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In If You Say So, James Sweigert, mentor and coach to many celebrities, rockstars, and movie executives, writes about a key truth: the way you conceptualize your life- the story you tell yourself-makes it what it is. If you say so.
Shirley and Claude move across Texas in their covered wagon, looking for a peaceful place to settle down.
Failure is not a sign of weakness. Failure is an open door to find a new way.
It’s about time two lifelong friends, Cole and Ivy, realize there is more to their feelings for each other than a platonic friendship. Unfortunately, it took a near death experience for them to realize how deep their feelings truly run. Can they make it through the muddy waters of recovery, change the dynamic of their friendship, and find love? About the Author A Southern California native with a degree in English and an overactive imagination, Karen Cometti creates stories of love and laughter, in between working a full-time job for a local school district and being a wife and mother.
Master, Because You Say So I Will Do It, is an encouraging message of hope which is based on Luke's account of Jesus calling Simon, James and John to become his disciples.
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
Sometimes life is a dream you don't want to wake up from . . . The night Alison Lockhart walks in to Undisputed, she only wants to have a drink, celebrate a friend's birthday, and forget about the newest guy her mother tried to set her up with. It's why, when the infamous Jay "The Hurricane" Hamilton-one of the highest-ranking boxers at The Underground-labels her a ring rat, she writes him off as just another guy with an over-inflated ego. Only she can't stop thinking about him. Or his steel-blue eyes. Or the apology on his perfect lips. Their fall is fast and hard, but when Alison's ex shows up and Jay starts keeping secrets, will they be able to find their way out of the nightmare?
Poetry. The poems in SAY SO are at once rigorously formal and wildly experimental. Human utterance—be it prayer or plea or pun or turn of phrase or epithet—is one of SAY SO's primary pistons; poetic tradition—rhyme, meter, form, rhetoric—is another; the beauty and betrayals of the body, or bodies—echoed in the beauty and betrayal of language itself—is a third. Together, these forces provide the pressure that makes SAY SO move and brings these poems to life.
For over fifty years, one fact has dominated global politics- the United States can respond to any challenge to its power however it sees fit. Whatever the world may think, US actions are legitimate simply because they say so. With charateristic clarity and authority, Chomsky takes American imperialism head-on. From Edward Snowden and Palestinian-Israeli relations to political philosophy and how we structure democracy, Because We Say So offers a cross-section of perspectives on the question of America's ongoing hegemony.
Blake and I weren't always together. But, to be fair, we weren't always not together either.It began innocently. We were friends, nothing more.Then two years ago, everything changed.I noticed his stares. He noticed mine.We weren't just friends anymore-we were a whole hell of a lot more than that.And that's how we remained, blissfully in love and ready to conquer anything that stood in our way.Except for ourselves.