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Yekl (1896), the first novel upon which the much acclaimed film Hester Street was based, was probably the first novel in English that had a hero from the New York's East Side.
Yekl and the Imported Bridegroom and Other Stories of Yiddish New York brings together several stories by one of the preeminent American Jewish writers, Abraham Cahan. Cahan was an emigrant from Lithuania in 1882, having moved to New York City to escape political persecution under the Russian czar. In New York, Cahan established himself as editor of a prominent Jewish daily paper (it eventually became the leading Yiddish newspaper in the world), as well as a successful writer of fiction. This volume brings together some of his powerful and evocative fiction of the lives of Jews in New York around the turn of the 19th century, giving a faithful and fascinating view of the joys and challenges they faced as they dealt with the problems of assimilation into a new culture while trying to maintain their uniqueness. The lead story, "Yekl: A Tale of the New York Ghetto," was made into a successful movie in 1975, Hester Street. Newly designed and typeset in a modern 6-by-9-inch format.
Abraham Cahan immigrated to the United States from Lithuania at the age of 21, and he enthusiastically adopted New York City as his hometown. In this charming collection of short stories, alternately humorous and gritty, the kaleidoscope of experiences of recent immigrants to the big city are chronicled in engrossing detail.
An exploration of the temporal function that "the Jew" plays in literature. No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature examines how the Hebraic myth, in which Jewishness became a metaphor for an ancient, pre-Christian past, was reimagined in nineteenth-century American realism. The Hebraic myth, while integral to a Protestant understanding of time, was incapable of addressing modern Jewishness, especially in the context of the growing social and national concern around the "Jewish problem." Sharon B. Oster shows how realist authors consequently cast Jews as caught between a distant past and a promising American future. In either case, whether creating or disrupting temporal continuity, Jewishness existed outside of time. No Place in Time complicates the debates over Eastern European immigration in the 1880s and questions of assimilation to a Protestant American culture. The first chapter begins in the world of periodicals, an interconnected literary culture, out of which Abraham Cahan emerged as a literary voice of Jewish immigrants caught between nostalgia and a messianic future outside of linear progression. Moving from the margins to the center of literary realism, the second chapter revolves around Henry James's modernization of the "noble Hebrew" as a figure of mediation and reconciliation. The third chapter extends this analysis into the naturalism of Edith Wharton, who takes up questions of intimacy and intermarriage, and places "the Jew" at the nexus of competing futures shaped by uncertainty and risk. A number of Jewish female perspectives are included in the fourth chapter that recasts plots of cultural assimilation through intermarriage in terms of time: if a Jewish past exists in tension with an American future, these writers recuperate the "Hebraic myth" for themselves to imagine a viable Jewish future. No Place in Time ends with a brief look at poet Emma Lazarus, whose understanding of Jewishness was distinctly modern, not nostalgic, mythical, or dead. No Place in Time highlights a significant shift in how Jewishness was represented in American literature, and, as such, raises questions of identity, immigration, and religion. This volume will be of interest to scholars of nineteenth- and turn-of-the-century American literature, American Jewish literature, and literature as it intersects with immigration, religion, or temporality, as well as anyone interested in Jewish studies.
DIV6 short-story masterpieces by great French novelist include "An Episode During the Terror," "A Passion in the Desert," "The Revolutionary Conscript," 3 more. Excellent new English translations on facing pages. /div
According to traditional narratives of assimilation, in the bargain made for an American identity, Jews freely surrendered Yiddish language and culture. Or did they? Recovering "Yiddishland" seeks to “return” readers to a threshold where Americanization also meant ambivalence and resistance. It reconstructs “Yiddishland” as a cultural space produced by Yiddish immigrant writers from the 1890s through the 1930s, largely within the sphere of New York. Rejecting conventional literary history, the book spotlights “threshold texts” in the unjustly forgotten literary project of these writers—texts that reveal unexpected and illuminating critiques of Americanization. Merle Lyn Bachman takes a fresh look at Abraham Cahan’s Yekl and Anzia Yezierska’s Hungry Hearts, tracing in them a re-inscription of the Yiddish world that various characters seem to be committed to leaving behind. She also translates for the first time Yiddish poems featuring African-Americans that reflect the writers’ confrontation with their passage, as Jews, into “white” identities. Finally, Bachman discusses the modernist poet Mikhl Likht, whose simultaneous embrace of American literature and resistance to assimilating into English marked him as the supreme “threshold” poet. Conscious of the risks of any postmodern—“post-assimilation”—attempt to recover the past, Bachman invents the figure of “the Yiddish student,” whose comments can reflect—and keep in check—the nostalgia and naivete of the returnee to Yiddish.
In this definitive history, bestselling journalist Golenbock focuses on a particularly dominant period of the Yankees' past, when the Bronx Bombers won nine World Series titles on the strengths of such Hall of Famers as DiMaggio, Mantle, Berra, and Ford. Includes interviews of players and coaches, vintage photos, and a new introduction.