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t is 2003 and Corey Carter is innocently playing his usual pickup game of basketball on the school grounds when he suddenly hears, “Pop, pop, pop!” As soon as a body drops, Corey jumps a fence and heads to his grandmother’s house. After a witness sends the police to his home, Corey’s grandmother decides to send him to live with his mother who has recently been released from prison in Arizona. As Corey attempts to adjust to his new existence in gangland, he hangs out at the local Boys and Girls Club where he learns the color of an outfit can be the difference between life and death. While he becomes educated on the gangbang, Corey gets an up-close, personal reality check regarding fast money and all that comes with it. As play time ends, friends turn into enemies, and trust transforms into an illusion, Corey becomes immersed in a grown man’s game. Now time will tell who will win when the last man is standing. In this urban tale, a young man becomes the freshest kid on the block when he moves from California to gangland Arizona where he must navigate the streets to survive.
An engrossing autobiographical exploration of black masculinity as a mode of racial and verbal performance. In Your Average Nigga, Vershawn Ashanti Young disputes the belief that speaking Standard English and giving up Black English Vernacular helps black students succeed academically. Young argues that this assumption not only exaggerates the differences between two compatible varieties of English but forces black males to choose between an education and their masculinity, by choosing to act either white or black. As one would expect from a scholar who is subject to the very circumstances he studies, Young shares his own experiences as he exposes the factors that make black racial identity irreconcilable with literacy for blacks, especially black males. Drawing on a range of interdisciplinary scholarship in performance theory and African American literary and cultural studies, Young shows that the linguistic conflict that exists between black and white language styles harms black students from the inner city the most. If these students choose to speak Standard English they risk alienating themselves from their families and communities, and if they choose to retain their customary speech and behavior they may isolate themselves from mainstream society. Young argues that this conflict leaves blacks in the impossible position of either trying to be white or forever struggling to prove that they are black enough. For men, this also becomes an endless struggle to prove that they are masculine enough. Young calls this constant effort to display proper masculine and racial identity the burden of racial performance. Ultimately, Young argues that racial and verbal performances are a burden because they cannot reduce the causes or effects of racism, nor can they denaturalize supposedly fixed identity categories, as many theorists contend. On the contrary, racial and verbal performances only reinscribe the essentialism that they are believed to subvert. Scholars and teachers of rhetoric, performance studies, and African American studies will enjoy this insightful volume.
“A blazing memoir in essays” (Entertainment Weekly) that explores the ever-shifting definitions of what it means to be black (and a man) in America. An NPR Best Book of the Year A Washington Independent Review of Books Favorite of the Year A Finalist for the NAACP Image Award A Finalist for the Hurston/Wright Legacy Award for Nonfiction A Finalist for the Thurber Prize for American Humor Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay For Damon Young, existing while black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst, where questions such as “How should I react here, as a Professional Black Person?” and “Will this white person’s potato salad kill me?” are forever relevant. Both a celebration of the idiosyncrasies and distinctions of blackness and a critique of white supremacy and how we define masculinity, What Doesn’t Kill You Makes You Blacker is a hilarious and honest debut that chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him. “Young delivers a passionate, wryly bittersweet tribute to Black life in majority-white Pittsburgh . . . A must read.” —Booklist (starred review) “Young’s charm and wit make these essays a pleasure to read; his candid approach makes them memorable.” —Publishers Weekly (starred review)
Book two of a trilogy, the making of mother monster.
From the hot story The 520i, to the much talked about short story When Dogs Bark, and the award winning Cheeseburger--this book will keep you turning the pages. When Dogs Bark 2 is an exciting reprint of the original When Dogs Bark by Charles W. Harvey in ebook and soft cover formats. We didn't just change the cover. The new When Dogs Bark 2 has new stories and new poetry to make you go "hmm." If you thought BARK was hot, BARK 2 is even hotter. It is suggested that you only read it in air conditioned rooms. Why do women cry like saxophones? Why should women buy this book? Perhaps for no other reason than to learn why they cry like saxophones or to read How I Got Over a poem bruising with fierce revenge. And there's Promise's diary entry to her childhood friend Lakeisha Ann reminiscing over that rainy day when they played "husband" and "wife" under the kitchen table. But ladies after you finish reading WHEN DOGS BARK 2 turn it over to your male soul mates, your gay brothers, uncles, or that boy in the office. Brothers, this is your book. It should be rated R for the Real and mature readers who want to have something to pour tea over. Cruising in the Name of Love is not your church play. But Donny is all about real love in his monologue as he cruises in the mall. Perform it if you dare in your church basements or clubs. His message is universal. The cover will delight your eyes and light up your ebook reading devices. But the words will stay in your hearts. Read what others have said: Charles Harvey is always interesting, fun, funny and provocative. He always a good read from beginning to end. I am proud to say that I have plagiarized some of my best lines from him. I can not wait for some new material. James V. Thomas, Scenic Designer "When dogs bark, they simply surrender to the inevitability of their natures. Charles Harvey understands, even in form, that humanity too, is broken-- these line and stanza breaks parallel the places where people struggle to put themselves back together again. Reading him, I am always confronted with how crude, if true, we too surrender to the inevitability of our natures: like the poetry in these pages, we breathe, we break, we breathe again. - Tim'm T. West, author of Red Dirt Revival, BARE, & Flirting
Charles W. Harvey is an award winning writer of fiction, poetry, and drama. His story Cheeseburger, won the 1987 PEN/Southwest Award. The story WHEN DOGS BARK has been widely anthologized in SHADE, Soulfires, STORY MAGAZINE and others. His poetry has appeared in the James White Review and other Publications. Please be on the lookout for his novel THE ROAD TO ASTROWORLD which had quite a few New York Editors wagging their tongues. He resides in Houston, Texas with his cat Electra.
Damon woke up this morning to his normal life, in his normal townhouse next to his normal fiancée. But after a call from his friend Freedom, things begin to unravel. Blow one down is a hard-boiled story about a bad day. Damon made one real bad decision five years ago, but he has cut that part of his life away. To him, Brooklyn doesn't exist anymore. He doesn't know it yet, but Freedom's phone call is bringing it all back. By the end of the day, Damon will be forced to reap what he has sown--page 4 of cover.
Within A Week is a work of fiction based on a young man who had everything to live for but made bad choices for himself and the community he lived in because he received false medical results indicating he would be dead within a week.
This third sequel to angel a hustling diva with a twist is based mostly on angels children (Gloria) her daughter baby girl and son (little Ramon) known as King has taken stacking paper to levels that people only dream about, Gloria a. k. a. baby girl being a prominent attorney in Chicago has taken criminalization up a few notches, and Angel has come out of hiding only to get caught up in a police shoot out and survives again. ANGELS A HUSTLING DIVA WITH A TWIST THIRD SEQUEL, ANGELS RETIREMENT WILL SHE RETURN?