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A heartbreaking and mindbending story of a talented teenage artist's awakening to the brokenness of her family from acclaimed Printz award-winner A.S. King. Sixteen-year-old Sarah can't draw. This is a problem, because as long as she can remember, she has "done the art." She thinks she's having an existential crisis. And she might be right; she does keep running into past and future versions of herself as she wanders the urban ruins of Philadelphia. Or maybe she's finally waking up to the tornado that is her family, the tornado that six years ago sent her once-beloved older brother flying across the country for a reason she can't quite recall. After decades of staying together "for the kids" and building a family on a foundation of lies and domestic violence, Sarah's parents have reached the end. Now Sarah must come to grips with years spent sleepwalking in the ruins of their toxic marriage. As Sarah herself often observes, nothing about her pain is remotely original—and yet it still hurts. Insightful, heartbreaking, and ultimately hopeful, this is a vivid portrait of abuse, survival, resurgence that will linger with readers long after the last page. “Read this book, whatever your age. You may find it’s the exact shape and size of the hole in your heart.”—The New York Times “Surreal and thought-provoking.”—People Magazine ★ ”A deeply moving, frank, and compassionate exploration of trauma and resilience, filled to the brim with incisive, grounded wisdom.” —Booklist, starred review ★ ”King writes with the confidence of a tightrope walker working without a net.”—Publishers Weekly, starred review ★"[King] blurs reality, truth, violence, emotion, creativity, and art in a show of respect for YA readers."—Horn Book Magazine, starred review ★ “King’s brilliance, artistry, and originality as an author shine through in this thought-provoking work. […] An unforgettable experience.” SLJ, starred review
Unusual Stories, Unusually Told celebrates some of the boldest contemporary American voices with seven plays from Clubbed Thumb's Summerworks. Spanning 2001 to 2019 and accompanied by artist interviews and reflections on the work, this anthology presents a vital survey of formally inventive 21st century playwriting, and is a perfect collection for study and performance. U.S. Drag by Gina Gionfriddo A serial killer named Ed stalks the city, luring his victims by asking for help. To protect themselves, a group of New Yorkers form SAFE, “Stay Away From Ed.” The first rule: don't help anyone. It's a matter of urban survival. Slavey by Sigrid Gilmer In which Robert and Nora, a couple on the rise, get a big promotion, a bigger house, and a brand new slave. Dot by Kate E. Ryan In which old Dot and the weird kid from the neighborhood become friends. Set in that kind of Florida town that makes you wonder: is this TV, a book, or maybe even a cabaret? Baby Screams Miracle by Clare Barron In which a freak storm knocks down all the trees in town and a prodigal daughter is taught a new way to pray. But the weird weather's not over yet. Men on Boats by Jaclyn Backhaus Ten explorers. Four boats. One Grand Canyon. Men On Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Of Government by Agnes Borinsky The adventures of Barb the Teacher, Deb the Seeker, Heidi the Helper, Tawny the Addict and a host of others. With songs! Presented by Miss Marjorie Blain, her students, and members of the community. Light refreshments will be provided. Plano by Will Arbery Tonight, and later, and earlier, three sisters (no, not those ones) are stricken with a series of strange plagues. Let's talk about family nightmares. I mean, uh, memories.
Follow Jake and Peggy Farms to Charleston as they bring Jackson and June Chase to justice because they are committing investment fraud and leaving innocent victims impoverished.
"Signet Eclipse contemporary romance"--Spine.
The stories in this collection represent a range in topics and styles and feature a wide assortment of individuals who, although diverse, all have in common a singular element—trouble in their lives. That’s what fiction is about—trouble—and short stories have a particular mandate to be about the frailty of the human condition as well as its strength. The author has an affinity for the disenfranchised among us and it is those often heroic people that interest him the most. In these stories he treats them with the sensitivity and dignity they deserve. Praise for MONDAY’S MEAL: “The sad wives, passive or violent husbands, parolees, alcoholics and other failures in Les Edgerton's short-story collection are pretty miserable people. And yet misery does have its uses. Raymond Carver elevated the mournful complaints of the disenfranchised in his work, and Edgerton makes an admirable attempt to do the same.” —The New York Times Book Review “Reading Les Edgerton’s stories is like listening to those old World War II broadcasts from the London blitz, with the reporter crouching under a restaurant table, microphone in hand, while the bombs drop on the city and the ceiling caves in. Edgerton reports on the world and the news is not good. There’s a kind of wacky wisdom in these bulletins from the underside of life; the stories are full of people you hope never move in next door, for whom ordinary life is an impossible dream. This is good fiction; Edgerton writes lean and nasty prose.” —Dr. Francois Camoin, Director, Graduate School of English, University of Utah “Edgerton’s best stories are uncompromising in their casual amorality. They stare you down over the barrel of a gun, rip you up whether or not the trigger gets squeezed.” —Diane Lefer, Creative Writing Instructor in the MFA in Writing Program at Vermont College of Fine Arts “When it comes to short stories, Americans rule the roost. Flannery O’ Connor, Raymond Carver, Stephen King, Dorothy Parker, Charles Bukowski, Richard Ford, Kyle Minor. And you can add Les Edgerton to that list. Monday’s Meal contains twenty-one tales of dirt realism, sharp slices of American life. Edgerton has a strong and sure grasp of the lives of people who are standing on the edge of a precipice.” —Paul Brazill, author of Too Many Crooks and The Last Laugh “Filled to bursting with writing you can taste. Whether dining on bisque and blackened redfish at an upscale cafe, or eating rank mule meat in a pine board cabin, the characters in Edgerton’s world bite down hard and grind up one another with their back teeth. Monday’s Meal is a most satisfyingly vivid and visceral feast.” —Melody Henion Stevenson, author of The Life Stone of Singing Bird “This collection of 21 unsettling stories will appeal to readers looking for nontraditional contemporary plots with characters living on the fringes of society. Several selections will haunt readers for some time as events often take a morbid twist; others will leave them wondering about the endings.”—School Library Journal
MY PEOPLE and other crime stories is Liza Cody's collection of innovative and cutting edge short stories written between 2003 and 2021. Two have never been previously published in English. This prize-winning author is known for her outspoken yet subtle invocations of all aspects and consequences of violence and betrayal. Cody was one of the first writers to put women at the centre of private detective novels and short stories. Book Review 1: "Cody is a storyteller... Reading her is refreshing after the bravado... of the American style." "Cody’s dialogue is always funny and full of purpose, and here she’s found her perfect protagonista creative mangler of platitudes and uncontrollable shredder of pomp and hypocrisy," and "Great dialogue as ever and some gorgeous imagery. It all added up to a book I'm sorry to close." (About LADY BAG.) -- Newgate Callendar, New York Times Book Review; Mat Coward, The Morning Star; Peter Lovesey, MWA Grandmaster Book Review 2: "Eva is a wondrous creation – an incorrigible innocent in a story that crackles with energy. Super Cody." "It's like a rock-and-roll version of Pilgrim's Progress. Eva is rude, crude, funny, touching and perhaps the boldest creation to land in recent crime fiction." (About BUCKET NUT.) -- Kirkus Reviews; The Philadelphia Inquirer Book Review 3: "Give me more books like Gimme More." "Probably the greatest rock'n'roll novel ever." (About GIMME MORE.) -- Laura Lippman; Nick Johnstone, uncut