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In From Yeoman to Redneck in the South Carolina Upcountry, Stephen A. West revises understandings of the American South by offering a new perspective on two iconic figures in the region's social landscape. "Yeoman," a term of praise for the small landowning farmer, was commonly used during the antebellum era but ultimately eclipsed by "redneck," an epithet that emerged at the end of the nineteenth century. In popular use, each served less as a precise class label than as a means to celebrate or denigrate the moral and civic worth of broad groups of white men. Viewing these richly evocative figures as ideological inventions rather than sociological realities, West examines the divisions they obscured and the conflicts that gave them such force. The setting for this impressively detailed study is the Upper Piedmont of South Carolina, the sort of upcountry region typically associated with the white "plain folk." West shows how the yeoman ideal played a vital role in proslavery discourse before the Civil War but poorly captured the realities of life, with important implications for how historians understand the politics of slavery and the drive for secession. After the Civil War, the South Carolina upcountry was convulsed by the economic transformations and political conflicts out of which the redneck was born. West reinterprets key developments in the history of the New South--such as the politics of lynching and the phenomenon of the "Southern demagogue"--and uncovers the historical roots of a stereotype that continues to loom large in popular understandings of the American South. Drawing together periods and topics often treated separately, West combines economic, social, and political history in an original and compelling account.
In the 1920s, an upstart West Coast college began to challenge the Eastern universities in the ancient sport of crew racing. Sportswriters scoffed at the “crude western boats” and their crews. But for the next forty years, the University of Washington dominated rowing around the world. The secret of the Huskies’ success was George Pocock, a soft-spoken English immigrant raised on the banks of the Thames. Pocock combined perfectionism with innovation to make the lightest, best-balanced, fastest shells the world had ever seen. After studying the magnificent canoes built by Northwest Indians, he broke with tradition and began to make shells of native cedar. Pocock, who had been a champion sculler in his youth, never credited his boats for the accomplishments of a crew. He wanted every rower to share his vision of discipline and teamwork. As rowers from the University of Washington went on to become coaches at major universities across the country, Pocock’s philosophy—and his shells—became nationally famous in the world of crew. Drawing on documents provided by Pocock’s family, photographs from the University of Washington Crew Archives, and interviews with rowers who revered the man, Newell evokes the times as well as the life of this unique figure in American sport.
If you are a web developer with some experience in JavaScript and want to enter the world of modern web applications, then this book is ideal for you. Learning how to leverage the three tools (Yo, Bower, and Grunt) in the Yeoman workflow will be perfect as your next step towards building scalable, dynamic, and modern web applications for just about any platform.
In Yeoman Versus Cavalier: The Old Southwest's Fictional Road to Rebellion, Ritchie Devon Watson, Jr., examines the emergence of the planter-aristocrat over the yeoman as the dominant cultural icon in the newly settled states of the Old Southwest -- Kentucky, Tennessee, Alabama, Mississippi, Louisiana, and Arkansas -- during the first half of the nineteenth century. He related this region's shift in cultural ideals, as reflected in its literature, both to the coming of the Civil War and the failure of the postbellum South to reintegrate itself fully into the nation.In the early 1800s Thomas Jefferson's stalwart yeoman farmer was the mythic figure that gave the most dynamic expression to and most compelling justification for expansion to the west. This potent symbol of rural democracy was enthusiastically embraced by settlers in both midwestern and southern territories. By 1830, however, residents of the new southern states had initiated a profound imaginative movement away from the frontier myths that had linked them with midwesterners. Faced with increasingly hostile attacks on slavery and the plantation system, southerners from Virginia to Louisiana united in defense of the plantation South. Watson shows how writers of the Old Southwest reflected this cultural shift in their tendency to idealize the planter and to subvert, subordinate, or ignore the yeoman. Joining cultural and intellectual forces with the more established plantation societies of the Eastern Seaboard, these writers turned toward the Cavalier -- the noble, cultured planter of aristocratic blood and manners who, like a father, presided with wisdom and love over a large plantation -- as the primary representative of the southern way of life.Watson builds his argument by analyzing many different kinds of writing. Choosing texts that shed light on the newly evolving culture of the Old Southwest, Watson discusses the novelists William Garrott Brown, James Lane Allen, Joseph Holt Ingraham, Caroline Lee Hentz, and Augusta Jane Evans, historian Charles Gayarre, humorists Augustus Baldwin Longstreet and Thomas Bangs Thorpe, New South propagandist Henry Grady, novelist and story writer George Washington Cable, and poets Joseph Brennan and Sidney Lanier.The Cavalier ideal, Watson explains, unified the states of the Confederacy and served as a kind if icon to be carried into battle. After the war the figure was resurrected by southern writers and made an integral part of the region's Lost Cause myth, which northerners helped perpetuate. The Cavalier figure has continued to lead a vigorous life into the present century, as attested by novels such as Margaret Mitchell's Gone With the Wind, Stark Young's So Red the Rose, and even William Faulkner's Absalom, Absalom!Yeoman Versus Cavalier is a solid and entertainingly written analysis of how the Cavalier, as the South's unifying mythical figure, helped shape southern history and the creation of the legend of the Old South following the Civil War. It contributes greatly to our understanding of the antebellum South and demonstrates how studying a work of literature can lead to a fuller comprehension of the culture that produced it.
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“You don’t have to use the exact same words.... But it has to mean exactly what I said.” Thus began the ten-year collaboration between Innu elder and activist Tshaukuesh Elizabeth Penashue and Memorial University professor Elizabeth Yeoman that produced the celebrated Nitinikiau Innusi: I Keep the Land Alive, an English-language edition of Penashue’s journals, originally written in Innu-aimun during her decades of struggle for Innu sovereignty. Exactly What I Said: Translating Words and Worlds reflects on that collaboration and what Yeoman learned from it. It is about naming, mapping, and storytelling; about photographs, collaborative authorship, and voice; about walking together on the land and what can be learned along the way. Combining theory with personal narrative, Yeoman weaves together ideas, memories, and experiences––of home and place, of stories and songs, of looking and listening––to interrogate the challenges and ethics of translation. Examining what it means to relate whole worlds across the boundaries of language, culture, and history, Exactly What I Said offers an accessible, engaging reflection on respectful and responsible translation and collaboration.
In this innovative study of the South Carolina Low Country, author Stephanie McCurry explores the place of the yeomanry in plantation society--the complex web of domestic and public relations within which they were enmeshed, and the contradictory politics of slave society by which that class of small farmers extracted the privileges of masterhood from the region's powerful planters. Insisting on the centrality of women as historical actors and gender as a category of analysis, this work shows how the fateful political choices made by the low-country yeomanry were rooted in the politics of the household, particularly in the customary relations of power male heads of independent households assumed over their dependents, whether slaves or free women and children. Such masterly prerogatives, practiced in the domestic sphere and redeemed in the public, explain the yeomanry's deep commitment to slavery and, ultimately, their ardent embrace of secession. By placing the yeomanry in the center of the drama, McCurry offers a significant reinterpretation of this volatile society on the road to Civil War. Through careful and creative use of a wide variety of archival sources, she brings vividly to life the small worlds of yeoman households, and the larger world of the South Carolina Low Country, the plantation South, and nineteenth-century America.
The first book done in partnership by John Yeoman and Quentin Blake, in a facsimile edition that will enchant young readers and adults alike Originally published in 1960, this classic tale from beloved author John Yeoman and renowned illustrator Quentin Blake is a collection of seven charming animal fables. It was the first children’s book published by either John Yeoman or Quentin Blake, who are still producing books in partnership today nearly sixty years later. This facsimile edition reproduces the original publication and features a new foreword by Quentin Blake. Young readers will adore the observant and logical monkey’s attempts to find a drink of water, as well the entertaining cast of animals featured in each story. The creative partnership between John Yeoman and Quentin Blake will be the subject of a retrospective exhibition at the House of Illustration in London opening October 6, 2017.