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The Amazing sequel to the book Blind Love Cant See ME. This is the end all be all for all that has happen to Michelle, Jamille, and the rest of the people you have grown to love. This book really answers all questions filling in any blanks left from the last book
Poetry that comes from the heart, it touches into the deepest part.From the trails of life, love and learning. "For each of us to see, just how it can really be. To let each of us know, there is a pure glow. Even as we feel alone today, there is someone who can say. They feel it too, it's not just only you."
Lights. Camera. Murder. The Dexter series continues with a wild ride through Hollywood. • The Killer Character That Inspired the Hit Showtime Series Dexter Mega-star Robert Chase is famous for losing himself in his characters. When he and a group of actors descend on the Miami Police Department for "research," Chase becomes fixated on Dexter Morgan, the blood spatter analyst with a sweet tooth and seemingly average life. Chase shadows Dexter's every move, trying to learn what makes him tick. However, Dexter's favorite pastime of hunting down the worst killers who've escaped legal prosecution—and introducing them to his special brand of justice—presents, well, a bit of a problem. It's a secret best kept out of the spotlight if Dexter wants to stay out of the electric chair, but even Dexter isn't immune to the call of fame....
Kelley Armstrong's New York Times bestselling Darkest Powers trilogy is collected here for the first time! The Summoning: Chloe is locked up in Lyle House, a "special home" for troubled teens. Yet the home isn't what it seems. There is definitely more to Chloe's housemates than meets the eye. The question is, whose side are they on? It's up to her to figure out the dangerous secrets behind Lyle House . . . before its skeletons come back to haunt her. The Awakening: Chloe Saunders is a living science experiment--not only can she see ghosts, but she was genetically altered by a sinister organization called the Edison Group. She's a teenage necromancer whose powers are out of control, which means she can raise the dead without even trying. Now Chloe's running for her life with three of her supernatural friends--a charming sorcerer, a cynical werewolf, and a disgruntled witch--and they have to find someone who can help them before the Edison Group catches them. The Reckoning: Chloe Saunders's life is not what you would call normal. First of all, she can't figure out how she feels about a certain antisocial werewolf or his charming brother--who just happens to be a sorcerer. Then there's the fact that she's running for her life from an evil corporation that's trying to kill her and her supernatural friends. And finally, she's a genetically altered necromancer who can raise the dead, rotting corpses and all, without even trying. But Chloe has a plan. And the end is very near.
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.
"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy. . . . Riddley Walker is haunting and fiercely imagined and—this matters most—intensely ponderable." —Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." —Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style. . . . The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." —Anthony Thwaite, Observer "Extraordinary . . . Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." —Michael Dirda, Washington Post Book World "Stunning, delicious, designed to prevent the modern reader from becoming stupid." —John Leonard, The New York Times "Highly enjoyable . . . An intriguing plot . . . Ferociously inventive." —Walter Clemons, Newsweek "Astounding . . . Hoban's soaring flight of imagination is that golden rarity, a dazzlingly realized work of genius." —Jane Clapperton, Cosmopolitan "An imaginative intensity that is rare in contemporary fiction.' —Paul Gray, Time Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state—and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture—rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.
Reproduction of the original.
George Gissing’s The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of ‘odd’ or ‘redundant’ women, the cultural impact of ‘the new woman,’ and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be ‘odd’ or ‘redundant,’ and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing’s text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written. In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.