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This Norton Critical Edition of Milton's Selected Poetry and Prose includes “Lycidas”—widely considered the greatest short poem in English—the great tragedy Samson Agonistes, the masque Comus, the brief epic Paradise Regained, and eighteen sonnets as well as other poems. It also contains the complete text of five of Milton's major prose works, among them Areopagitica and The Doctrine of Discipline and Divorce. Each major work is accompanied by an individual introduction, and all works have ample explanatory annotations. The major biblical sources that inspired Milton's writing are reprinted, along with fourteen scholarly interpretations of the major texts. From the wealth of commentary on Milton's poetry and prose, the editor has chosen those works that can be studied and appreciated by the greatest number of readers, including essays that can easily be paired for discussion in the classroom. Contributors include Anthony Hecht, William Kerrigan, Mary Nyquist, Stanley Fish, Barbara K. Lewalski, John Carey, and Sharon Achinstein, among others. A Chronology and Selected Bibliography are also included.
An edition of Milton's later work rk includes the text of six books of Paradise Lost, The History of Britain and the whole of Samson Agonistes. Through his introduction, commmentary and full annotations, Tony Davies sets the works in their political and cultural contexts, and discusses such themes as the `heroic'; sexuality and gender; and Milton's interrogation of the meaning of history.
First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.
John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton’s canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time. In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods. With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.
This selection of poetry concentrates on Wordsworth's greatest poems including Lyrical Ballads, several tales from The Excursion and over half of The Prelude.
This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3.
An Established Literary Giant Of All Times, T.S. Eliot Has Attracted Immense Amount Of Critical Attention. This Book Discusses The Plays Of T.S. Eliot In General And The Role Of Chorus In Them In Particular. The Plays Discussed Herein Include Sweeney Agonistes, The Rock, Murder In The Cathedral, The Family Reunion, The Cocktail Party, The Confidential Clerk And The Elder Statesman. Each Play Has Been Taken Separately And Its Salient Features And The Role Of Chorus In It Have Been Methodically Studied. Written In Lucid Language And With A Straightforward Approach, The Book Is Expected To Be Of Special Value To Students And Researchers Of English Literature And To Particularly Those Interested In T.S. Eliot.
Winner, 2015 Colorado Book Award Finalist, 2015 National Book Critics Circle Award In the years leading up to his recent passing, Alabama poet Jake Adam York set out on a journey to elegize the 126 martyrs of the civil rights movement, murdered in the years between 1954 and 1968. Abide is the stunning follow-up to York’s earlier volumes, a memorial in verse for those fallen. From Birmingham to Okemah, Memphis to Houston, York’s poems both mourn and inspire in their quest for justice, ownership, and understanding. Within are anthems to John Earl Reese, a sixteen-year-old shot by Klansmen through the window of a café in Mayflower, Texas, where he was dancing in 1955; to victims lynched on the Oklahoma prairies; to the four children who perished in the Birmingham church bombing of 1963; and to families who saw the white hoods of the Klan illuminated by burning crosses. Juxtaposed with these horrors are more loving images of the South: the aroma of greens simmering on the stove, “tornado-strong” houses built by loved ones long gone, and the power of rivers “dark as roux.” Throughout these lush narratives, York resurrects the ghosts of Orpheus, Sun Ra, Howlin’ Wolf, Thelonious Monk, Woody Guthrie, and more, summoning blues, jazz, hip-hop, and folk musicians for performances of their “liberation music” that give special meaning to the tales of the dead. In the same moment that Abide memorializes the fallen, it also raises the ethical questions faced by York during this, his life’s work: What does it mean to elegize? What does it mean to elegize martyrs? What does it mean to disturb the symmetries of the South’s racial politics or its racial poetics? A bittersweet elegy for the poet himself, Abide is as subtle and inviting as the whisper of a record sleeve, the gasp of the record needle, beckoning us to heed our history.