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This volume comprises a translation of the first post-modernist historical Arabic novella, You as of Today, by the renowned Jordanian writer Tayseer al-Sboul, and his two short stories “Red Indian” and “The Rooster’s Cry.” “Red Indian” and “The Rooster’s Cry” complement You as of Today by providing, with striking transparency and precision, narratives that examine man’s journey to self-discovery through events that are culturally unique, transparent, and at times shocking. This volume is rich with tales of war, love, politics, censorship, and the search for self in a complex and conflicting Arab world at a critical time in its history. In a captivating style consistent with the nature of events narrated in the text, al-Sboul unveils the inner nature of social, political, and religious patterns of life in Arab society with an honesty and skill that renders You as of Today My Homeland a testimony of human experiences that transcend the boundaries of time and place.
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New York Times Bestseller: This insightful and deeply personal portrait of African American working-class life “offers something so authentic . . . compelling” (Charleston Post and Courier). Part memoir, part historical and cultural analysis, My Vanishing Country is an eye-opening journey through the South’s past, present, and future. Anchored in Bakari Sellers’ hometown of Denmark, South Carolina, My Vanishing Country illuminates the pride and pain that continues to fertilize the soil of one of the poorest states in the nation. He traces his father’s rise to become a friend of Stokely Carmichael and Martin Luther King, civil rights hero, and member of the Student Non-Violent Coordinating Committee (SNCC), in the process exploring the plight of the South’s dwindling rural black working class—many of whom can trace their ancestry back for seven generations. In his poetic personal history, we are awakened to the crisis affecting the other “forgotten men and women,” seldom acknowledged by the media. For Sellers, these are his family members, neighbors, and friends. He humanizes the struggles that shape their lives—to gain access to healthcare as rural hospitals disappear; to make ends meet as the factories they have relied on shut down and move overseas; to hold on to precious traditions as their towns erode; to forge a path forward without succumbing to despair. My Vanishing Country is also a love letter to fatherhood—to Sellers’ father, his lodestar, whose life lessons have shaped him, and to his newborn twins, who he hopes will embrace the Sellers family name and honor its legacy. “An engaging memoir.” —Kirkus Reviews “Family trauma—even inherited trauma—can take a tremendous toll on children. But as Bakari Sellers makes plain in My Vanishing Country, family trauma can also be a source of strength.” —BookPage
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES BOOK REVIEW AND ECONOMIST BEST BOOK OF THE YEAR “A deeply reported, deeply personal history of Zionism and Israel that does something few books even attempt: It balances the strength and weakness, the idealism and the brutality, the hope and the horror, that has always been at Zionism’s heart.”—Ezra Klein, The New York Times Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award Ari Shavit’s riveting work, now updated with new material, draws on historical documents, interviews, and private diaries and letters, as well as his own family’s story, to create a narrative larger than the sum of its parts: both personal and of profound historical dimension. As he examines the complexities and contradictions of the Israeli condition, Shavit asks difficult but important questions: Why did Israel come to be? How did it come to be? Can it survive? Culminating with an analysis of the issues and threats that Israel is facing, My Promised Land uses the defining events of the past to shed new light on the present. Shavit’s analysis of Israeli history provides a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today’s global political landscape.
He's the man everyone's talking about. He's taken on gun freaks, stupid white men and corporate crooks. Now Michael Moore is on a new mission: to get us of our behinds and kicking out the corrupt political elites who rule our lives.
As the first Muslim elected to Congress, Minnesota Democrat Keith Ellison explores what it's like to be an American in the twenty-first century. As a Black, Latino, and former Catholic who converted to Islam, Keith Ellison, is the first Muslim elected to Congress—from a district with fewer than 1 percent Muslims and 11 percent Blacks. With his unique perspective on uniting a disparate community and speaking to a common goal, Ellison takes a provocative look at America and what needs to change to accommodate different races and beliefs. Filled with anecdotes, statistics, and social commentary, Ellison touches on everything from the Tea Party to Obama, from race to the immigration debate and more. He also draws some very clear distinctions between parties and shows why the deep polarization is unhealthy for America. Deeply patriotic, with My Country ’Tis of Thee, Ellison strives to help define what it means to be an American today.
A group of Americans have traveled to Israel with their synagogue. Meanwhile, a group of radical Islamists plans to use the tour group as a pawn in a game to free member terrorists who are being held in Israeli prisons. The terrorists, however, much contend with Elan Amsel, a Mossad agent who has devoted his life to the survival of his beloved Israel.
"As I write this, I'm sitting in a restaurant in a major U.S. airport, eating my breakfast with a plastic knife and fork. I worked up quite an appetite getting here two hours early and shuffling in the block-long lines until I got to the security checkpoint where I could take off my shoes, remove my belt, and put my carry-on luggage through the screening system . "What's going on? It's homeland security. Welcome to the new age of knee-jerk security at any price. Well, I've paid, and you've paid, and we'll all keep paying-but is it going to help? Have we embarked on a massive multibillion-dollar boondoggle that's going to do nothing more than make us feel more secure? Are we paying nosebleed prices for "feel-good" measures? . "This book was painful to write. By nature, I am a problem solver. Professionally I have made my career out of solving complex problems efficiently by trying to find the right place to push hard and make a difference. Researching the Department of Homeland Security, the FBI, CIA, INS, the PATRIOT Act, and so forth, one falls into a rabbit's hole of interdependent lameness and dysfunction. I came face to face with the realization that there are gigantic bureaucracies that exist primarily for the sole purpose of prolonging their existence, that the very structure of bureaucracy rewards inefficiency and encourages territorialism and turf warfare."
In the early 1990s, at the watershed age of thirty, Marilyn Abildskov decided she needed to start over. She accepted an offer to move from Utah to Matsumoto, Japan, to teach English to junior high school students. “All I knew is that I had to get away and when I stared at my name on the Japanese contract, the squiggles of katakana, my name typed in English sturdily beneath, I liked how it looked. As if it—as if I—were translated, transformed, emerging now as someone new.” The Men in My Country is the story of an American woman living and loving in Japan. Satisfied at first to observe her exotic surroundings, the woman falls in love with the place, with the light, with the curve of a river, with the smell of bonfires during obon, with blue and white porcelain dishes, with pencil boxes, and with small origami birds. Later, struggling for a deeper connection—“I wanted the country under my skin”—Abildskov meets the three men who will be part of her transformation and the one man with whom she will fall deeply in love. A travel memoir offering an artful depiction of a very real place, The Men in My Country also covers the terrain of a complex emotional journey, tracing a geography of the heart, showing how we move to be moved, how in losing ourselves in a foreign place we can become dangerously—and gloriously—undone.
Ben Lawson was preparing for another Christmas away from home when the Black Summer bushfires began to burn their way across Australia's eastern coast. As the bushfires continued to rage into the new year on an unprecedented scale, Ben, feeling angry, helpless and broken-hearted as he watched the devastation from across the ocean, sat down and put his feelings into words. To My Country is an ode to the endurance of the Australian spirit and the shared love of our country. In the true Aussie spirit, Ben and Allen & Unwin will be donating proceeds of To My Country to The Koala Hospital. 'A delightful love letter to a homeland: the kind only an Australian could write. Full of humour, charm and deeply felt belonging. And to think of all the orphaned koalas who will benefit from you buying and enjoying this wonderful little book ...' -Stephen Fry- 'An impassioned cry from the big, kind heart of a big, kind man.' -Tim Minchin- 'Ben Lawson's love of his homeland inspires us all to think of our own roots . . . and the need to protect them.' -Dolly Parton- 'Ben Lawson's book is a heartfelt reminder of how desperately we need to think about our future as a country. His sincerity is moving. I dare you not to cry.' -Julia Stone- 'Ben Lawson writes in the tradition of his namesake Henry Lawson; an eloquent bush ballad that mourns the tragic fate of one billion bushfire victims.' -Barry Humphries-