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A new memoir from renowned political activist and author of Street Fighting Years: An Autobiography of the Sixties The revolutionary upsurge of 1968–1975 jump-hopped continents with ease but finally petered out. What happened after is the subject of You Can’t Please All. Tariq Ali recounts a life committed to writing and cultural interventions. An eyewitness in Moscow to the fall of the Soviet Union, he was caught up in the intellectual excitement that had gripped the country. In Porto Alegre, Hugo Chávez invited him to visit Caracas, and the two men developed a striking friendship. Post-2001, as a founding member of the Stop the War Coalition, he became a fierce critic of the War on Terror, visiting many US cities with surprising regularity to engage in debate and discussion, inaugurating a new phase of political activism. Evident in his work is the integral part politics plays in his life. He is one of the most sought-after socialist and anti-imperialist public intellectuals on most continents. Underlying the narrative is a chain of anecdotes, reflections, jottings and storytelling. The book explores his work for the theatre and film, as well as his fiction, including the acclaimed Islam Quintet. There are pen portraits of friends and comrades such as Edward Said, Derek Jarman, Richard Ingrams, Benazir Bhutto, Mary-Kay Wilmers, and the intellectuals who founded and relaunched New Left Review: E. P. Thompson, Perry Anderson and Robin Blackburn. The book also contains a moving family portrait, describing how his parents met and lived during the early years of Pakistan.
Bhupen Khakhar (1934–2003) was active in India from the late 1960s. A gentle radical, his luminous paintings addressed issues of class, gender and sexuality with sensitive, often tragicomic nuance. This publication presents a fresh take on his artistic, social and spiritual interests. Significant essays on Khakhar’s artistic influences are accompanied by focused responses to key works by leading writers, curators and artists. Khakhar’s unique voice is revealed in excerpts from the last interview before his death in 2003, and in a facsimile reproduction of the artist’s book Truth is Beauty and Beauty is God, out of print since 1972. With personal and touching contributions by those who knew him, this richly illustrated publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism. 0Exhibition: Tate Modern, London, UK (01.06-06.11.2016) / Deutsche Bank Kunsthalle, Berlin, Germany (18.11.2016-06.03.2017).
Twelve-year-old Giles is the last person anyone would expect to save the planet. But when he witnesses an alien realtor showing Earth to possible new tenants. he knows he'd better do something.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
A deeply personal collection of poetry and art by the award-winning actor, comedian, and composer. With a poetic voice that is by turns lyrical and plainspoken, Charlyne Yi writes about the uncertainty of relationships, the absurdity of societal expectations, family trauma, and identity. In this intimate collection, you’ll find poems and accompanying line illustrations that are playful and profound, sometimes darkly funny, and often acutely moving. “Direct, personal and attention holding. It’s Yi as you may not have seen or heard her before . . . In short bursts that barely fill a page, often accompanied by line illustrations to underscore them, the poetic voice in Yi’s first book of poetry can be alternately angry, playful, blunt, and lyrical.” —The MetroWest Daily News “It’s clear that the reader is about to embark on a literary journey marked by an acceptance—and worship—of all things tender, open, sensitive, authentic, and human. It also offers ideas on kindness, race, culture . . . a testimony to being alive—it’s powerful in its quietness, its exactness. It’s soft, real, and to the point.” —Little Infinite
Set in the future when "firemen" burn books forbidden by the totalitarian "brave new world" regime.
Glin Dibley, a major talent whose illustrations were hailed as "exuberant" by School Library Journal, and new author Valerie Wheeler combine forces to create a rollicking, riotous picture book that will have youngsters giggling and shouting with delight. Yes, kids will happily shout out the answers to the wonderfully silly questions posed in this picture book. And, no, they won't even realize they're learning about manners at the same time, because they'll be having way too much fun. The bright and goofy text simply encourages young ones and their parents to make a joyful noise in chorus with the happy little boy in the story. Would you like to ride on the back of a dolphin? --Yes, please! Would you like the dolphin to steal your bathing suit? --No, thank you. Would you like to visit the fair and go on all the rides? --Yes, please! Would you like to throw up on the lady beside you? --No, thank you. Will children want to read this over and over and over again? Oh, yes please!
Jill walked over and stood next to Sally. She played right before Sally in the recital. "I liked your pieces," Jill said. Sally said, "But I messed up on the second one. It sounded really bad." "Oh, I didn't notice," Jill said. She shrugged, "I made a couple of mistakes too. It's no big deal" Sally thought Jill was just trying to be nice. She couldn't remember Jill every making a mistake when she played. In fact, she made it look so easy all the time. After another sip of punch and a chocolate chip cookie, Sally was ready to leave. She wasn't in a very good mood and most of all she didn't want to face Mrs. Pratt. Sally felt like she had let her down. Sally Sanders is a perfectionist—if can’t she be the best, she feels like a failure. Sally procrastinates, shies away from new things, and constantly compares herself to others, convinced she’s not good enough. With the help of her teachers and mother, Sally learns how to relax and try new things without worrying so much about being the best. She can just be herself, and that is all she needs.
#1 New York Times Bestseller “Funny and smart as hell” (Bill Gates), Allie Brosh’s Hyperbole and a Half showcases her unique voice, leaping wit, and her ability to capture complex emotions with deceptively simple illustrations. FROM THE PUBLISHER: Every time Allie Brosh posts something new on her hugely popular blog Hyperbole and a Half the internet rejoices. This full-color, beautifully illustrated edition features more than fifty percent new content, with ten never-before-seen essays and one wholly revised and expanded piece as well as classics from the website like, “The God of Cake,” “Dogs Don’t Understand Basic Concepts Like Moving,” and her astonishing, “Adventures in Depression,” and “Depression Part Two,” which have been hailed as some of the most insightful meditations on the disease ever written. Brosh’s debut marks the launch of a major new American humorist who will surely make even the biggest scrooge or snob laugh. We dare you not to. FROM THE AUTHOR: This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative—like maybe someone who isn’t me wrote it—but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book: Pictures Words Stories about things that happened to me Stories about things that happened to other people because of me Eight billion dollars* Stories about dogs The secret to eternal happiness* *These are lies. Perhaps I have underestimated my sneakiness!