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Dorothy Shea Chapman was the last person in the world to take herself seriously. When she first came to our Autobiography Workshop, held in the Community/Senior Citizen Center in Dana Point, CA, she entered the room with a bouncing flair and a spirited walk, while folding up her red-tipped white cane. One knew immediately that this woman was full of wit, intelligent without the egotism that often goes with it, possessing a self-deprecating manner that worked as a magnet. She drew others to her without any visible effort. Dorothy's essays and poetry hit their target every time. Nothing-no subject-was off-limits for her pen. She exhibits a sensitivity not often seen when she tackles life's most laborious challenges-even grief. She tackled everything from kitchen pots to kibitzing pols, from gravy to graft, so to speak. This book promises you one laughing-out-loud page after another! Let this mother, grandmother and great-grandmother regale you, teach you, and bless you.
A step-by-step plan offers examples and exercises on how to determine and live by a set of values, experiment with failure as a formula for success, and take life beyond set limits.
The Apprenticeship of Duddy Kravitz is the novel that established Mordecai Richler as one of the world’s best comic writers. Growing up in the heart of Montreal’s Jewish ghetto, Duddy Kravitz is obsessed with his grandfather’s saying, “A man without land is nothing.” In his relentless pursuit of property and his drive to become a somebody, he will wheel and deal, he will swindle and forge, he will even try making movies. And in spite of the setbacks he suffers, the sacrifices he must make along the way, Duddy never loses faith that his dream is worth the price he must pay. This blistering satire traces the eventful coming-of-age of a cynical dreamer. Amoral, inventive, ruthless, and scheming, Duddy Kravitz is one of the most magnetic anti-heroes in literature, a man who learns the hard way that dreams are never exactly what they seem, even when they do come true.
(Applause Books). Feydeau was the greatest of a great age of French farceurs and the first to enter the modern repertory. Of the more than 40 plays Feydeau wrote, over a third were one-acts. In this volume, Shapiro has selected and translated eight of these one-act plays, among them Feydeau's first and last works. Includes: Ladies' Man * Wooed and Viewed * Romance in A Flat * Fit to Be Tried, or, Stepbrothers in Crime * Mixed Doubles * The Boor Hug * Caught with His Trance Down * Tooth and Consequences, or, Hortense Said: "No Skin Off My Ass!"
DigiCat Publishing presents to you this special edition of "The Dead Lake, and Other Tales" by Paul Heyse. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
From the internationally bestselling author Sarah Rayner, Another Night, Another Day is the emotional story of a group of strangers who come together to heal, creating lifelong friendships along the way. Three people, each crying out for help. There's Karen, about to lose her father; Abby, whose son has autism and needs constant care; and Michael, a family man on the verge of bankruptcy. As each sinks under the strain, they're brought together at Moreland's Clinic. Here, behind closed doors, they reveal their deepest secrets, confront and console one another, and share plenty of laughs. But how will they cope when a new crisis strikes?
Britain in the nineteenth century saw a series of technological and social changes which continue to influence and direct us today. Its reactants were human genius, money and influence, its crucibles the streets and institutions, its catalyst time, its control the market. In this rich and fascinating book, James Hamilton investigates the vibrant exchange between culture and business in nineteenth-century Britain, which became a center for world commerce following the industrial revolution. He explores how art was made and paid for, the turns of fashion, and the new demands of a growing middle-class, prominent among whom were the artists themselves. While leading figures such as Turner, Constable, Landseer, Coleridge, Wordsworth, and Dickens are players here, so too are the patrons, financiers, collectors and industrialists; publishers, entrepreneurs, and journalists; artists' suppliers, engravers, dealers and curators; hostesses, shopkeepers and brothel keepers; quacks, charlatans, and auctioneers. Hamilton brings them all vividly to life in this kaleidoscopic portrait of the business of culture in nineteenth-century Britain, and provides thrilling and original insights into the working lives of some of the era's most celebrated artists.