of fellow working moms who will welcome you with open arms.
A groundbreaking approach to transforming traumatic legacies passed down in families over generations, by an acclaimed expert in the field Depression. Anxiety. Chronic Pain. Phobias. Obsessive thoughts. The evidence is compelling: the roots of these difficulties may not reside in our immediate life experience or in chemical imbalances in our brains—but in the lives of our parents, grandparents, and even great-grandparents. The latest scientific research, now making headlines, supports what many have long intuited—that traumatic experience can be passed down through generations. It Didn’t Start with You builds on the work of leading experts in post-traumatic stress, including Mount Sinai School of Medicine neuroscientist Rachel Yehuda and psychiatrist Bessel van der Kolk, author of The Body Keeps the Score. Even if the person who suffered the original trauma has died, or the story has been forgotten or silenced, memory and feelings can live on. These emotional legacies are often hidden, encoded in everything from gene expression to everyday language, and they play a far greater role in our emotional and physical health than has ever before been understood. As a pioneer in the field of inherited family trauma, Mark Wolynn has worked with individuals and groups on a therapeutic level for over twenty years. It Didn’t Start with You offers a pragmatic and prescriptive guide to his method, the Core Language Approach. Diagnostic self-inventories provide a way to uncover the fears and anxieties conveyed through everyday words, behaviors, and physical symptoms. Techniques for developing a genogram or extended family tree create a map of experiences going back through the generations. And visualization, active imagination, and direct dialogue create pathways to reconnection, integration, and reclaiming life and health. It Didn’t Start With You is a transformative approach to resolving longstanding difficulties that in many cases, traditional therapy, drugs, or other interventions have not had the capacity to touch.
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love. In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth—the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries—from the unpaid intern, to the overworked teacher, to the nonprofit worker and even the professional athlete—Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.
An insatiable need for sex and love. Periods of overeating or starving. A pattern of unstable and painful relationships. Does this sound painfully familiar? Trauma counselor Kelly McDaniel has seen these traits over and over in clients who feel trapped in cycles of harmful behaviors-and are unable to stop. Many of us find ourselves stuck in unhealthy habits simply because we don't see a better way. With Mother Hunger, McDaniel helps women break the cycle of destructive behavior by taking a fresh look at childhood trauma and its lasting impact. In doing so, she destigmatizes the shame that comes with being under-mothered and misdiagnosed. McDaniel offers a healing path with powerful tools that include therapeutic interventions and lifestyle changes in service to healthy relationships. The constant search for mother love can be a lifelong emotional burden, but healing begins with knowing and naming what we are missing. McDaniel is the first clinician to identify Mother Hunger, which demystifies the search for love and provides the compass that each woman needs to end the struggle with achy, lonely emptiness, and come home to herself.
**THE SUNDAY TIMES BESTSELLER** A humane, hilarious and heart-breaking window into the world of psychiatry from ‘the Adam Kay of mental healthcare’ (THE TIMES) 'Very funny and deeply sympathetic. Really excellent' HENRY MARSH 'This is honestly my dream book. Both fascinating and bleakly funny' FERN BRADY ‘Honest, funny, saddening and uplifting all rolled into one’ JO BRAND A woman in a wedding dress arrives at the hospital looking for Harry Styles. A lorry driver with schizophrenia believes he’s got a cure for coronavirus. A depressed man hides his profession from his GP due to stigma. Most of the psychiatric cases in this book are his patients. Some of them are family. One of them is him. Unlocking the doors to the psych ward, NHS psychiatrist Dr Benji Waterhouse provides a fly-on-the-padded-wall account of medicine’s most mysterious and controversial speciality. Why would anyone in their right mind choose to be a psychiatrist? Are the solutions to people’s messy lives really within medical school textbooks? And how can vulnerable patients receive the care they need when psychiatry lacks staff, hospital beds and any actual cures? You Don’t Have to Be Mad to Work Here explores these complicated questions from both sides of the doctor’s desk. This is the perfect read for fans of This Is Going to Hurt, Unnatural Causes and The Prison Doctor. Instant Sunday Times bestseller, May 2024
New York Times best seller Ever since Gabrielle Stanley Blair became a parent, she’s believed that a thoughtfully designed home is one of the greatest gifts we can give our families, and that the objects and decor we choose to surround ourselves with tell our family’s story. In this, her first book, Blair offers a room-by-room guide to keeping things sane, organized, creative, and stylish. She provides advice on getting the most out of even the smallest spaces; simple fixes that make it easy for little ones to help out around the house; ingenious storage solutions for the never-ending stream of kid stuff; rainy-day DIY projects; and much, much more.
The INDIES INTRODUCE and INDIE NEXT debut YA novel about blood and family that is both history and mystery. Noni Reid has grown up in the shadow of her mother, Dr. Radiance Castine, renowned scholar of Black literature, who is alarmingly perfect at just about everything. When Dr. Castine takes a job as the president of the prestigious Stonepost College in rural Virginia, Noni is forced to leave her New England home and, most importantly, a prime internship and her friends. She and her mother move into the “big house” on Tangleroot Plantation. Tangleroot was built by one of Noni’s ancestors, an enslaved man named Cuffee Fortune—who Dr. Castine believes was also the original founder of Stonepost College, and that the school was originally formed for Black students. Dr. Castine spends much of her time trying to piece together enough undeniable truth in order to change the name of the school in Cuffee’s honor—and to force the university to reckon with its own racist past. Meanwhile, Noni hates everything about her new home, but finds herself morbidly fascinated by the white, slaveholding family who once lived in it. Slowly, she begins to unpeel the layers of sinister history that envelop her Virginia town, her mother’s workplace, her ancestry—and her life story as she knew it. Through it all, she must navigate the ancient prejudices of the citizens in her small town, and ultimately, she finds herself both affirming her mother’s position and her own—but also discovering a secret that changes everything.
A family curse dating back to the dark days in Americas past manifest itself by twin boys trying to kill one another. These twin boys were born in present day and were separated at birth. The twins were raise apart and one did not know of the other. The great great grandmother of the twin boys, Emily Johnson, who was a slave made a deal with the devil. Emily wanted her family to be free of their pain and have a happy life. However, Emily broke her deal with Satan and he swore to take his revenge. The Devil warned Emily that if she broke their deal pain would follow her family and it would not stop until one of her sons killed himself from the pain.