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The classic resonator guitar sound is currently popping up in all types of music ranging from country to bluegrass to blues to rock. Resonator Guitar is a fun instrument to play. Janet Davis has taught people of all ages to play resonator guitar and in her own words, They all have a good time pickin' and grinnin'. This is a very easy method to follow and it will teach you basics of resonator performance including both chording and single note playing using the slide bar. Also, you will play bluegrass, old-time country, blues, Hawaiian, fiddle tunes, folk songs and more. This method covers an extremely wide and diverse array of topics. If you want to play Dobro, this book will show you how! In tablature only.
A step-by-step method by two noted Dobro authorities. This method takes the student through the basics of bar position, right hand technique, producing harmonics, and minor and seventh chords. Features 25 solos in G tuning, written in notation and tablature.
A collection of over 200 great Bluegrass, Old Time, Country and Gospel standards. Melodies are presented with standard notation and tablature along with lyrics and chords.Learn to play songs written and recorded by the giants of traditional American music: Bill Monroe, the Stanley Brothers, Flatt & Scruggs, Ralph Stanley, the Osborne Brothers, Jimmy Martin, Doc Watson and many more. Also included: Step-by-Step instruction on how to transpose any song to any key!The two CDs include recordings of EVERY song in the book.
This is one of the all-time best selling methods for playing Country style Resonator guitar. Written by the legendary Dobro soloist, Tom Swatzell, it features G tuning and includes 27 solos in notation and tablature. Also included are rare photographs of Tom Swatzell and Ed Dopera, one of the original inventors of the Dobro.
(Music Sales America). This definitive sourcebook serves as an introduction covering all types of chords for today's traditional and modern Dobro players. Available in a handy guitar case size, it covers chord recipes and theory, full and partial chord forms and progressions.
Today, more and more musical styles are discovering the distinct sound of the pedal steel guitar. Teach Yourself to Play Pedal Steel Guitar uses a fun and easy-to-follow approach that is great for every guitarist and beginners with no prior musical training. You will learn the basics of how to tune, read music and TAB, right- and left-hand techniques, and improvising. A recording is included for play-along and practice. By the time you're done, you'll be ready to learn your favorite songs and play with a band. 96 pages.
Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.
A visual way to master chords and scales on six string Dobro and lap steel guitars in open G tuning. * All chord and scale positions are presented as graphs, letting the player become fully familiarized with the instrument. * Each graph describes a different position showing the neck to its full length so the player will see the book as if the instrument is lying on their lap. * This book offers numerous positions of chords in all twelve keys as well as most essentialscales and modes.
An innovative book that enables the student to play rhythm chords immediately to create exciting sounds on the harmonica, You Can Teach Yourself Blues Harp is designed to allow the beginning student gain maximum results in the shortest amount of time. The student is guided is developing the ability to hear blues progressions and styles Upon completion of this method, the student will have developed the ability to handle the demands of most blues music. Written by a masterful teacher with years of studio, classroom, and workshop experience, if you really want to play blues harp, this is the book for you! The accompanying recordings contain a spoken introduction and demonstrate each exercise in the book. The recording is split-track w with solo harmonica on one track and accompaniment on the other.