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Keith had loved Moira since they were in high school. A mistake had made her run from him to the arms of another man. When a tragic accident took the life of her husband he knew he had to see her again.Moira had loved Keith since they were children but he had never felt the same way about her. When her husband and child were killed because of a drunk driver he was the last person she expected to see.She made him realize that yesterday would never be enough. He wanted to spend all his tomorrow's with her but could he convince her that was what she wanted?
Years ago, Jared secretly pined for Daria, only to watch her succumb to the predatory charms of his selfish, womanising brother. When fate reunites them, temptation explodes into a fiery romance threatened by a twisted sibling rivalry.
The tragedy that strikes the Leighton family is followed by such deep heartache and loss that Lexi seems unable to handle the stress.
Verena Tovick-Ra, beautiful, bronze explorer as well as the princess of Vixen had been sent out on many missions before. This present mission, more important and more simple than all the others, had developed into a lengthy, complex, tormenting situation. Lengthy, for it took longer than anticipated to find a planet that sustained compatible males for the Sisters of Vixen to obtain as mates. All their men had died suddenly by a mysterious plague they could not cure. Complex were their dealings with the males of Earth they had obtained. Converting their ship into a workplace had been simple, making them believe that they were still on Earth instead of flying through space toward their new destiny was easy. Getting used to their large size and manner was another matter. These males actually thought that they were equal to females, and worse yet, should be treated with higher regard! Verena's dealing with the one male who had been watching them before they left Earth and knew of the abductions was the most complex of situations. Jordan Mitchell, pale, large and bulky was determined to get back to Earth. Of course he could not return. He was her future mate. Jordan's resistance was the last factor of this most difficult trip. Having marked him as her own and not following with the traditional Ceremony of Unity Verena's very life was at risk. Add to that an unwarranted attacked by a neighboring planet resulting in a forced alliance with their new mates as they fight against a conspiracy toward Vixen. Where will it all lead?
Cathy Chambers, the plus-sized heroine of Not His Type, has gotten the man of her dreams but now faces the next hurdle on the road to happiness: planning the wedding. Cathy must navigate the high-stress world of planning a wedding fit for baseball royalty, all the while dealing with snippy consultants, Marcus's unbelieving exgirlfriends and the media microscope. With the whole world watching, Cathy must triumph over her lingering insecurities, the business of planning the wedding of the year and the travails of Marcus's World Series bid.
A wealthy, successful entrepreneur who knows what it is like to grow up on the streets, Sinclair Reasoner is determined to help other kids get away from a life of crime, joining Rev. Nedra Davis, an anti-drug crusader and minister whose congregation disapproves of her growing relationship with Sin. Original.
Knowing that she was the one responsible for her parents' tragic death, Regine Thomas buries her pain and pretends not to grieve. To escape the memories, she moves from her from southern hometown to a small town outside of Philadelphia, Pennsylvania along with her teenaged sister. Hoping for a new start, she forfeits her plans for law school and opens a small catering business. Her goal is to focus on her business and make sure her sister is taken care of. All that changes when she wins the coveted contract to cater a high society event. There she meets billionaire, playboy Mason Spaulding, a man that makes his own rules when it comes to business and relationships. The fire ignites upon their first meeting. They begin an affair and agree that when it ends they will go their separate ways. But all of that changes when Mason decides he wants more and rewrites the script.
Performing Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendencies. In a substantial introductory essay and essays by leading scholars, activists and practitioners working inside the region, the book explores fundamental questions for the arts. The book asks how theatre contributes to and/or addresses the political condition in the contemporary moment, how does it represent the complexity of experiences in peoples’ daily lives and how does theatre engage in forms of political activism and enable a diversity of voices to flourish. The book shows how, in an age of increasingly violent politics, political institutions become sites for bad actors and propaganda. Forces of biopolitics, neo-liberalism and religious and ethnic nationalism intersect in unpredictable ways with decolonial practices – all of which the book argues are forces that define the contemporary moment. Indeed, by putting the focus on contemporary politics in the region alongside the diversity of practices in contemporary theatre, we see a substantial reformation of the idea of the contemporary moment, not as a cosmopolitan and elite artistic practice but as a multivalent agent of change in both aesthetic and political terms. With its focus on community activism and the creative possibilities of the performing arts the region, Performing Southeast Asia, is a timely intervention that brings us to a new understanding of how contemporary Southeast Asia has become a site of contest, struggle and reinvention of the relations between the arts and society. Peter Eckersall The Graduate Center City University of New York Performing Southeast Asia – with chapters concerned with how regional theatres seek contextually-grounded, yet post-national(istic) forms; how history and tradition shape but do not hold down contemporary theatre; and how, in the editors’ words, such artistic encounters could result in theatres ‘that do not merely attend to matters of cultural heritage, tradition or history, but instead engage overtly with theatre and performance in the contemporary’ – contributes to the possibility of understanding what options for an artistically transubstantiated now-ness may be: to the possibility, that is, of what might be called a ‘Present-Tense Theatre’. C. J. W.-L. Wee Professor of English Nanyang Technological University Performing Southeast Asia examines contemporary performance practices and their relationship with politics and governance in Southeast Asia in the twenty-first century. In a region haunted historically by strongman politics, authoritarianism and militarism, religious tension and ethnic strife, the chapters reveal how contemporary theatre and performances in the present reflect yet challenge dominant socio-political discourses. The authors analyse works of political commitment and conviction, created and performed by Southeast Asian artists, as modes and platforms of reaction and resistance to the shifting political climates that inform contemporary life in urban Southeast Asia. The discussions center on issues of state hegemonies and biopolitics, finance and sponsorship, social liberalism and conservatism, the relevance of history and tradition, and globalisation and cultural practice. These diverse yet related concerns converge on an examination of the efficacies of theatre and performance as means of political intervention and transformation that point to alternative embodiments of political consciousness through which artists propose critical options for rethinking the state, citizenship, identity and belonging in a time of seismic socio-political change. The editors also reframe an understanding of ‘the contemporary’ not simply as a temporal adjective but, in the context of present Southeast Asia, as a geopolitical condition that shapes artistic and performance practices.