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On October 15 at 2:15 a.m. everyone on Earth vanished. Well, almost everyone. A scattered few woke alone in a world where there are no rules other than survival ... at any cost.
They thought they were alone. They were wrong. On October 15th, humanity went missing. A handful of scattered survivors wake to find the world empty of friends, family, and neighbors. Among them, a child searches for his family. A special agent turned enemy of the state survives a fiery plane crash with no way to reach his daughter. A serial killer discovers he's no longer at the top of the food chain. Now these strangers must find the strength inside them to weather the new world. But they are not alone. In the absence of civilization, a new threat emerges. In the stillness, it waits and watches, preying on their weakness. Their only hope is to find more survivors, rise above their fear, and face the oncoming darkness. But can they unite before they too are lost? And can they all be trusted?
'So why am I here?" That's when she said the one word that I did not what to hear. WOMEN! The word resounded so hard it was as if someone dropped a ton of bricks in a library. 'Mr. Stevens, you are here because of the women in your life!" Now I was scared! In a bizarre turn of events, Andre Stevens finds himself in purgatory. While watching his funeral, his advocate, Charlene Whitman, confronts him about his womanizing ways. Several women from Andre's past attend his funeral, and it isn't long before he realizes how much he'd hurt them with his dishonesty. But one woman above all grabs his attention: Dawn. Before his untimely death, Andre was on his way to tell Dawn he was ready for a commitment. But he never got the chance. Now, it appears the fate of his soul hangs in the balance. Will he be able to redeem himself, or will his past condemn him to a fate worse than death?
A brilliantly brain-warping thriller and a love story that leaps back and forth in time – All Our Yesterdays is an amazing first novel, perfect for fans of The Hunger Games. Em is locked in a bare, cold cell with no comforts. Finn is in the cell next door. The Doctor is keeping them there until they tell him what he wants to know. Trouble is, what he wants to know hasn't happened yet. Em and Finn have a shared past, but no future unless they can find a way out. The present is torture – being kept apart, overhearing each other's anguish as the Doctor relentlessly seeks answers. There's no way back from here, to what they used to be, the world they used to know. Then Em finds a note in her cell which changes everything. It's from her future self and contains some simple but very clear instructions. Em must travel back in time to avert a tragedy that's about to unfold. Worse, she has to pursue and kill the boy she loves to change the future . . .
The Romulans attack the planet Gateway, where Federation scientists are studying the Guardian of Forever -- the mysterious portal to the past. The Starship Enterprise™ must protect the Guardian -- or destroy it. But Spock has already used the portal to journey to the past. On the planet Sarpedion, 5,000 years ago, Spock knew a beautiful, primitive woman. Now he has gone back to meet his son!
From Jules Verne to the Jetsons, from a 500-passenger flying wing to an anti-aircraft flying buzz-saw, the vision of the future as seen through the eyes of the past demonstrates the play of the American imagination on the canvas of the future.
They were the Sheridan men, ruled by passion, betrayed by love, heirs to a legacy of violence and forbidden desire. Gus, Boston's top homicide cop: he knew equally well the backroom politics of City Hall and the private passions of the very rich, a man haunted by the wanton courage and perilous obsessions he inherited from his father... Conn, the patriarch, a lawless cop who spawned a circle of vengeance and betrayal that would span half a century... and Chris, Gus's beloved son, a Harvard lawyer and criminologist, fated to risk everything to break the chain of obsession and rage... Three generations linked by crime and punishment--cops and heroes, fathers, sons, and lovers united at last by revelations that could bring a family to its knees...
All Yesterdays is a book about the way we see dinosaurs and other prehistoric animals. Lavishly illustrated with over sixty original artworks, All Yesterdays aims to challenge our notions of how prehistoric animals looked and behaved. As a criticalexploration of palaeontological art, All Yesterdays asks questions about what is probable, what is possible, and what iscommonly ignored.Written by palaeozoologist Darren Naish, and palaeontological artists John Conway and C.M. Kosemen, All Yesterdays isscientifically rigorous and artistically imaginative in its approach to fossils of the past - and those of the future.