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Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France. In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on "culture makers," mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World's Fair of 1937. Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France. In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on "culture makers," mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World's Fair of 1937. Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
This is the first comprehensive study of the images in five profusely illustrated Yiddish books from sixteenth-century Italy: a manuscript of Jewish customs, and four printed volumes - two books of customs, a chivalric romance, and a book of fables.
Students and teachers of Yiddish studies will enjoy this innovative collection.
The Alliance Israélite Universelle, a French-Jewish organization founded in 1860, occupies a crucial place in the history of Sephardi communities in the modern period. In the fifty years after its creation, the Alliance established a vast network of schools in the lands of Islam for the purpose of "civilizing" the local Jewish communities and remaking them in the idealized self-image of French Jewry. This study, drawing on the author's extensive research in the archives of the Alliance in Paris, focuses on the work of the Alliance among Turkish Jewry, one of the communities most strongly affected by the organizations' activities. Although the Alliance played a conclusive role in the Westernization of Turkish Jews, it was also the unwitting catalyst for the emrgence of new political movements such as Zionism, which turned away from the Alliance's ideology and ultimately threatened the survival of its schools. This book illuminates an important episode in the history of Sephardi and French Jewries as they interacted through the Alliance Israélite Universelle and draws important conclusions about the transformation of European as well as Middle Eastern Jewries in the modern era.