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In a provocative examination of the state of race relations today, Deborah Mathis provides personal and sociological perspective on what it feels like for African Americans who continue to be segregated spiritually and emotionally from the rest of the country. Mathis airs mutual fears and suppositions and shines a spotlight on how far we still have to go before black Americans can truly feel at home in a country that benefits so strongly from their many contributions. Topics of discussion include: * Affirmative action -- are we starting to move backward? * Racial profiling and the assumptions it involves * The poor state of education in low-income area schools * Blacks and their treatment in the judicial system * The dangerous sense of complacency about "how things are so much better than they used to be" * And more.
When Auggie Lopez returns to Wroxall College, he’s determined that his second year will be different from the chaos he faced as a freshman. He’s living in the Sigma Sigma house, he’s got a good group of friends, and his social media presence is growing. Meeting a hot older guy on move-in day is just the cherry on top. All he has to do now is avoid getting dragged into another murder. That last part, though, turns out to be easier said than done, especially when Auggie’s ex-roommate, Orlando, asks for help. Orlando’s brother Cal has gone missing, and Orlando wants Auggie to find him. Auggie knows he’ll need help, but recruiting his friend—and crush—Theo is not as straightforward as he expects. While Auggie was gone for the summer, Theo has started dating someone, and neither Theo nor Auggie knows how to handle the shift in their relationship. Finding Orlando’s brother dead only makes their situation more complicated. Although the police are quick to write off the homicide as a drug deal gone wrong, Auggie and Theo aren’t so sure, and Orlando begs them to keep investigating. To learn the truth, Auggie and Theo will have to untangle a web of lies while keeping each other safe from a killer who is determined to stop them. As Auggie and Theo dig deeper, they realize that Cal was a stranger even to the people who thought they knew him. And Auggie and Theo both begin to fear that they are also strangers to each other.
Harold Robbins' very first novel is also one of his most powerful. Never Love a Stranger tells the gritty and passionate tale of Francis "Frankie" Kane, from his meager beginnings as an orphan in New York's Hell's Kitchen. From that confused and belittling start, Frank works his way up, choosing the wrong side of the law to make a name for himself. At a young age, he becomes one of the city's most dangerous men, indulging in his passion for power, sex, and the best things in life-whether or not they can be purchased. First published in 1948, the novel began Robbins' prolific career after someone made him a $100 bet that he couldn't write a bestseller. Twenty-six pot-boiling novels later, he proved the power of his words. Never Love a Stranger takes an unflinching look at a New York that's long gone by-exposing life during and after the Great Depression, when the syndicate ruled the city without mercy.
A thought-provoking exploration into the current state of race relations reveals the divisions between black and white that still exist today, causing African Americans to feel emotionally and spiritually separated from the rest of the country, and covers such topics as affirmative action, racial profiling, education, and the judicial system. 25,000 first printing.
This collection of the Pope's writings and talks on the plight of migrants and refugees shows his deep knowledge and concern. It points out how followers of Christ are obliged to understand the root causes of mass movement of peoples and to act in light of their suffering.
Bridge has always been a bit of an oddball, but since she recovered from a serious accident, she's found fitting in with her friends increasingly hard. Tab and Em are getting cooler and better and they don't get why she insists on wearing novelty cat ears every day. Bridge just thinks they look good. It's getting harder to keep their promise of no fights, especially when they start keeping secrets from each other. Sherm wants to get to know Bridge better. But he’s hiding the anger he feels at his grandfather for walking out. And then there is another girl, who is struggling with an altogether more serious set of friendship troubles... Told from interlinked points of view, this is a bittersweet story about the trials of friendship and growing up.
An urgent manifesto and a dramatic memoir of awakening, this is the story of revolutionary love. Finalist for the Dayton Literary Peace Prize • “In a world stricken with fear and turmoil, Valarie Kaur shows us how to summon our deepest wisdom.”—Elizabeth Gilbert, author of Eat Pray Love How do we love in a time of rage? How do we fix a broken world while not breaking ourselves? Valarie Kaur—renowned Sikh activist, filmmaker, and civil rights lawyer—describes revolutionary love as the call of our time, a radical, joyful practice that extends in three directions: to others, to our opponents, and to ourselves. It enjoins us to see no stranger but instead look at others and say: You are part of me I do not yet know. Starting from that place of wonder, the world begins to change: It is a practice that can transform a relationship, a community, a culture, even a nation. Kaur takes readers through her own riveting journey—as a brown girl growing up in California farmland finding her place in the world; as a young adult galvanized by the murders of Sikhs after 9/11; as a law student fighting injustices in American prisons and on Guantánamo Bay; as an activist working with communities recovering from xenophobic attacks; and as a woman trying to heal from her own experiences with police violence and sexual assault. Drawing from the wisdom of sages, scientists, and activists, Kaur reclaims love as an active, public, and revolutionary force that creates new possibilities for ourselves, our communities, and our world. See No Stranger helps us imagine new ways of being with each other—and with ourselves—so that together we can begin to build the world we want to see.
Winner of the 2020 WILLA Literary Award in Creative Nonfiction from Women Writing the West Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of fourteen people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family. Arranged in four sections as a series of interlocking explorations and ruminations, Gwartney uses Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace with one's most cherished place.
Powerful novel about a young doctor who lives for medicine and sacrifices everything for his career. Describes his years at medical school, his practice in a small town and his devoted self-sacrificing wife who works to make their marriage a success.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M