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A woman that hated evil spirits to the bones, a poison that men coveted, she, a dignified top tier assassin, had actually lost her life in the Mourning Game! Once she was reborn, she was lying in the middle of a group of headless zombies! The heck! In the God And Devil, with all the demons surrounding them and a group of men fighting over them! So what if she obeyed the will of heaven and turned into a 'devil'? Exorcist: Controlling Divine Beast, baiting Handsome Man, seeing her as a modern female diaosi, such as He Sheng killing her, showing her strength, using her sword to conquer the world ... ...
The first-ever collection of 50+ writings from the 20th-century critic who “redefined the possibilities of the literary essay”—including works not seen in print for decades (The New Yorker) Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here, she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction. She contemplates writers’ lives—women writers, rebels, Americans abroad—and the literary afterlife of biographies, letters, and diaries. Selected and with an introduction by Darryl Pinckney, the Collected Essays gathers more than 50 essays for a 50-year retrospective of Hardwick’s work from 1953 to 2003. “For Hardwick,” writes Pinckney, “the poetry and novels of America hold the nation’s history.” Here is an exhilarating chronicle of that history. “An authoritative immersion in American writing . . . Here are Dylan Thomas’s last days in New York . . . Truman Capote’s ‘unique crocodilian celebrity’; WH Auden, Isherwood, Henry James, Nabokov, Mailer, Frost, Elizabeth Bishop, to name but a few . . . ” —Financial Times
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.' The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body. Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer... First published in 1971, The Exorcist became a literary phenomenon and inspired one of the most shocking films ever made. This edition, polished and expanded by the author, includes new dialogue, a new character and a chilling new extended scene, provides an unforgettable reading experience that has lost none of its power to shock and continues to thrill and terrify new readers.