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"First edition of a title commonly referred to as “The First Text-Book Printed in California;” although Augustin Vicente Zamorano issued three small educational pamphlets in the 1830s. Cowan more accurately writes “This is believed to be the first educational work published in California after American rule.” It was sold by one of the earliest California booksellers, Marvin & Hitchcock, and published by them in San Francisco just three years after the conquest of California from Mexico. Most of the text consists of a Spanish-language grammar encouraging bilingual education in the new state. At the end is a historical essay which includes statistics and information about California. The author on the title page is José de Urcullu, a former Spanish infantry captain who made a living writing liberal theatrical works before the fall of the Constitution of Cadiz (1814), at which time Urcullu went to London and established a career as a writer, mathematician, educator, grammarian, and Spanish / English translator. Urcullu composed numerous catechisms for children, small volumes in duodecimo, illustrated with engravings, from 100 to 150 pages, which served as didactic introductions in various disciplines. It is unknown who adapted Urcullu's Spanish Grammar for California, but one candidate that has been suggested is A. Armstrong"--John Howell for Books catalog, "California Books and Ephemera," July 1, 2014.
I-DJ is a story of Warren Peace aka Amado Guerrero Paz, a gay Mexican American youth who finds his calling as a DJ. He spins the soundtrack of his life on the dance floor by night and by day in a gay send-up of Shakesqueer's Ham-a-lot set to a dub-step beat of ecstasy, tainted love, Rollerena and Herb Alpert. When a younger DJ challenges him to a musical standoff, their stories and their music collide. Only one will emerge triumphant. I-DJ was a critical hit at the 2014 Frigid Fringe New York. NPR Theater critic Jeff Lunden hailed I-DJ as "original, witty and deeply moving."
Soon after the fall of the Aztec empire in 1521, missionaries began teaching Latin to native youths in Mexico. This initiative was intended to train indigenous students for positions of leadership, but it led some of them to produce significant writings of their own in Latin, and to translate a wide range of literature, including Aesop's fables, into their native language. Aztec Latin reveals the full extent to which the first Mexican authors mastered and made use of European learning and provides a timely reassessment of what those indigenous authors really achieved.
Widely considered one of the most important voices in the Chicano literary canon, José Antonio Burciaga was a pioneer who exposed inequities and cultural difficulties through humor, art, and deceptively simple prose. In this anthology and tribute, Mimi R. Gladstein and Daniel Chacón bring together dozens of remarkable examples of Burciaga’s work. His work never demonstrates machismo or sexism, as he believed strongly that all Chicano voices are equally valuable. Best known for his books Weedee Peepo, Drink Cultura, and Undocumented Love, Burciaga was also a poet, cartoonist, founding member of the comedy troupe Cultura Clash, and a talented muralist whose well-known work The Last Supper of Chicano Heroes became almost more famous than the man. This first and only collection of Burciaga’s work features thirty-eight illustrations and incorporates previously unpublished essays and drawings, including selections from his manuscript “The Temple Gang,” a memoir he was writing at the time of his death. In addition, Gladstein and Chacón address Burciaga’s importance to Chicano letters. A joy to read, this rich compendium is an important contribution not only to Chicano literature but also to the preservation of the creative, spiritual, and political voice of a talented and passionate man.