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This biography, by his lover, shows, how away from the screen, Dick Emery was plagued with self-doubt and insecurity. This book covers his life and the scandals that surrounded it.
A hilarious account of an odyssey across 'unloved Britain'. It began with an accidental daytrip to an intriguingly awful resort on the Thames Estuary, and ended 3,812 miles later: one man's journey through deep-fried, brownfield, poundshop Britain, a crash course in urban blight, deranged civic planning and commercial eccentricity. Following an itinerary drawn up from surveys, polls, reviews and lazy personal prejudice, Tim Moore goes to all the places that nobody wants to go to -- the bleakest towns, the shonkiest hotels, the scariest pubs, the silliest sea zoos. He visits the grid reference adjudged by the Ordnance Survey to be the least interesting point in Britain, and is chased out of the new town twice crowned Scotland's Most Dismal Place. His palate is flayed alive by horrific regional foodstuffs, his ears shrivelled by the 358 least loved tracks in the history of native popular music. With his progress entrusted to our motor industry's fittingly hopeless finale, he comes to learn thatBritain seems very much larger when you're driving around it in a Bulgarian-built Austin Maestro. Yet as the soggy, decrepit quest unfolds, so it evolves into something much more stirring: a nostalgic celebration of our magnificent mercantile pomp, and an angry requiem for a golden age of cheerily homespun crap culture being swept aside by the faceless, soul-stripping forces of Tesco-town globalisation."
A host of comedians, writers and viewers, including Rebecca Front, Andrew Collins, Kevin Eldon, Emma Kennedy, Richard Herring, Jim Shelley and David Quantick share funny and heartfelt rants and raves on everything from soaps to sitcoms, sci-fi to reality shows, HBO to QVC. All of TV is here: the age-old rift between BBC and ITV that tore families apart; the secret shame of crying at adverts; and those significant moments in life when television has made for an unforgettable backdrop. Richard Herring has a controversial new theory about Goodnight Sweetheart, Boyd Hilton shares his all-time comedy top ten and Rebecca Front demolishes the clichés of news reading. They're joined by a list of fellow telly addicts with axes to grind, . So, if you have ever rooted for the most offensive candidates in The Apprentice or repeatedly corrected Supernanny Jo Frost's pronounciation of 'unacceptable' then this book will give you and your spleen many happy memories of the hours you've spent shouting at the telly.
In these quirky interconnected stories of first-person narratives, text messages, and Facebook posts, gay men look for love, bake pies, hook up on Grindr, use Botox, have threesomes with ghosts, and fear happiness: a deadpan, tragicomic exploration of love, desire, and dysfunction in the twenty-first century.
From the New York Times bestselling author of The Unlikely Pilgrimage of Harold Fry comes “a poignant, searing tale” (O: The Oprah Magazine) about a young boy who is thrown into the murky, difficult realities of the adult world. “A powerful book, rich with empathy and charged with beautiful, atmospheric writing.”—Tana French A nice house in a tony neighborhood. A hardworking husband. A private school for the children. From the outside, Diana has a perfect life. But her sensitive and observant young son notices that the other kids’ mothers are not like his own. They dress differently. Byron’s father prefers that his wife dress formally, in slim skirts and pointy heels. He gives Diana a Jaguar so neighbors will sit up and take notice. And they do. Then, one morning, during a shortcut to school through a poor neighborhood, something happens that Byron cannot shake and his mother refuses to acknowledge. Until she has no choice. In the weeks that follow, the façade of a happy family shows signs of distress. Diana makes a questionable friend, and an increasingly tense dance begins—between guilt and resentment, envy and regret—all leading to a tragedy and a shattering revelation.
A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.
The New Penguin Dictionary of Modern Quotations contains over 8,000 quotations from 1914 to the present. As much a companion to the modern age as it is an entertaining and useful reference tool, it takes the reader on a tour of the wit and wisdom of the great and the good, from Margot Asquith to Monica Lewinsky, from George V to Boutros Boutros-Galli and Jonathan Aitken to Frank Zappa.
Benny Hill is the best known and best loved British comedian on world television - from the USA to the Pacific Rim. Feted for his unique brand of coy awareness, innuendo and saucy songs - but seemingly out of favour in his homeland before his death - Benny Hill can now be rated as having had one of the foremost careers in comedy. Robert Ross tracks Hill's career through the landmark Independent Television specials, early parody sketches for the BBC, film appearances, radio shows and recordings - including the No. 1 hit 'Ernie, the Fastest Milkman in the West'. Ross examines Hill's skillful use of the fledgling TV medium, and celebrates the support of his regular back-up team (Bob Todd, Henry McGee and Nicholas Parsons). The truth is revealed about Hill's Angels and the alternative comedy backlash that saw Hill pushed off the small screen in the UK. Benny Hill is the ultimate guide to the most widely recognised funny man since Charlie Chaplin.
This is a love story of two people from very diverse backgrounds with well chequered pasts. The love they had for each other knows no bounds until their lives took a sad turn and disaster intervened. With black days full of unforeseen circumstances and where despair, abandonment and loneliness is par for the course in a lonely prison cell, their love was greatly tested. The only way forward was through faith, hope and love and the greatest of these is love.
This collection of essays highlights the variety of 1970s culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970s was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many cultural forms of the 1970s. The book includes articles on literature, politics, drama, architecture, film, television, youth cultures, interior design, journalism, and contercultural “happenings”. Its coverage ranges across phenomena as diverse as the Wombles and Woman’s Own. The volume offers an interdisciplinary account of a fascinating period in British cultural history. This book makes an important intervention in the field of 1970s history. It is edited and introduced by Laurel Forster and Sue Harper, both experienced writers, and the book comprises work by both established and emerging scholars. Overall it makes an exciting interpretation of a momentous and colourful period in recent culture.