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Collects some of the most trenchant essays of the last three decades on Yeats's politics
Although Yeats is an over-theorized author, little attempt has been made to situate his occult works in the political context of 20th-century Ireland. This book provides a methodology for understanding the political and cultural impulses which informed Yeat's engagement with the otherworld.
Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
A commentary on Yeats' life and thought
By showing that the meaning of the word politics can be interpreted in various ways, the scope of the articles in Tumult of Images: Essays on W.B. Yeats and Politics is extensive. Rather than explicitly analysing W.B. Yeats's political views and opinions about social order, several of the authors demonstrate how these ideas have determined the textual strategy behind Yeats's works. Thus we find, for instance, how Yeats's politics of myth subsume the myth of politics, or how his play The Player Queen is an expression of sexual and textual politics. Other essays revaluate Yeats's role in Ireland's Literary Renaissance or argue that his recruitment of Homer throughout his work was politically motivated. The volume also offers an ero-political reading of Yeats's ballads next to an analysis of the strategy behind that apocalyptic idea of gyring history. Tumult of Images also deals with the politics of reception of Yeats's works by showing how the Irish poet has influenced South African poetry of the period of Apartheid, or by presenting the various ways in which the Japanese and the Dutch have become acquainted with the work of Yeats. The title of this volume thus reflects not only the many-sidedness of the discussions offered here but also their common contribution to an analysis of a fascinating aspect of Yeats's life and work.
Table of contents
This first full-length feminist treatment of Yeats shows how his experience of changes in the balance of power between men and women led him to expand the formal possibilities of love poetry. As a white, male, middle-class, Protestant citizen of the British Empire, with an acknowledged debt to canonical English writers, Yeats belonged to the dominant tradition. As a colonized Irishman, however, he was acutely conscious of repression and exclusion. This detailed examination of Yeats's work re-situates a private genre in a public context, relating the formal conventions of love poetry to the histories of the emancipation of women and the decolonization of Ireland. Yeats's complex position in history and culture, his long obsession with a "New Woman," his unstable gender identity, and his constant remaking of traditional lyric forms, combine to differentiate his love poetry from that of misogynist practitioners of the genre.
An important part of the national imaginary, Yeat's work has helped to invent the nation of Ireland, while critiquing the modern state that emerged from it's revolutionary period. This study offers a chronological account of Yeat's volumes of poetry, contextualizing and analyzing them in light of Irish cultural and political history.