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I want to be a pirate, It's a pirate's life for me! I'll wear a skull-and-crossbones hat And sail the salty sea! Sail away with five little pirates in search of treasure and adventure . . . before coming safely home for tea!
When Tommy, Chuckie, and friends travel to pirate times, they try to outwit Blackbeard, who has mistaken Angelica for a princess.
Ahoy, shipmates! Put on your pirate eye patch, tie your headscarf and have a go, with Yo-Ho Harvey in this swashbuckling, carry-along, novelty book! An interactive role play book with massive added value! Have a Go Harvey dresses as a different character in each title of this fantasy role-play series, which also includes the cowboy book, ‘Yee-Ha Harvey’ Contains removable dressing-up pieces, so kids can have a go, too! Perfectly targetted at little boys – a ‘Mr Ben’ for a new generation of children. Aspiring pirates will delight in watching Harvey come to life before their eyes in the pull-tab, moving scenes at the beginning and end of this swashbuckling story. With its attractive plastic handle, this wonderful play-and-pretend set is easily transported by little pirates! A jaunty rhyming text, brimming with familiar pirate words and phrases – perfect for reading aloud.
The pirate kids make lists for Santa and prepare presents for the entire crew--a fresh batch of sea slug cookies for everyone! But Rotten Tooth is acting like a Scrooge, and convinces the kids that Santa won't deliver the presents because he won't be able to find the ship. Pete has a great idea: sail the ship to the North Pole! Before they know it, the Sea Rat is stuck in a sheet of ice and snow is pounding down. How will the pirate kids get out of this Christmas mess?
Tonight Neverland is fleshed out with plenty of plant life, certainly bettering 2011's production of Jack and the Bean-Cactus. So, with no further ado, please put your hands together for J.M. Barrie's Christmas classic: Peter Pan! The inept and accident-prone Cornley Polytechnic Drama Society set out to present J. M. Barrie's classic tale of Peter Pan, their most audacious production to date. Flying? Pyrotechnics? Sharp hooks? What ensues is two acts of hysterical disaster. You'll laugh, they'll cry. Something so wrong has never been so right. From the mischievous minds of the West End and Edinburgh hit The Play That Goes Wrong comes this highly original, chaos-filled re-telling of J.M. Barrie's much-loved classic. Peter Pan Goes Wrong received its world premiere at the Pleasance Theatre, London, on 10 December 2013 and transferred to the West End on 4 December 2015. This edition was published to coincide with the West End transfer.
The capable, confident, and occasionally ruthless heroine of Daughter of the Pirate King is back in this action-packed sequel that promises rousing high seas adventures and the perfect dash of magic. Alosa's mission is finally complete. Not only has she recovered all three pieces of the map to a legendary hidden treasure, but the pirates who originally took her captive are now prisoners on her ship. Still unfairly attractive and unexpectedly loyal, first mate Riden is a constant distraction, but now he's under her orders. And she takes great comfort in knowing that the villainous Vordan will soon be facing her father's justice. When Vordan exposes a secret her father has kept for years, Alosa and her crew find themselves in a deadly race with the feared Pirate King. Despite the danger, Alosa knows they will recover the treasure first . . . after all, she is the daughter of the Siren Queen. In Daughter of the Siren Queen, Tricia Levenseller brings together the perfect mix of thrilling action, tense battle scenes, and a heart-pounding romance.
Class 4 have a very strange new teacher. Mr Cutlass wears a spotted scarf around his neck and has a parrot on his shoulder. Could he possibly be a . . . pirate? And can Class 4 help him solve a secret message that could lead to hidden treasure?
Concerned that Santa will not be able to find them aboard the Sea Rat, Pete and the other pirate kids plot a course to the North Pole, where the ship gets stuck in a sheet of ice.
Pack your cutlass and blunderbuss--it's time to go a-pirating! The Invisible Hook takes readers inside the wily world of late seventeenth- and early eighteenth-century pirates. With swashbuckling irreverence and devilish wit, Peter Leeson uncovers the hidden economics behind pirates' notorious, entertaining, and sometimes downright shocking behavior. Why did pirates fly flags of Skull & Bones? Why did they create a "pirate code"? Were pirates really ferocious madmen? And what made them so successful? The Invisible Hook uses economics to examine these and other infamous aspects of piracy. Leeson argues that the pirate customs we know and love resulted from pirates responding rationally to prevailing economic conditions in the pursuit of profits. The Invisible Hook looks at legendary pirate captains like Blackbeard, Black Bart Roberts, and Calico Jack Rackam, and shows how pirates' search for plunder led them to pioneer remarkable and forward-thinking practices. Pirates understood the advantages of constitutional democracy--a model they adopted more than fifty years before the United States did so. Pirates also initiated an early system of workers' compensation, regulated drinking and smoking, and in some cases practiced racial tolerance and equality. Leeson contends that pirates exemplified the virtues of vice--their self-seeking interests generated socially desirable effects and their greedy criminality secured social order. Pirates proved that anarchy could be organized. Revealing the democratic and economic forces propelling history's most colorful criminals, The Invisible Hook establishes pirates' trailblazing relevance to the contemporary world.
This inventive adaptation can be performed with or without flying, making it a perfect and flexible choice for smaller spaces and limited budgets. In the world of Neverland, Peter Pan is king until he meets his match...a female Captain Hook. Experience a theatrical and inventive Peter Pan like you never have before! Master director and acclaimed playwright Jon Jory has also reimagined the classic tale with a crew of female pirates, opening up the casting possibilities for schools and theaters. (A one-act version is also available.) Adventure Full-length. 75-85 minutes 15-40 actors