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A collection of twenty-three tales involving Aj'ap'a, a tortoise with human traits who has relationships with an assortment of animal and human characters
Sekoni describes and explains what makes the trickster tale a trickster tale using a semiotic analysis.
This mysterious, poetic and often amusing collection of myths illustrates the religion and thought of the West African Yoruba People.
The author ranks as one of the foremost living traditional African storytellers - as recognised by the acclaim of his first book, The Palmvine Drinkard. This book includes seven folktales especially for young adults, but of universal appeal. Beautiful black and white ink drawings illustrate the tales whose cast of characters include humans, a goddess, an elephant woman, a boa constrictor and a shell-man.
"Yoruba Proverbs is the most comprehensive collection to date of more than five thousand Yoruban proverbs that showcase Yoruba oral tradition. Following Oyekan Owomoyela's introduction, which provides a framework and description of Yoruba cultural beliefs, the proverbs are arranged by theme into five sections: the good person; the fortunate person (or the good life); relationships; human nature; rights and responsibilities; and truisms. Each proverb is presented in Yoruba with a literal English translation, followed by a brief commentary explaining the meaning of the proverb within the oral tradition." "This definitive source book on Yoruba proverbs is the first to give such detailed, systematic classification and analysis alongside a careful assessment of the risks and pitfalls of submitting this genre to the canons of literary analysis."--BOOK JACKET.
The trickster appears in the myths and folktales of nearly every traditional society. Robert Pelton examines Ashanti, Fon, Yoruba, and Dogon trickster-figures in their social and mythical contexts and in light of contemporary thought, exploring the way the trickster links animality and ritual transformation; culture, sex, and laughter; cosmic process and personal history; divination and social change.
In Trickster Makes This World, Lewis Hyde brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first visits the old stories—Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others—and then holds them up against the lives and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Twelve years after its first publication, Trickster Makes This World—authoritative in its scholarship, loose-limbed in its style—has taken its place among the great works of modern cultural criticism. This new edition includes an introduction by Michael Chabon.
Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.
Èṣù is without a doubt, the most fascinating, astute and unpredictable of all Yorùbá Orishas. Central to Yorùbá Orisha religion, Èṣù is known as a divine messenger who is a mediator between man, the Orishas and the Supreme God Olódùmarè-Òlóòrun. He is also known as an instigator of intrigues and trickster Orisha. In this collection of tales, Èṣù takes center stage, as the main protagonist, where the reader will experience two sides of this enigmatic Orisha: the good and the bad, which are presented in a spirited form. Tales of Èṣù Yorùbá Divine Messenger and trickster Orisha are stories based on the African Yorùbá oral tradition of storytelling, which portrays the escapades and folly of this divine Orisha, utilizing a modern touch and simple language. Èṣù, as the first Orisha, is well-worshipped and extremely respected in Yorùbáland because he is literally present in everything; in nature, in objects and in the physical human body. For this reason, Èṣù is present in the majority of stories related to an infinite number of topics, as well as his relationship with the other Orishas in the Yorùbá pantheon. In this collection, Alex Cuoco presents 80 fascinating Èṣù tales that are retold with great skill and rhythm, in which Èṣù appears at his best, in various forms: as a trickster, messenger, instigator, officer and enforcer of the laws of Òrun (Heaven), as well as moderator, master-punisher, advisor, mediator, helper and administrator. The variety of themes of these tales affords the reader an acquaintance with the good and mischievous aspects of Èṣù. The reader will also experience Èṣù's sexual appetite and unusual sense of humor, which when combined, become a prominent aspect of Èṣù's explosive and surprising personality. In this manner, Tales of Èṣù offers the reader the opportunity to gain a deeper knowledge and understanding of Èṣù's character and his divine Àṣẹ (Power). This editio
Africa south of the Sahara is a land of wide-ranging traditions and varying cultures. Despite the diversity and the lack of early written records, the continent possesses a rich body of folk tales and legends that have been passed down through the strong custom of storytelling and which often share similar elements, characters and ideas between peoples. So this collection offers a hefty selection of legends and tales – stories of the gods, creation and origins, trickster exploits, animal fables and stories which entertain and edify – from ‘Obatala Creates Mankind’, from the Yoruba people of west Africa, to ‘The Girl Of The Early Race, Who Made Stars’, from the San people of southern Africa, all collected in a gorgeous gold-foiled and embossed hardback to treasure.