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A blockbuster collection from one of Ireland’s most exciting young voices: “Sharp and lively . . . a rough, charged, and surprisingly fun read” (Interview). A National Book Foundation 5 Under 35 Honoree * Winner of the Frank O’Connor International Short Story Award * Winner of the Guardian First Book Award * Winner of the Rooney Prize for Irish Literature Enter the small, rural town of Glanbeigh, a place whose fate took a downturn with the Celtic Tiger, a desolate spot where buffoonery and tension simmer and erupt, and booze-sodden boredom fills the corners of every pub and nightclub. Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy’s sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like “a bowl of mashed up spuds” even before Nubbin Tansey’s boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of post boom Irish society. These are unforgettable characters rendered through silence, humor, and violence. “Lyrical and tough and smart . . . What seems to be about sorrow and foreboding turns into an adventure, instead, in the tender art of the unexpected.” —Anne Enright, Man Booker Prize Award–winning author “Sometimes comic, sometimes melancholy, Young Skins touches the heart, as well as the mind.” —Irish American Post
WINNER OF THE 2014 GUARDIAN FIRST BOOK AWARD 'One of the best books of the past decade... The characters are edgy, often violent, locked into a world described in ways that are both harsh and tender. . . Adds a sense of myth, even a spiritual aura, to the narrative that lifts the meanness of the circumstances into some other realm' Colm Tóibín, Washington Post *Winner of the 2014 Frank O'Connor International Short Story Award *Winner of the 2014 Rooney Prize for Irish Literature This magnificent collection takes us to Glanbeigh, a small town in rural Ireland - a town in which the youth have the run of the place. Boy racers speed down the back lanes; couples haunt the midnight woods; young skins huddle in the cold once The Peacock has closed its doors. Here the young live hard and wear the scars. It matters whose sister you were seen with. If you are in the wrong place at the wrong time, it matters a very great deal. Colin Barrett's debut does not take us to Glanbeigh alone; there are other towns, and older characters. But each story is defined by a youth lived in a crucible of menace and desire - and each crackles with the uniform energy and force that distinguish this terrific collection.
Zes korte verhalen en een novelle over het leven van jongeren in een stadje aan de Ierse westkust.
NOW A MAJOR MOTION PICTURE Arm, an ex-boxer with a haunted past and a fractured present, finds himself the tool of the notorious Devers family. But when an opportunity to break free and offer his family a new life arises, his actions can’t be without consequence. First published in the award-winning collection, Young Skins, the novella ‘Calm With Horses’ was adapted for film in 2020. It has been described by Mark Kermode as ‘an immersive tale of tortured masculinity and divided loyalties that pulls the viewer right into the raging bull mindset of its haunted protagonist.’
Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA
With the ease and simplicity of a nursery rhyme, this lively story delivers an important message of social acceptance to young readers. Themes associated with child development and social harmony, such as friendship, acceptance, self-esteem, and diversity are promoted in simple and straightforward prose. Vivid illustrations of children's activities for all cultures, such as swimming in the ocean, hugging, catching butterflies, and eating birthday cake are also provided. This delightful picturebook offers a wonderful venue through which parents and teachers can discuss important social concepts with their children.
Winner of The Australian/Vogel Literary Award for 2001. A compelling, wild novel based on the true story of a young English woman who survives a shipwreck off the coast of Western Australia in 1835.
A timeless story about a young man's need to find comfort and a sense of belonging, as well as a stunning portrait of the class and racial tensions that pervade our society, "American Skin" "is the American story American literature is not complete without. . . . Full of images and humor and action and questions" (Carolyn Chute, author of "The Beans of Egypt, Maine."
Perhaps one of the most reviled yet misunderstood of all the youth subcultures, the skinhead look and lifestyle has returned to the very forefront of contemporary youth culture. While celebrities and athletes shave their heads for the red carpet, the underbelly of British youth culture has rediscovered the look which is now more fashionable than it has ever been. The single most important photographic record of this unique subculture is Gavin Watson's Skins, now proudly released as a brand new edition, complete with dozens of previously unpublished photographs and a new chapter. These black-and-white shots offer a fascinating glimpse into a skinhead community that was multi-cultural, tightly knit, and above all else, fiercely proud of their look. These are classic photographs of historical value.
The five-and six-year-olds in my class have invented a new game they call suicide. I have never seen a game I hate so much in which all the children involved are so happy. So begins Under Deadman's Skin, a deceptively simple-and compellingly readable-teachers' tale. Jane Katch, in the tradition of Vivian Paley and Jonathan Kozol, uses her student's own vocabulary and storytelling to set the scene: a class of five-and six-year-olds obsessed with what is to their teacher hatefully violent fantasy play. Katch asks, 'Can I make a place in school for understanding these fantasies, instead of shutting them out?' Over the course of the year she holds group discussions to determine what kind of play creates or calms turmoil; she illustrates (or rather the children illustrate) the phenomenon of very young children needing to make sense of exceptionally violent imagery; and she consults with older grade-school boys who remember what it was like to be obsessed by violence and tell Katch what she can do to help. Katch's classroom journey-one that leads her to rules and limits that keep children secure-is an enabling blueprint for any teacher or parent disturbed by violent children's play.