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The author ranks as one of the foremost living traditional African storytellers - as recognised by the acclaim of his first book, The Palmvine Drinkard. This book includes seven folktales especially for young adults, but of universal appeal. Beautiful black and white ink drawings illustrate the tales whose cast of characters include humans, a goddess, an elephant woman, a boa constrictor and a shell-man.
A collection of twenty-three tales involving Aj'ap'a, a tortoise with human traits who has relationships with an assortment of animal and human characters
The Yoruba people are descendants from a variety of West African communities. They are united by Geography, History, Religion and most importantly their Language. The 31 legends and tales in this volume belong to the Yoruba people. They relate the adventures of men and animals, and try to explain the mysteries of Nature - Why Women have Long Hair, How the Leopard got his Spots, the Three Magicians, the Boa- Constrictor, How the Elephant got his Trunk and more. There are 9 extra tales about the adventures of the rascally and mischievous tortoise. These stories grew from the imagination of the people. We read these folk-tales for their quaintness and humour, for their sympathy with Nature, and because we find in them the ideas and ideals, not just of one man, but of a race of people. Many years ago, before the advent of the West African slave trade, the Yoruba people inhabited an area which stretched, along the coast of West Africa, all the way inward and down to Angola in South West Africa. Today this is not the case. In modern times we have begun paying close attention to folklore - old tales, not invented by one man, but belonging to the whole people; not written down, but told by parents to their children, and so handed on for hundreds of years. The legends express primitive notions of right and wrong. As a rule, the wicked are punished and the good rewarded; and that, we feel, is as it should be. We may weep at the death of rascally Tortoise, but we may also feel that he somehow has deserved his fate! A percentage of the net sale from this book will be donated to Edgbarrow School in Crowthorne, Berkshire to augment fundraising for their Ghana Project.
"These essays . . . are of immense importance to anyone interested in the issues of origins and folklore texts." —Choice " . . . this is Bascom at his best. . . . an attractive and full-bodied book." —Fabula These essays, devoted to traditional narratives found in Africa and in the New World, represent the last major research project of William Bascom (1912-1981), eminent authority on African art and folklore—his intention was to demonstrate the African roots of African American folktales.
This mysterious, poetic and often amusing collection of myths illustrates the religion and thought of the West African Yoruba People.
Africa south of the Sahara is a land of wide-ranging traditions and varying cultures. Despite the diversity and the lack of early written records, the continent possesses a rich body of folk tales and legends that have been passed down through the strong custom of storytelling and which often share similar elements, characters and ideas between peoples. So this collection offers a hefty selection of legends and tales – stories of the gods, creation and origins, trickster exploits, animal fables and stories which entertain and edify – from ‘Obatala Creates Mankind’, from the Yoruba people of west Africa, to ‘The Girl Of The Early Race, Who Made Stars’, from the San people of southern Africa, all collected in a gorgeous gold-foiled and embossed hardback to treasure.
This collection of folktales from South Africa has been put together the author says, not for scholarship but for a love of the sunny country where he was born. Some stories originate from Dutch sources, and some have several versions. Most are tales told by the bushmen.
My Life in the Bush of Ghosts, Amos Tutuola's second novel, was first published in 1954. It tells the tale of a small boy who wanders into the heart of a fantastical African forest, the dwelling place of innumerable wild, grotesque and terrifying beings. He is captured by ghosts, buried alive and wrapped up in spider webs, but after several years he marries and accepts his new existence. With the appearance of the television-handed ghostess, however, comes a possible route of escape.'Tutuola ... has the immediate intuition of a creative artist working by spell and incantation.' V. S. Pritchett, New Statesman
"Myths, legends and heroic tales of the Yoruba people of West Africa"--Cover subtitle.