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A marvelously funny piece of Southern humor and a language-lover's delight, this book preserves and explains the South's linguistic heritage with some 3,000 specimens of the region's most picturesque, metaphorical, and gloriously inventive speech.
To Tony Montanaro, mime is "eloquent gesture", with or without words, with or without props. For 40 years, Tony has been a celebrated mime, at the top of his field, but his approach in this book is more than a lesson in theatre -- it's a lesson in communication. Actors, musicians, and performers of all types will benefit from Tony's techniques and insight.
Blink Spoken Here is a powerful tale of a family's rare twenty-seven year journey with ALS (Lou Gehrig's disease). It is told through the eyes of the patient, Christopher Pendergast and his wife Christine. The book takes the reader on a roller coaster ride to dizzying heights and abysmal lows experienced in the world of ALS. With un-sugared words, the couple reveal intimate, disturbing, frustrating, gut wrenching and life altering experiences. It is also an uplifting, joyous portrayal of indomitable strength, courage, faith, and ultimate triumph. The authors blend prose and poetry to produce a captivating glimpse into their inspirational lives with ALS. What these two ordinary people achieved through the darkest of times to become nationally recognized within the ALS community becomes self-evident on the pages of this extraordinary book of hope.
In Spoken Here, journalist Mark Abley takes us on a world tour -- from the Arctic Circle to the outback of Australia -- to track obscure languages and reveal their beauty and the devotion of those who work to save them. --from publisher description.
Here is an informative introduction to language: its origins in the past, its growth through history, and its present use for communication between peoples. It is at the same time a history of language, a guide to foreign tongues, and a method for learning them. It shows, through basic vocabularies, family resemblances of languages -- Teutonic, Romance, Greek -- helpful tricks of translation, key combinations of roots and phonetic patterns. It presents by common-sense methods the most helpful approach to the mastery of many languages; it condenses vocabulary to a minimum of essential words; it simplifies grammar in an entirely new way; and it teaches a language as it is actually used in everyday life.
In this volume Cleanth Brooks pays tribute to the language and literature of the American South. He writes of the language's unique syntax and its celebrated languorous rhythms; of the classical allusions and Addisonian locutions once favored by the gentry; and of the more earthbound eloquence, rooted in the dialect of England's southern lowlands, that is still heard in the speech of the region's plain folk. It is this rich spoken language, Brooks suggests, that has always been the life blood of southern writing. The strong tradition of storytelling in the South is reflected in the tales told by Joel Chandler Harris's Uncle Remus and in the obsessive retellings that structure William Faulkner's novels and stories. But even more crucially, the language of the South--firmly rooted in the land but with a tendency to reach for the heavens above--has shaped the literary concerns and molded the complex visions to be found in the poetry of Robert Penn Warren and John Crowe Ransom; the stories of Flannery O'Connor, Peter Taylor, and Eudora Welty; and the novels of Warren, Allen Tate, and Walker Percy.
By one of Baker's wartime aides, "in cooperation with the Air Force Historical Foundation,'' this anecdote-rich biography offers new material on the development of American air power and its application during World War II. Baker, an air pioneer, went on to lead the first bombing operations against western Europe, directed the great expansion of the Eighth Air Force in 1943, and commanded the Allied Air Forces in the Mediterranean theater. His postwar career included stints with Hughes Aircraft and McDonnell-Douglas and he gained a reputation as one of the foremost civilian spokesmen for the responsible use of air power. Baker's sterling leadership during the war is at the core of the narrative, along with a running account of his often strained relations with Air Corps chief "Hap'' Arnold, who was not only a mentor but a father figure to Baker. Parton is founder of the American Heritage publishing company.
“A lyrical masterpiece.” —School Library Journal (starred review) Originally performed at the Kennedy Center for the unveiling of the Martin Luther King Jr. Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the young dreamers of the world. For Every One is exactly that: for every one. For every one person. For every one who has a dream. But especially for every kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to imagine. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them: All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguishes—because simply having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith. A pitch-perfect graduation, baby, or inspirational gift for anyone who needs to me reminded of their own abilities—to dream.
From the seventeenth century to the early years of the twentieth, the population of Martha’s Vineyard manifested an extremely high rate of profound hereditary deafness. In stark contrast to the experience of most deaf people in our own society, the Vineyarders who were born deaf were so thoroughly integrated into the daily life of the community that they were not seen—and did not see themselves—as handicapped or as a group apart. Deaf people were included in all aspects of life, such as town politics, jobs, church affairs, and social life. How was this possible? On the Vineyard, hearing and deaf islanders alike grew up speaking sign language. This unique sociolinguistic adaptation meant that the usual barriers to communication between the hearing and the deaf, which so isolate many deaf people today, did not exist.