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"Included in the book are a selection of Stafford's poetry on the subject of writing, and an essay on the origins and influences of his art."--Page 4 of cover.
"Included in the book are a selection of Stafford's poetry on the subject of writing, and an essay on the origins and influences of his art."--Page 4 of cover.
Essays, interviews, and poetry by revered poet and teacher William Stafford
A collection of the poet's early works, mostly unpublished, includes poems written while he was assigned to the Civilian Public Service camps during World War II for his opposition to the war.
Stafford's advice to beginning poets has become a favorite text in writing programs
Essential reading for scholars, poetry lovers, and anyone with an interest in Rainer Maria Rilke, German poetry, or the creative impulse, these ten letters of correspondence between Rilke and a young aspiring poet reveal elements from the inner workings of his own poetic identity. The letters coincided with an important stage of his artistic development and readers can trace many of the themes that later emerge in his best works to these messages—Rilke himself stated these letters contained part of his creative genius.
Born the year World War I began, acclaimed poet William Stafford (1914-1993) spent World War II in a camp for conscientious objectors. Throughout a century of conflict he remained convinced that wars simply don't work. In his writings, Stafford showed it is possible--and crucial--to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away. This book gathers the evidence of a lifetime's commitment to nonviolence, including an account of Stafford's near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford's pacifist poems and interviews from elusive sources. Stafford provides an alternative approach to a nation's military habit, our current administration's aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.
Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars. Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.
The stories in Everyone Remain Calm reveal landscapes where the surreal and the familiar clash, to visceral effect. A woman yearns for—and dreads—the snowfall that arrives whenever her ex-boyfriend returns to the home she shares with their son. Another character reassures herself after breakups by seeking out the monster under her bed, the Incredible Hulk himself, for rebound sex that can be hot, heavy, and unnerving. Marching bands blare all the way from New Orleans to the Midwest. There are wild shootouts, rising tides, and perils embedded in the act of storytelling itself. “There are words that can kill you if you’re not careful,” Stielstra writes. And the stories we tell ourselves are the most fantastic tales of all. Everyone Remain Calm is eerie, hilarious, moving, and down-to-earth, even as its characters defy the rules—sometimes in the ways we wish we could.