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THE SUNDAY TIMES BESTSELLER AND WOMAN & HOME BEST BOOKS OF SUMMER 'Storytelling at its best' Daily Express Did you ever wish you could run away from your life and start again? When Betty's husband returns from the war broken and haunted, she knows her marriage is doomed. Taking a fleeting chance to escape, she goes on the run armed with a new identity. But penniless and alone, Betty quickly finds that starting again is much harder than she thought. And she never imagined it could end in murder . . . Sometimes you have to keep running if you want to survive. Praise for Lesley Pearse: 'Storytelling at its very best' Daily Mail 'Evocative, compelling, told from the heart' Sunday Express 'Glorious, heart-warming' Woman & Home
“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.”—The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.”—Los Angeles Magazine “A blistering look at La La Land.”—USA Today “One of the nastiest, tastiest tell-alls in showbiz history.”—People
David Eldridge's new version of Ibsen's classic play, published to coincide with its premiere at the Royal Exchange Theatre, Manchester, October 2010. When the lighthouse keeper's daughter Ellida meets the widower Dr Wangel, she tries to put her long-lost first love far behind her and begin a new life as a wife and stepmother. But the tide is turning, an English ship is coming down the fjord, and the undercurrents threaten to drag a whole family beneath the surface in this passionate and sweeping drama. Ellida must choose between the values of the land: solidity and reliability against those of the sea: mystery and fluidity. Ibsen's lyrical and still startlingly modern masterpiece, anticipated the emergence of psychoanalysis and talking cures. Similar to Hedda Gabler and A Doll's House, The Lady from the Sea vibrantly explores the constrained social position of women, exploring themes of choice, marriage, responsibility and freedom. David Eldridge's translation is subtle, faithful and sensitive to Ibsen's language, and makes this classic play accessible to the English reader without compromising any of the original's intensely poetic and atmospheric tone.
If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them--especially during the 1970s--and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don't Be Afraid of the Dark to the better-forgotten Look What's Happened to Rosemary's Baby, it's a trustworthy and entertaining guide to the golden age of the televised horror movie.
Imaginary friend Budo narrates this heartwarming story of love, loyalty, and the power of the imagination—the perfect read for anyone who has ever had a friend . . . real or otherwise Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear. Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy. When Mrs. Patterson does the unthinkable and kidnaps Max, it is up to Budo and a team of imaginary friends to save him—and Budo must ultimately decide which is more important: Max's happiness or Budo's very existence. Narrated by Budo, a character with a unique ability to have a foot in many worlds—imaginary, real, child, and adult— Memoirs of an Imaginary Friend touches on the truths of life, love, and friendship as it races to a heartwarming . . . and heartbreaking conclusion.
A queer, feminist spin on Stephen King’s The Mist, this ode to female-rage is a perfect pick for fans of She Is a Haunting, and a reminder that if "boys will be boys", girls will fight back. For high school senior Nell and her friends, a vacation house on a private Florida island sounds like the makings of a dream spring break. But Nell brings secrets with her—secrets that fuse with the island's tragic history, trapping them all with a curse that surrounds the island in a toxic, vengeful mist and the surrounding waters with an unseen, devouring beast. Getting out alive means risking her friendships, her sanity, and even her own life. In order to save herself and her friends, Nell will have to face memories she'd rather leave behind, reveal the horrific truth behind the encounter that changed her life one year ago, and face the shadow that's haunted her since childhood. Easier said than done. But when Nell's friends reveal that they each brought secrets of their own, a solution even more dangerous than the curse begins to take shape. Reading like a YA feminist spin on Stephen King’s The Mist, So Witches We Became is a diverse, queer horror about female friendship, the emotional aftermath of surviving assault, and how to find power in the shadows of your past. Step into your witchy power or be swallowed by the curse–the choice is yours.
Temptations by David Pinski is a thought-provoking and evocative work that delves into the complexities of human desires and moral choices. Pinski, known for his insightful and often controversial storytelling, presents a narrative that challenges readers to confront their own values and the nature of temptation. The novel explores the lives of its characters as they navigate a web of moral dilemmas, personal ambitions, and ethical conflicts. Through a series of richly developed scenarios, Pinski examines how individuals grapple with their innermost desires and the consequences of their actions on themselves and those around them. Temptations is celebrated for its deep psychological insight and its exploration of the human condition. Pinski’s writing is marked by its intensity and complexity, offering readers a compelling look at the darker aspects of human nature and the often ambiguous nature of right and wrong. With its focus on the moral struggles faced by its characters, Temptations provides a reflective and engaging read for those interested in literature that probes the intricacies of human behavior and the impact of personal choices. Pinski’s masterful narrative invites readers to examine their own beliefs and the universal challenges of temptation and morality.
Poetry is an art as well as divine nature, with Genres of life-paradise above all odds, a selection of poems written over the course of seven years from 2008 to 2014, Rebone Lanah Shashape felt it right from the palm of her heart that it is a good idea that she shall share her life experience, lessons, ideas, thoughts, plans, strategies and understanding of life and the world with this magnificent universe. This book was designed with passion for life and success for us all. Life should not only be lived, it should be celebrated too. Always strive for happiness not perfection because pain never waits for an invitation to be in your life. It has no shame it just gets in every time and every where. Let these poems help you to enjoy the ride in the journey called life, make you move forward, backward never! Write your mark and do your thing, walk the streets of life with confidence with your stomach in and your chest out. Go and follow your magic. Dont wait for things to happen to you- just go out and happen to things. Good luck and enjoy your ride.