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"You Wouldn't Understand" looks at ethnic diversity in schools through the eyes of teachers rather than pupils. It tells the story of one white teacher's developing understanding of how her own racial and ethnic background influenced the way she regarded and taught the mainly South Asian Muslim children in her classes. She began with a belief that narrowness in the curriculum was her students' problem, but she came to see the bigger picture. The book charts her gradual realization that many of the problems lcome from her own lack of understanding of race, racism, and her own racial identity. The book explores the idea of whiteness as not a biological but a social construction, and one which influences white people's ways of seeing the world in often unnoticed ways. The author relates whiteness to aspects of her own behaviour, which she recorded in a diary over five years. The book also considers the children's struggles to construct and understand their own emerging identities in this environment, and the views of several other white teachers, some of whom shared the author's confusion and doubts, and others who were more confident about teaching in culturally diverse classrooms. This searching analysis of the innards of whiteness and the way it affects how white teachers approach pupils who are not white is illuminating and important. It should be required reading for all teacher trainers and all white trainee teachers, as well as for white managers and teachers working in multi-ethnic schools.
The sudden death of a beloved fourth grade teacher shocks the class and forces the students to explore the concept of death and how to cope with their emotions. Our nine-year-old protagonist thinks no one could possibly understand these feelings and decides to bottle them up. However, the more the other students discuss their past experiences with grief, the more our main character realizes opening up to the right person is actually helpful. When children experience a significant death, their emotions are in flux and they grapple with all of the questions related to life coming to an end. How we teach children to cope, will have a direct impact on them for the rest of their lives. Included in this book, are suggestions for how to express grief as well as a helping section for adults.
An anthology of 62 stories from around the non-Euro-American world providing new definitions of cultural diversity and commonality and an invaluable tool for teachers responding to the growing need for multicultural literature. Over the past two decades, sweeping political changes and burgeoning new technologies have resulted in communities being increasingly defined in global as well as regional and national terms. Although the intellectual terra nova of world cultures remains largely uncharted, this anthology of sixty-two stories from around the non-Euro-American world provides what Elisabeth Young-Bruehl calls "an introductory map to the great wealth of literary works now being produced in, at once, the particular settings of the writers' experiences and the global setting." Young-Bruehl finds that while the cultural diversity the stories exemplify is amazing, so too is the similarity in thematic terms of the concerns that this diversity presents. Thus she organized Global Cultures thematically to highlight and clarify how these worldwide cultures both converge and diverge. A comprehensive general introduction outlines forces behind the transnational approach to literary study and chapter introductions contextualize each story. Stories from India, Cuba, South Africa, and Uruguay are connected by the theme of exile and immigration; tales from Nigeria, Guatemala, Cameroon, and Egypt share a theme of political violence and civil uprisings; works from Taiwan, Chile, Jamaica, and Syria describe commonalities of women facing effects of modernization, prejudice, war, and immigration. Global Cultures contributes to the fast-growing body of contemporary short fictions newly available in English and is an invaluable resource to meet the need for multicultural literature.
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Suzan-Lori Parks continues her examination of black people in history and stage through the life of the so-called "Hottentot Venus," an African woman displayed semi-nude throughout Europe due to her extraordinary physiognomy; in particular, her enormous buttocks. She was befriended, bought and bedded by a doctor who advanced his scientific career through his anatomical measurements of her after her premature death.
This definitive assessment of Cormac McCarthy’s novels captures the interactions among the literary and mythic elements, the social dynamics of violence, and the natural world in The Orchard Keeper, Child of God, Outer Dark, Blood Meridian, and The Road. Elegantly written and deeply engaged with previous scholarship as well as interviews with the novelist, this study provides a comprehensive introduction to McCarthy’s work while offering an insightful new analysis. Drawing on René Girard’s mimetic theory, mythography, thermodynamics, and information science, Markus Wierschem identifies a literary apocalypse at the center of McCarthy’s work, one that unveils another buried deep within the history, religion, and myths of American and Western culture.
Stoney Winston, diehard Hollywood gofer and grunt, is now a third-string writer on TV's hottest game show, O-Pun Sesame (Whaddya call a Russian Peasant? A ruble!) Suddenly, things go wrong bigtime. How does contestant Amber Sung Li know all the answers when only the computer knows the questions? Who's blackmailing Kelli Dengham with pictures too raunchy for even a Hustler-type rag? And who's the psychotic sending obscene threats about what he'll do to her when he grabs her? Delicious Kelli's an airhead-savant whose hilarious antics and scorching sensuality have made the show a megahit; but she isn't wrapped all that tight. Two murders later, Kelli does come unwrapped, with astonishing results that Stoney must hide from the checklout stand tabloid that's been hot on her trail. In the end, Stoney saves the girl and the show; and, as usual, faces the hard truth that his career is still going nowhere fast.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.