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John Edgar Tidwell and Steven C. Tracy have brought together for the first time a book-length collection of critical and theoretical writings about Sterling A. Brown that recovers and reasserts his continuing importance for a contemporary audience. Exploring new directions in the study of Brown's life and work, After Winter includes new and previously published essays that sum up contemporary approaches to Brown's multifaceted works; interviews with Brown's acquaintances and contemporaries; an up-to-date, annotated bibliography; and a discography of source material that innovatively extends the study and teaching of Brown's acclaimed poetry, especially his Southern Road, focusing on recordings of folk materials relevant to the subject matter, style, and meaning of individual poems from his oeuvre.
The idea of this women's magazine originated with Samuel Williams, a Cincinnati Methodist, who thought that Christian women needed a magazine less worldly than Godey's Lady's Book and Snowden's Lady's Companion. Written largely by ministers, this exceptionally well-printed little magazine contained well-written essays of a moral character, plenty of poetry, articles on historical and scientific matters, and book reviews. Among western writers were Alice Cary, who contributed over a hundred sketches and poems, her sister Phoebe Cary, Otway Curry, Moncure D. Conway, and Joshua R. Giddings; and New England contributors included Mrs. Lydia Sigourney, Hannah F. Gould, and Julia C.R Dorr. By 1851, each issue published a peice of music and two steel plates, usually landscapes or portraits. When Davis E. Clark took over the editorship in 1853, the magazine became brighter and attained a circulation of 40,000. Unlike his predecessors, Clark included fictional pieces and made the Repository a magazine for the whole family. After the war it began to decline and in 1876 was replaced by the National Repository. The Ladies' Repository was an excellent representative of the Methodist mind and heart. Its essays, sketches, and poems, its good steel engravings, and its moral tone gave it a charm all its own. -- Cf. American periodicals, 1741-1900.
"Calvin McBride has shown us his unique literary ability in the life journey of Robert E. Hart's transition from one denomination (Christian Methodist Episcopal Church) to another (Church of God in Christ). He has plunged us into the history of not only an individual but has transported us as well into the history of African-Americans as it relates to the church as an institution." --Stevey M. Wilburn, pg. ii.
A collection of Family History Stories for descendants and family of the Mervin and Miriam Adair Family.
This rich, leisurely tale chronicles the lives of three generations in the family of Kate Anderson, a young, genteel southern widow residing in the small Mississippi town of Homochitto. An intimate examination of the significance of family, this novel, Douglas' first, is a statement of how people survive crises not only through their own courage but also through the support of those who cannot turn away from them. The layers of birth, childhood, courtship, marriage, illness, and death - seen through the gradually maturing eyes of Anna, Kate's granddaughter - reveal the tapestry of shared experiences, joys, and sorrows that bond a family and build its history.