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Yokohama, California, originally released in 1949, is the first published collection of short stories by a Japanese American. Set in a fictional community, these linked stories are alive with the people, gossip, humor, and legends of Japanese America in the 1930s and 1940s. Replaces ISBN 9780295961675
A collection of stories taking place in the fictional town of Yokohama, California, during the late 1930s and early 1940s
"A collection of linked short stories exploring Japanese American life in a fictional California town in the 1920s and 1930s, this book is frequently cited as the first work of fiction published by a Japanese American in the United States. Originally scheduled for publication in 1942, the book was delayed by World War II, and eventually published in 1949 to brief acclaim. 'At the U.S. government incarceration camp Topaz, Mori worked for the camp newspaper and continued to write fiction. Although he remained committed to his craft the rest of his life, widespread recognition within the Japanese American community did not arrive until the 1970s, when a more receptive generation of Sansei readers, writers and critics rediscovered his work' (Densho Encyclopedia)"--Bookseller's note.
Born in Oakland, California, in 1910, the young Toshio Mori dreamed of being an artist, a Buddhist missionary, and a baseball player. Instead, he grew flowers in the family nursery business, and -- influenced by contemporaries such as Sherwood Anderson and Ernest Hemingway -- produced a body of extraordinary fiction. Unfinished Message includes fifteen stories, a novella, correspondence, and an interview with Toshio Mori.
-Inspired by a real-life unsolved murder---Front jacket flap.
This book is very wide in scope and will be extremely useful to both undergraduates and lecturers undertaking modern analytical chemistry courses.
The Chauvinist and Other Stories features twenty-two stories of Japanese-American life, ranging in settings from pre-WWII era California, to wartime internment camps, to the postwar Nisei experience. As an Asian Times reviewer notes when The Chauvinist first appeared, Mori "cannot fail to reach [his readers] because he is an honest man, speaking from his own experience, his own suffering and happiness, his own real and human life." The writer Hisaye Yamamoto, in the original introduction to this collection, declared Mori "indisputably the pioneer of Japanese American literature." The collection's republication in this volume marks the first time these stories are widely available in over forty years. About the author: Toshio Mori (1910 - 1980) was born in Oakland and spent most of his life in San Leandro, California, where his family owned a nursery. He began writing in 1932, working at night after a day in the nursery, and was encouraged by William Saroyan, who became a lifelong friend. Mori's first book, Yokohama, California, was scheduled to appear in 1941, but the bombing of Pearl Harbor, and the ensuing anti-Japanese racism, put the book's publication on hold. Like most Japanese-Americans, Mori's family was forcefully relocated to an internment camp in Topaz, Utah, where worked as the camp historian. At the end of World War II, Mori returned to run his family nursery. His book, released in 1949, made him the first published Japanese-American author of literary fiction. Despite critical acclaim, Mori fell into relative obscurity until the early 1970's, when a new generation of Sansei-third generation Japanese-American students-discovered his writing, leading to the publication of two new books, Woman from Hiroshima and The Chauvinist and Other Stories. His third collection, Unfinished Message, was published posthumously in 2000.
Asian American literature abounds with complex depictions of American cities as spaces that reinforce racial segregation and prevent interactions across boundaries of race, culture, class, and gender. However, in Cities of Others, Xiaojing Zhou uncovers a much different narrative, providing the most comprehensive examination to date of how Asian American writers - both celebrated and overlooked - depict urban settings. Zhou goes beyond examining popular portrayals of Chinatowns by paying equal attention to life in other parts of the city. Her innovative and wide-ranging approach sheds new light on the works of Chinese, Filipino, Indian, Japanese, Korean, and Vietnamese American writers who bear witness to a variety of urban experiences and reimagine the American city as other than a segregated nation-space. Drawing on critical theories on space from urban geography, ecocriticism, and postcolonial studies, Zhou shows how spatial organization shapes identity in the works of Sui Sin Far, Bienvenido Santos, Meena Alexander, Frank Chin, Chang-rae Lee, Karen Tei Yamashita, and others. She also shows how the everyday practices of Asian American communities challenge racial segregation, reshape urban spaces, and redefine the identity of the American city. From a reimagining of the nineteenth-century flaneur figure in an Asian American context to providing a framework that allows readers to see ethnic enclaves and American cities as mutually constitutive and transformative, Zhou gives us a provocative new way to understand some of the most important works of Asian American literature.