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A superbly illustrated history of five centuries of Jewish manuscripts The love of books in the Jewish tradition extends back over many centuries, and the ways of interpreting those books are as myriad as the traditions themselves. Skies of Parchment, Seas of Ink offers the first full survey of Jewish illuminated manuscripts, ranging from their origins in the Middle Ages to the present day. Featuring some of the most beautiful examples of Jewish art of all time—including hand-illustrated versions of the Bible, the Haggadah, the prayer book, marriage documents, and other beloved Jewish texts—the book introduces readers to the history of these manuscripts and their interpretation. Edited by Marc Michael Epstein with contributions from leading experts, this sumptuous volume features a lively and informative text, showing how Jewish aesthetic tastes and iconography overlapped with and diverged from those of Christianity, Islam, and other traditions. Featured manuscripts were commissioned by Jews and produced by Jews and non-Jews over many centuries, and represent Eastern and Western perspectives and the views of both pietistic and liberal communities across the Diaspora, including Europe, Israel, the Middle East, and Africa. Magnificently illustrated with pages from hundreds of manuscripts, many previously unpublished or rarely seen, Skies of Parchment, Seas of Ink offers surprising new perspectives on Jewish life, presenting the books of the People of the Book as never before.
Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.
""Rick Barton should have been a San Francisco legend," wrote author and artist Etel Adnan in a 1998 essay. Barton (American, 1928-1992) was born and raised in New York and settled in the Bay Area in the 1950s. Working primarily in pen or brush and ink, in a kaleidoscopic linear style, Barton ceaselessly recorded the world around him. His intricate sheets capture the intimate interiors and social spaces, lovers and friends, and architectural and botanical subjects that fascinated him. Bringing together more than sixty drawings, two accordion-folded sketchbooks, and printed books and portfolios, this catalogue presents the work of a significant and, until now, unheralded figure of the Beat era. Complementing the images are a deeply researched essay by Rachel Federman, curator of the accompanying exhibition at the Morgan Library & Museum, and an excerpt of Adnan's essay, the first and previously the only published account of Barton"--
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The world is like a giant puzzle God made that teaches us about Himself. Every piece¿earth, sea, and sky, plants, animals, and people¿reveals something about who He is and why we¿re here. Everything Tells Us about God will help children recognize the beautiful and sometimes mysterious pieces of this puzzle for themselves.
Artist Ilene Winn-Lederer's conception of Between Heaven and Earth: An Illuminated Torah Commentary had its roots in the unique invitation she designed for her son's bar mitzvah in the 1980s. The tri-fold card incorporated themes from the Torah, the Haftorah, and the commentaries on both books, and it led to many commissions for artworks based on themes from Jewish liturgy. Eventually this cumulative body of work inspired her to illuminate the complete Torah, and for five years she focused her studies and extraordinary illustrative skills on the creation of this book. The first five books of the Bible, the Torah, are divided into fifty-four portions, or parashiyot(singular parashahI/i>). Each week of the Jewish year, a portion is read and studied; every Jewish congregation in the world reads from the same parashah each week, and the Torah is read in sequence through the year. Between Heaven and Earth presents a two-page spread for each parashah, with Winn-Lederer's bold and beautiful imagery accented with Hebrew and English text excerpts rendered in her elegant calligraphy. The illuminated Torah is followed by a section titled "AfterImages: Artist's Notes," in which Lederer details the biblical story, symbols, and personal reflections that guided each illustration. She conveys her extensive knowledge of the Torah clearly and accessibly, offering her interpretations against a backdrop of years of scholarship. Between Heaven and Earth is a signature work from a consummate artist whose vision is informed by both tradition and her vigorous imagination. There is nothing else like it in the world.
in 1964, I entered into a family freshly different from my own. I admired their simplicity and generosity, and thought of the pictures I made as agreements. I wanted to pay attention to the body and personality that had agreed out of love to reveal itself. Following his marriage to Edith Morris in 1964, Emmet Gowin began taking memorable portraits of his wife and extended family in Virginia. Emmet Gowin Photographs presents a collection of 68 of these images, accompanied by a short personal text by the photographer. Inspired by the work of Walker Evans, Robert Frank, Harry Callahan and Frederick Sommer, Gowin approaches his subjects with a reverence for the relationship between photographer and sitter. Although his photographs often resemble home snapshots, he aspires to take pictures that succeed as more than just family records, in some cases allowing the camera lens to dictate the circular shape of the image. Emmet Gowin Photographs was first published in 1976 by Alfred A. Knopf, New York. For the production of the 2009 edition the photographs were scanned at Steidls digital darkroom from vintage prints. Without changing the size of the images, the book format was slightly increased.
A collection of essays commemorating the 1922 publication of James Joyce's Ulysses. Includes contributions by preeminent Joyce scholars and by curators of his manuscripts and early editions.