Download Free Yell Oh Girls Book in PDF and EPUB Free Download. You can read online Yell Oh Girls and write the review.

Analyzes the major issues of teenage girls focusing on their relationships with friends and family as well as cognitive issues. Addresses dating and at-risk behavior, sexuality concerns, and issues about their spirituality. Also contains information on eating disorders, depression, and self-esteem.
In this guidebook to happier parenting, author Sheila McCraith shares daily thoughts, tips, and motivational personal stories to help you toss out the screams and welcome in the peace. Do you often find yourself losing your cool and yelling at your kids (or grandkids or students)? It happens to us all, but it doesn’t have to. With Yell Less, Love More, you’ll learn practical, simple solutions to keep you focused on loving more and yelling less, no matter what the circumstance. Take the Orange Rhino 30-day challenge to yell less, organized into 30 short, approachable, and easy-to-follow daily sections—which you can use and adjust in any way that works for you. Whether you have one child or twenty (or one you still yell at who is twenty), strengthen your relationships and maybe even laugh a little more—by taking the challenge today. The Rhino: A naturally calm animal that charges when provoked. The Orange Rhino: A person that parents with warmth and determination and who doesn’t charge with words when angry, impatient, or simply in a bad mood. Yell Less, Love More includes: 100 alternatives to yelling Simple, daily steps to follow Honest stories to inspire Parenting revelations A summarizing chapter of key takeaways, including most frequent triggers and multiple solutions for each of them Trigger-tracking sheets Unlike the preachy, unrealistic, dry, and/or tedious parenting books you’ve read before, Yell Less, Love More is like having a heart-to-heart talk with your best friend. With this warm, colorful, and easy-to-use guide, it is possible to stop yelling and start enjoying a calmer, happier life because of it.
Professors and students alike are taking interest in Girls' Studies--the socialization of girls versus boys--and beginning to analyze the impact of media, pop culture, messaging, and more on America's girls. Girls' Studiestackles socialization and gender expectations, body image, and media impact, and gives insight into girl empowerment and how to equip our girls for a brighter future. Elline Lipkin, a research scholar with the Center for the Study of Women at UCLA, addresses girlhood in the U.S. from various issues-based perspectives, including Body Image, Health, and Sexuality; Socialization and Gender Expectations; and Girls and Media. This text includes a forward-looking chapter, encouraging readers to consider all the ways--education, mentorship, activism--they might take real steps to promote empowering our girls as we look to the future.
This is a classic, standard resource for collection building and on-the-spot readers advisory absolutely indispensable for school and public libraries.
Thirty years after Robin Morgan's groundbreaking anthology, Sisterhood Is Powerful -- named by The American Librarians' Association one of "The 100 Most Influential Books of the Twentieth Century" -- comes this landmark new collection for the twenty-first century. Sisterhood Is Forever -- with over 60 original essays Morgan commissioned from well-known feminist leaders plus energetic Gen X and Y activists -- is a composite mural of the female experience in America: where we've been, where we are, where we're going. The stunning scope of topics ranges from reproductive, health, and environmental issues to workplace inequities and the economics of women's unpaid labor; from globalization to the politics of aging; from cyberspace, violence against women, and electoral politics to spirituality, the law, the media, and academia. The deliberately audacious mix of contributors spans different generations, races, ethnicities, and sexual preferences: CEOs, housewives, rock stars, farmers, scientists, prostituted women, politicians, women in prison, firefighters, disability activists, artists, flight attendants, an army general, an astronaut, an anchorwoman, even a pair of teens who edit a girls' magazine. Each article celebrates the writer's personal voice -- her humor, passion, anger, and the integrity of her perspective -- while offering the latest data on women's status, political analysis, new "how-to" tools for activism, and visionary yet practical strategies for the future -- strategies needed now more than ever. Robin Morgan's own contributions are everything her readers expect: prophetic, powerfully argued, unsentimentally lyrical. From her introduction: "The book you hold in your hands is a tool for the future -- a future also in your hands." • Edna Acosta-Belén • Carol J. Adams • Margot Adler • Natalie Angier • Ellen Appel-Bronstein • Mary Baird • Brenda Berkman • Christine E. Bose • Kathy Boudin • Ellen Bravo • Vednita Carter • Wendy Chavkin • Kimberlé Crenshaw • Gail Dines • Paula DiPerna • Helen Drusine • Andrea Dworkin • Eve Ensler • Barbara Findlen • Mary Foley • Patricia Friend • Theresa Funiciello • Carol Gilligan • Sara K. Gould • Ana Grossman The Guerrilla Girls • Beverly Guy-Sheftall • Kathleen Hanna • Laura Hershey • Anita Hill • Florence Howe • Donna M. Hughes • Karla Jay • Mae C. Jemison • Carol Jenkins • Claudia J. Kennedy • Alice Kessler-Harris Clara Sue Kidwell • Frances Kissling • Sandy Lerner • Suzanne Braun Levine • Barbara Macdonald • Catharine A. MacKinnon Jane Roland Martin • Debra Michals • Robin Morgan Jessica Neuwirth • Judy Norsigian • Eleanor Holmes Norton • Grace Paley • Emma Peters-Axtell Cynthia Rich Amy Richards • Cecile Richards Carolyn Sachs • Marianne Schnall • Pat Schroeder • Patricia Silverthorn • Eleanor Smeal Roslyn D. Smith Gloria Steinem Mary Thom • Jasmine Victoria • Faye Wattleton • Marie Wilson • Helen Zia
“There’s something strange about that kid.” At least that’s what everyone says, but they don’t know the truth. Perfect for fans of Stranger Things, this classic novel continues to enthrall. Katie Welker is used to being alone. She would rather read a book than deal with other people. Other people don’t have silver eyes. Other people can’t make things happen just by thinking about them! But these special powers make Katie unusual, and it’s hard to make friends when you’re unusual. Katie knows that she’s different but she’s never done anything to hurt anyone so why is everyone afraid of her? Maybe there are other kids out there who have the same silver eyes…and the same talents…and maybe they’ll be willing to help her.
Has the third wave of feminism in the United States spawned a literary movement? Is there a third wave equivalent of the consciousness-rasing novel? A lot has been written about the relationship of the third wave of feminism in the United States to the second wave, yet no one has examined works by young female writers as belonging to the third wave of feminism. This book fills the gap. Using tools of literary criticism to analyze the literary output of third wave feminism in the United States, Ungrateful Daughters looks at the main anthologies of third wave writings, paying attention to their structure, production process and narrative forms used in the individual pieces. It also attempts to define third wave fiction and analyze the memoirs and novels coming from writers who could be classified as third wave (specifically, Rebecca Walker, Danzy Senna and Michelle Tea), tracing how these books exhibit “third wave sensibility” and reflect generational experiences of third wave writers. A lot of attention is devoted to comparisons of second and third wave feminism and the ambivalent relationship of third wave feminism to postfeminism. Wendy Kaminer wrote in True Love Waits: “If it ultimately fails as a liberation movement, feminism will at least have achieved considerable literary success.” Ungrateful Daughters examines whether the literary success helps or hinders the cause of women’s liberation.
Relocating Authority examines the ways Japanese Americans have continually used writing to respond to the circumstances of their community’s mass imprisonment during World War II. Using both Nikkei cultural frameworks and community-specific history for methodological inspiration and guidance, Mira Shimabukuro shows how writing was used privately and publicly to individually survive and collectively resist the conditions of incarceration. Examining a wide range of diverse texts and literacy practices such as diary entries, note-taking, manifestos, and multiple drafts of single documents, Relocating Authority draws upon community archives, visual histories, and Asian American history and theory to reveal the ways writing has served as a critical tool for incarcerees and their descendants. Incarcerees not only used writing to redress the “internment” in the moment but also created pieces of text that enabled and inspired further redress long after the camps had closed. Relocating Authority highlights literacy’s enduring potential to participate in social change and assist an imprisoned people in relocating authority away from their captors and back to their community and themselves. It will be of great interest to students and scholars of ethnic and Asian American rhetorics, American studies, and anyone interested in the relationship between literacy and social justice.