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This study is a textual and contextual appraisal of the writings of Yorkshire-born Hedley Smith (1909-94) whose depiction of the fictional mill village of Briardale, Rhode Island, captures an early twentieth-century labor diaspora peopled with textile workers. Enraged and embittered at the transformatory experience of his own emigration, Smith used fiction to explore Yorkshire immigrants' culture and stubborn refusal to assimilate, their vital sexuality, and their vivid social customs. As Smith's writings reveal, emigration involves grief and anger, often universally concealed and problematic. Adopting a transnational perspective, Mary H. Blewett links Smith's fictional community to empirical data on the substance of working-class lives both in Yorkshire and in New England's worsted textile industries.
This is the story of Sam Small, a man from Yorkshire who wakes up one morning and decides that he can fly on his own two hands. So he does. This is for all those who know that dogs talk, Sundays can be repeated seven days in a row so that Monday never comes, and other dreamy escapism. You'll have to read to believe how he learned to fly like a bird, by faith; how he changed a dog into a girl and back again; how he coped with the two selves of his split personality; and how he was called upon to explain the tricky foreign phrase, droit de seigneur, which said in effect that the duke of the neighboring parish was required by law to go to bed with Ian Cawper's Mary Ann the night of their wedding. Here are fun humourous fantasies and shaggy dog stories by the author who would create "Lassie."
Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and particular types of output (specific programmes); and raising important questions about the way we judge television as both cultural artifact and art form. Television Aesthetics and Style provides a unique and vital intervention in the field, raising key questions about television's artistic properties and possibilities. Through a series of case-studies by internationally renowned scholars, the collection takes a radical step forward in understanding TV's stylistic achievements.