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A historical account of Admiral Yi's uninterrupted string of victories, brilliant tactics, and noble spirit that defeated the Japanese who invaded Korea with 300,000 troops in 1592 and 1597.
Biography of Admiral Yi Sun-sin of Korea who defeated the Japanese armada against all the odds and In-depth study on his leadership quality. Especially, warfare historians rank Yi's triumph at Myeong-ryang sea battle, which was featured in the mega-hit Korean movie "Myeong-ryang" (Roaring Current), second only after the Salamis sea battle in which the underdog Greek fleet annihilated the overwhelming Persian armada.
When a novice French diplomat arrives for an audience with the Emperor, he is enraptured by the Joseon Dynasty’s magnificent culture, then at its zenith. But all fades away when he sees Yi Jin perform the traditional Dance of the Spring Oriole. Though well aware that women of the court belong to the palace, the young diplomat confesses his love to the Emperor, and gains permission for Yi Jin to accompany him back to France.A world away in Belle Epoque Paris, Yi Jin lives a free, independent life, away from the gilded cage of the court, and begins translating and publishing Joseon literature into French with another Korean student. But even in this new world, great sorrow awaits her. Betrayal, jealousy, and intrigue abound, culminating with the tragic assassination of the last Joseon empress—and the poisoned pages of a book.Rich with historic detail and filled with luminous characters, Korea’s most beloved novelist brings a lost era to life in a story that will resonate long after the final page.
An adaptation of the legend of Sunsin Yi, a young boy in sixteenth-century Korea, who, inspired by his pet turtle, designs one of the greatest battleships in history and fulfills his dream of sailing the world.
Made in Korea: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Korean popular music. Each essay covers the major figures, styles, and social contexts of pop music in Korea, first presenting a general description of the history and background of popular music in Korea, followed by essays, written by leading scholars of Korean music, that are organized into thematic sections: History, Institution, Ideology; Genres and Styles; Artists; and Issues.
In May of 1592, Japanese dictator Toyotomi Hideyoshi sent a 158,800-man army of invasion from Kyushu to Pusan on Korea's southern tip. His objective: to conquer Korea, then China, then the whole of Asia. The resulting seven years of fighting, known in Korea as "imjin waeran," the "Imjin invasion," after the year of the water dragon in which it began, dwarfed contemporary conflicts in Europe and was one of the most devastating wars to grip East Asia in the past thousand years. THE IMJIN WAR is the most comprehensive account ever published in English of this cataclysmic event, so little known in the West. It begins with the political and cultural background of Korea, Japan and China, explores the diplomatic impasse that led to the war, describes every major incident and battle from 1592 to 1598 and introduces a fascinating cast of characters along the way. There is Hideyoshi, hosting garden parties as his armies march toward Beijing; Korean admiral Yi Sun-sin, emerging from a prison cell to take on the Japanese navy with just thirteen ships; Chinese commander Zhao Chengxun, suffering defeat after promising to "scatter the Japanese to the four winds"; the courtesan Chu Non-gae, luring a samurai warrior into her arms and jumping into the Nam River with him locked in her embrace. One nation fighting to expand, another to survive. Shockwaves extending across China and beyond. THE IMJIN WAR is an epic tale of grand perspective and intimate detail of an upheaval that would shape East Asia for centuries to come.
This book explains the roots, politics, and legacy of Korean ethnic nationalism, which is based on the sense of a shared bloodline and ancestry. Belief in a racially distinct and ethnically homogeneous nation is widely shared on both sides of the Korean peninsula, although some scholars believe it is a myth with little historical basis. Finding both positions problematic and treating identity formation as a social and historical construct that has crucial behavioral consequences, this book examines how such a blood-based notion has become a dominant source of Korean identity, overriding other forms of identity in the modern era. It also looks at how the politics of national identity have played out in various contexts in Korea: semicolonialism, civil war, authoritarian politics, democratization, territorial division, and globalization.
The twelve chapters in this volume seek to overcome the nationalist paradigm of Japanese repression and exploitation versus Korean resistance that has dominated the study of Korea’s colonial period (1910–1945) by adopting a more inclusive, pluralistic approach that stresses the complex relations among colonialism, modernity, and nationalism. By addressing such diverse subjects as the colonial legal system, radio, telecommunications, the rural economy, and industrialization and the formation of industrial labor, one group of essays analyzes how various aspects of modernity emerged in the colonial context and how they were mobilized by the Japanese for colonial domination, with often unexpected results. A second group examines the development of various forms of identity from nation to gender to class, particularly how aspects of colonial modernity facilitated their formation through negotiation, contestation, and redefinition.