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The purpose of this book is to make the point that we should allow ourselves to dream about a perfect world and then go ahead and set our sails in that direction. It may take time, but what life-labored mission is any more worth the while?
A collection of short stories and novelettes created from events that take place in a world between nowhere and somewhere. What may not be a reality to some is quite the opposite for others. These literary images aim to touch some part of people, somewhere inside; there are some emotions that certain things seem to just tug on. Take a journey down different paths filled with creativity and pure imagination. What you see isn't always the way it seems.
When the most successful film studio in Hollywood is racked with failed projects, financial reversals and bizarre accidents, rumors swirl that legendary long-time studio head Nero is on the chopping block. The notorious and increasingly erratic Nero engineers a pre-emptive strike against the studio’s parent company by staging a star-studded film shoot in the desert and then orchestrating a series of increasingly traumatic accidents—prematurely triggered pyrotechnic effects, blanks switched out for live ammo, and worse—guaranteed to make the project fail so lethally that it brings down the very studio that he created. The cast and crew settle into their temporary desert home blissfully unaware that the entire location sits on top of a radioactive waste dump. As the film’s magnetic lead actor Tony Billings scrounges for drugs and cheap thrills, he is stalked by an obsessive entertainment journalist, Frederick M Barclay, who pursues his ultimate objective to once and for all lay open his subject in the most gruesome possible way.
“A searing crime novel…Gifune shows his versatility in this coming-of-age tale.” —Publishers Weekly All they had was each other…and nothing to lose… Summer, 1984. For Richie Lionetti and his gang of friends, their years as teenagers are coming to an end. At a crossroad in their lives as petty criminals and thugs on the mean streets of New Bedford, Massachusetts, they’ve got one final summer, one last chance to fall in love, brawl for their turf, rob and pillage, and one last chance to make a move and pull a job that could change their lives forever. As a series of brutal heatwaves hit southeastern Massachusetts, the city boils, and everyone is on edge. In the hopes of finding something better, Richie desperately searches for meaning in all the violence, sex and degradation that is his daily life. But at what price? Part coming-of-age tale, part dark crime thriller, Dangerous Boys is the story of a group of young punks with nothing left to lose, fighting to find themselves, their futures, and a way out of the madness and darkness before it’s too late. Praise for DANGEROUS BOYS: “Extremely well written and quite compelling, Dangerous Boys hits all the right marks. It’s a novel you’ll enjoy reading and regret when the last page is turned. Reminded me a bit of Dennis Lehane, a bit of Martin Scorsese, and a bit of S.E. Hinton. What I’m saying is: Greg F. Gifune has written a crime novel that’s character-driven, jarringly violent, and somehow tender.” —Grant Jerkins, author of Abnormal Man “Dangerous Boys may well be the best thing Greg F. Gifune has written, and that’s a tall order given his deep and accomplished oeuvre. Stunning, breathtaking, and a bloody nightmare of a ride, this crime novel will reverberate through every inch of your heart and soul, and will cement Greg’s already top-shelf reputation with readers of real literature.” —Trey R. Barker, author of the Jace Salome novels “Dangerous Boys is Vision Quest meets The Outsiders with a dash of Less Than Zero thrown in. If none of those references make any sense to you, then you have some reading to do...AFTER you devour Dangerous Boys! Whether you want nostalgia, pain, darkness, sex, violence, or struggle, you’ll find it here.” —Frank Zafiro, author of Blood on Blood “This is it—a gritty, street-wise, cigarette-behind-the-ear coming-of-age novel that evokes Hinton’s The Outsiders, the best of Dennis Lehane, and a dash of Mean Streets. Gifune continues to astound, able to perfectly balance the darkest parts of humanity with its most tender moments. Dangerous Boys is Gifune at his best.” —Ronald Malfi, author of Bone White “Dangerous Boys is a testosterone-fueled, taut moral tale in the tradition of Nelson Algren’s lonely street hustlers and Richard Price’s The Wanderers. Greg F. Gifune drops you into the backseat of an IROC cruising the hot mean streets with cigarette smoke in your eyes and last night’s booze on everyone’s breath. He makes your palms sweat and your heart break for these small-time hoods. Fast, brutal, vivid action—and dialogue as sharp as a broken pool stick. These boys are gonna kick your ass!” —Steven Sidor, author of Fury From the Tomb
The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes. This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.”
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A young African American girl moves from the inner city of Newport News, Virginia to the neighboring town of Williamsburg where she meets a white boy with a troubled home life. The two find a bond while learning to deal with the world around them during the early 90's. *This book contains mature content.
Chicago has long served as a symbol of urban pathology in the public imagination. The city’s staggering levels of violence and entrenched gang culture occupy a central place in the national discourse, yet remain poorly understood and are often stereotyped. Views from the Streets explains the dramatic transformation of black street gangs on Chicago’s South Side during the early twenty-first century, shedding new light on why gang violence persists and what might be done to address it. Drawing on years of community work and in-depth interviews with gang members, Roberto R. Aspholm describes in vivid detail the internal rebellions that shattered the city’s infamous corporate-style African American street gangs. He explores how, in the wake of these uprisings, young gang members have radically refashioned gang culture and organization on Chicago’s South Side, rejecting traditional hierarchies and ideologies and instead embracing a fierce ethos of personal autonomy that has made contemporary gang violence increasingly spontaneous and unregulated. In calling attention to the historical context of these issues and to the elements of resistance embedded in Chicago’s contemporary gang culture, Aspholm challenges conventional views of gang members as inherently pathological. He critically analyzes highly touted “universal” violence prevention strategies, depicting street-level realities to illuminate why they have ultimately failed to reduce levels of bloodshed. An unprecedented analysis of the nature and meaning of gang violence, Views from the Streets proposes an alternative framework for addressing the seemingly intractable issues of inequality, despair, and violence in Chicago.
For the better part of her young life, Karen Baker reacts to people who either praise or resent her tawny complexion. When her mother abandons the family, she is left to help raise her younger siblings as her father unfortunately is absent even when he is at home. A biracial woman from a mentor program shows her new ways of looking at things and a positive change begins in Karen. However, Karen quickly learns everything has a price. Lacking a sense of belonging, Karen feels misunderstood in high school and defensive in college. Her failed romances with men of various ethnic groups make things even worse. As she journeys through her life, she gives up the idea that light skin and long hair are the main definitions of beauty. She also stops believing college graduates are better than people who do not have advanced education. Similar to Passin' by Karen E. Quinones Miller and Good Hair by Benilde Little, this novel explores African-Americans' internal color and cultural discrimination.