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In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.
Heartfelt, fast-paced, and utterly absorbing, The Gilded Girl is Alyssa Colman’s sparkling debut novel about determination, spirit, and the magic of friendship. Any child can spark magic, but only the elite are allowed to kindle it. Those denied access to the secrets of the kindling ritual will see their magic snuffed out before their thirteenth birthday. Miss Posterity’s Academy for Practical Magic is the best kindling school in New York City—and wealthy twelve-year-old Emma Harris is accustomed to the best. But when her father dies, leaving her penniless, Emma is reduced to working off her debts to Miss Posterity alongside Izzy, a daring servant girl who refuses to let her magic be snuffed out, even if society dictates she must. Emma and Izzy reluctantly form a pact: If Izzy teaches Emma how to survive as a servant, Emma will reveal to Izzy what she knows about magic. Along the way, they encounter quizzes that literally pop, shy libraries, and talking cats (that is, house dragons). But when another student’s kindling goes horribly wrong, revealing the fiery dangers of magic, Emma and Izzy must set aside their differences or risk their magic being snuffed out forever.
The evidence at hand: an autobiography—complete with their mother’s edits—written by his brilliant and disturbingly religious sister; a story featuring actual childhood events, but published by his mother as fiction; the transcript of a hypnotherapy session from his adolescence; and perjured court documents hidden in a drawer for decades. These are the clues Robin Hemley gathers when he sets out to reconstruct the life of his older sister Nola, who died at the age of twenty-five after several years of treatment for schizophrenia. Armed with these types of clues, Hemley quickly discovers that finding the truth in any life—even one’s own—is a fragmented and complex task. Nola: A Memoir of Faith, Art, and Madness is much more than a remembrance of a young woman who was consumed her entire life by a passion for finding and understanding God; it is also a quest to understand what people choose to reveal and conceal, and an examination of the enormous toll mental illness takes on a family. Finally, it is a revelation of the alchemy that creates a writer: confidence in the unknowable, distrust of the proven, tortuous devotion to the fine print in life, and sacrifice to writing itself as it plays the roles of confessor, scourge, and creator. Upon its first release in 1998, Nola won ForeWord’s Book of the Year Award for biography/memoir, the Washington State Book Award for biography/memoir, and the Independent Press Book Award for autobiography/memoir.
Written and illustrated by various Cover by John Byrne Don't missthis collection of tales from the '80s, reprinted from ACTION COMICS#507-508, 554, 595, 600 (select stories), 644, SUPERMAN #408, DC COMICS PRESENTS#29, and ADVENTURES OF SUPERMAN #430! Artist/writer Jerry Ordway provides theintroduction and context for this latest addition to DC's "Decades" library.
In a distant world called Educity, everybody does nothing but study and work. Nobody has thought of changing the peaceful, orderly and rigid system; nobody has considered the meaning of life. This is why the Goddess appoints five twelve-year-olds to embark on a quest for true wisdom. They leave their homes and venture into an unknown world, where they go through precarious adventures, encountering everything from magic to ancient treasure. But at the end of it all, how will they save their silently suffering fellow Educitizens?
As the five Kingdom Keepers enter high school, everything is about to change. The Maintenance Base that controls all four parks in Disney World is under attack by the Overtakers, a group determined to change Disney forever. Relationships between the Keepers are no longer as simple as they once were. In fact, nothing is as simple as it once was. An after-hours visit to Typhoon Lagoon is a game changer. The Keepers lose one of their most valuable supporters. But there's work to do . . . The Disney Dream leaves Port Canaveral on an historic cruise to Los Angeles with a special treat in store for guests: the Disney Host Interactive guides are on board! Includes a preview chapter from Kingdom Keepers VI - Dark Passage!
After 9/11/2001, gendered narratives of humiliation and revenge proliferated in the U.S. national imaginary. How is it that gender, which we commonly take to be a structure at the heart of individual identity, is also at stake in the life of the nation? What do we learn about gender when we pay attention to how it moves and circulates between the lived experience of the subject and the aspirations of the nation in war? What is the relation between national sovereignty and sovereign masculinity? Through examining practices of torture, extra-judicial assassination, and first person accounts of soldiers on the ground, Bonnie Mann develops a new theory of gender. It is neither a natural essence nor merely a social construct. Gender is first and foremost an operation of justification which binds the lived existence of the individual subject to the aspirations of the regime. Inspired by a reexamination of the work of Simone de Beauvoir, the author exposes how sovereign masculinity hinges on the nation's ability to tap into and mobilize the structure of self-justification at the heart of masculine identity. At the national level, shame is repeatedly converted to power in the War on Terror through hyperbolic displays of agency including massive aerial bombardment and practices of torture. This is why, as Mann demonstrates, the phenomenon of gender itself demands a four-dimensional analysis that moves from the phenomenological level of lived experience, through the collective life of a people expressed in the social imaginary and the operations of language, to the material relations that prevail in our times.
Three women. A cursed house. Generations of lives at stake. The third novel in the acclaimed Bliss House series reveals the secret that started it all. There is no bliss to be found in Bliss House. In Old Gate, Virginia, stands a grand house built by Randolph Bliss, a charming New York carpetbagger who, in 1878, shook off dire warnings to build his home elsewhere. For the ground beneath Bliss House is tainted with the kind of tragedy that curses generations, seeping through the foundation and sowing madness in its wake. His first and second wives, and his young Japanese mistress, Kiku, bear witness to Randolph’s growing insanity with stories of his cruel manipulations and their desperate struggles to find happiness for themselves and their children. Their desire to live and love and even take revenge also fills the house, triumphing even over death. Spanning half a century, The Abandoned Heart is the prequel to Charlotte’s Story and Bliss House, forming a trilogy of southern Gothic novels in which one haunted house begets haunted lives that echo over centuries. A haunting so powerful that even Bliss House’s destruction cannot kill it.
Fern Michaels’ Christmas novels are pure holiday magic—uplifting stories of love, family, and friendship in irresistible settings. And when she brings her bestselling Godmother series into the mix, the feel-good results are sure to kindle endless seasons of joy. Teresa Amelia Loudenberry— “Toots” to all who love her—knows a thing or two about grace and generosity. Which is why, with a little help from the other Godmothers, Toots is preparing for Charleston’s annual holiday showcase of historic homes. Donations from the event will help fund Homes for Heroes, her charity to build residences for veterans returning from overseas. To put everyone in the right spirit, her mansion is festooned with carefully researched antique ornaments, beautifully arranged by Charleston’s most exclusive design firm. But when the Godmothers sense trouble with one of the decorators, they must tackle a mystery and hope for a happy ending . . . Previously published in Wishes for Christmas.