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His promising education was aborted; his close-knit family splintered. When the Gestapo came for Orbach's mother on Christmas Eve 1942, they escaped with false papers; his mother found sanctuary with a family of Communists and Orbach - under the assumed identity of Gerhard Peters - entered Berlin's underworld of 'divers'. He scraped a living by hustling pool, cheating in poker and stealing - fighting, literally, to stay alive. Outwardly he became a cagey amoral street thug, inwardly he was a sensitive, romantic boy, devoted son and increasingly religious Jew, clinging to his humanity. In the end, he was betrayed and sent to Auschwitz, on the last transport, in 1944. This singular coming of age story of life in the Berlin underground during WWII is, in essence, a story of hope, even happiness, in the very heart of darkness.
"She declares, so the bishops will write in their report on the council, that she is unworthy to continue as a married woman. 'Before God and his angels' she bares her heart and confesses to them 'every secret relating to the rumor that had arisen.' The 'rumor'--as will become apparent--concerns her sexual relations with her brother. True, the 'inner wound' which she 'confesses' to God and the bishops was not dealt her of her own volition but under duress, but it is in any event so terrible that she no longer feels herself worthy to share a royal or a marital bed or to marry anyone at all. The bishops and abbots allow her, as she had supposedly requested, to enter a convent."--from The Divorce of Lothar II The Divorce of Lothar II illuminates the origin and development of Western notions of marriage and divorce and the separation of church and state in the context of a notorious royal divorce in late Carolingian Europe. In 857, Lothar II, king of Lotharingia, decided to divorce Theutberga--either because she had allegedly engaged in an incestuous liaison with her brother or simply because Lothar had wished to marry his concubine Waldrada. Karl Heidecker's dramatic and engaging narrative untangles the chaos that resulted: two popes, a host of often quarreling bishops, and Lothar's conniving uncles soon became involved in an epic struggle that did not end even with the death of Lothar.The extraordinary series of events sheds light on the fact that the laws on marriage and divorce were still uncertain. The Church itself was hardly unified in its approach, and its efforts to formulate and impose rules repeatedly foundered against the political machinations characteristic of the Carolingian world. In The Divorce of Lothar II, Heidecker not only discusses the legal aspects of the case but also pays much attention to the often heavy-handed ways in which the players of the story achieved their goals.This ninth-century scandal becomes a study of family dynamics, changing values, and the tenuous relationships between kings, nobles, and bishops around the topic of royal marriage. Though the drama ended with no clear resolution of the Church's position, Lothar's quest is revealed as an early chapter in the emergence of the belief that marriage rests on the personal will of the partners, is monogamous, and should not be dissolved.
How does power manifest itself in individuals? Why do people obey authority? And how does a family, if they are the source of such dominance, convey their superiority and maintain their command in a pre-modern world lacking speedy communications, standing armies and formalised political jurisdiction? Here, Stuart Airlie expertly uses this idea of authority as a lens through which to explore one of the most famous dynasties in medieval Europe: the Carolingians. Ruling the Frankish realm from 751 to 888, the family of Charlemagne had to be ruthless in asserting their status and adept at creating a discourse of Carolingian legitimacy in order to sustain their supremacy. Through its nuanced analysis of authority, politics and family, Making and Unmaking the Carolingians, 751-888 outlines the system which placed the Carolingian dynasty at the centre of the Frankish world. In doing so, Airlie sheds important new light on both the rise and fall of the Carolingian empire and the nature of power in medieval Europe more generally.
In “The Making of Europe”: Essays in Honour of Robert Bartlett, a group of distinguished contributors analyse processes of conquest, colonization and cultural change in Europe in the tenth to fourteenth centuries. They assess and develop theses presented by Robert Bartlett in his famous book of that name. The geographical scope extends from Iceland to the Islamic Mediterranean, from Spain to Poland. Themes covered range from law to salt production, from aristocratic culture in the Christian West to Islamic views of Christendom. Like the volume that it honours, the present book extends our understanding of both medieval and present day Europe. Contributors are Sverre Bagge, Piotr Górecki, John Hudson, Hugh Kennedy, Simon MacLean, William Ian Miller, Esther Pascua Echegaray, Ana Rodriguez, Matthew Strickland, John Tolan, Bjorn Weiler, and Stephen D. White. This is an excellent collection of essays that do justice to Rob Bartlett’s inexhaustible book, The Making of Europe. Rather than merely repeating and venerating Bartlett’s ideas, the essays engage creatively and critically with them and spark new ideas and insights that cast a flood of light on the culture of medieval Europe. The result is a worthy tribute that will send readers scurrying back to Bartlett to quarry yet more nuggets from The Making of Europe, still fizzing with intellectual brio some twenty years after its publication. Stuart Airlie, University of Glasgow October 2015
BOOK 5 IN THE EPIC HISTORICAL SAGA OF THE COURTNEY FAMILY, FROM INTERNATIONAL SENSATION WILBUR SMITH 'Smith will take you on an exciting, taut and thrilling journey you will never forget' - Sun 'With Wilbur Smith the action is never further than the turn of a page' - Independent 'No one does adventure quite like Smith' - Daily Mirror A POWERFUL FAMILY. A DEVASTATING WAR. Centaine de Thiry Courtney has not only survived the many challenges of her life but has thrived. A successful businesswoman with two sons: Shasa Courtney, the Courtney heir, and Manfred de la Rey, Shasa's half-brother, her secret child raised solely by his father. But as the Great Depression takes hold, Centaine must make difficult decisions to ensure the security of her family - decisions that will affect Manfred and his father, Lothar de la Rey, a man Centaine once loved. But the world is changing, and conflicts greater than any the world has seen before are looming. Centaine and her children must face the upcoming war - and not all of them will be on the same side . . . A Courtney Series adventure - Book 2 in The Burning Shore sequence The Power of the Sword is the shocking second novel in The Burning Shore sequence of the Courtney family saga by Wilbur Smith, one of the best and most beloved authors of the century. Book 6 in the Courtney family series, Rage, is available now.
In the mist-shrouded haze of the past, long before the beginning of recorded time, there stood the world of Azeroth. Every kind of magical being strode the countryside among the tribes of man, and all was at peace -- until the arrival of the demons and horrors of the Burning Legion and their baneful Lord Sargeras, dark god of chaotic magic. Now Dragons, Dwarves, Elves, Goblins, Humans, and Orcs all vie for supremacy across the scattered kingdoms -- part of a grand, malevolent scheme that will determine the fate of the world of The Guardians of Tirisfal: a line of champions imbued with godlike powers, each one through the ages charged with fighting a lonely secret war against the Burning Legion. Medivh was fated from birth to become the greatest and most powerful of this noble order. But from the beginning a darkness tainted his soul, corrupting his innocence and turning to evil the powers that should have fought for good. Torn by two destinies, Medivh's struggle against the malice within him became one with the fate of Azeroth itself...and changed the world forever. THE LAST GUARDIAN An original tale of magic, warfare, and heroism based on the bestselling, award-winning electronic game from Blizzard Entertainment.
Louis Catron imbued experienced and fledgling playwrights with inspiration, guidance, and a passport to maximizing their writing skills as well as their overall ability to transform written words into a stage production. He understood that being a playwright is more than putting pen to paper. It involves expressing a personal point of view, bringing a vision to life, developing dimensional characters, structuring a play’s action, and finding producers, directors, and actors to bring the work to life. In the second edition Norman Bert infuses the enduring merits of Catron’s original work with examples, technological developments, and trends geared to today’s readers. Bert’s play references are familiar to contemporary students, including examples from plays written since 2000. He includes useful information on web-based research and the electronic submission process. A new chapter focuses on the playwright’s responsibility to lay the groundwork for production elements like casting, design, theatre architecture as it impacts audience–performer relationships, staging modes, and the uses and expectations of stage directions. Also new to this edition are reading resources for delving deeper into topics discussed.