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New definition to the little-known work Wright produced during this period, which he describes as Wright's primitivist phase. He traces this influence in his art through Wright's explorations of primitivist sources, innovations in sculpture, and an intensification of the architect's use of ornament. Less tangible, but as important, was Wright's view of himself, his art, and society, and Alofsin uncovers the European impact on the architect's image of himself as a.
'Frank Lloyd wright in New York: The Plaza Years, 1954-1959', examines the momentous five-year period when one of the world's greatest architects and one of the world's greatest cities coexisted. Authors Jane Hession and Debra Prickel bring each of these unequalled characters to life, exploring the fascinating contradiction between Wright's often-voiced disdain of New York and his pride and pleasure of living in one of the city's greatest landmarks: the Plaza Hotel. From his suite, or 'Taliesin the Third', as it became known, Wright supervised construction of the Guggenheim, sparred with the New York press, and received many famous vistitors such as Marilyn Monroe and Arthur Miller. home...;Michael Carroll, a renowned astronomical and paleo artist for more than twenty years, has done work for NASA and the Jet Propulsion Laboratory. His art has appeared in many magazines, including 'Time', 'National Geographic', 'Sky & Telescope', and ' Asimov's Science Fiction'. One of his paintings flew aboard MIR; another is resting at the bottom of the Atlantic, aboard Russia's ill-fated Mars 96 spacecraft. nd development without constraining
For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.
This insightful memoir by a former apprentice presents a revealing portrait of the great American architect, providing illuminating anecdotes about Wright's Prairie home and Oak Park periods, and much more.
Traces the complicated development of Frank Lloyd Wright's Fallingwater, including planning, site selection, and construction
Mostly colored photographs with captions examine construction techniques and the detailing of some of the well-known architect's home designs.
The life and work of visionary American architect Frank Lloyd Wright launches our new activity book series, Meet the Architect!, an expansion of our Meet the Artist! series. Flaps, cutouts, and pull tabs, take readers on a fascinating journey through Wright's famous works — the Solomon R. Guggenheim Museum, Fallingwater, and Taliesin, among others — and the materials and techniques he used to create them. This hands-on introduction will inspire budding architects from ages eight to eighty.
The story--personal and professional--of one of the greatest architects who ever lived is here told by the man whom Frank Lloyd Wright once introduced as "Grant Manson, who knows more about me than I do." This volume takes the reader up to 1910, a turning point in Wright's life as an architect and as an individual. Wright's accomplishment by 1910 was considerable; he had already enjoyed what to many people would have been a full career. Most outstanding perhaps was his conception and evolution of the Prairie House, an expression of organic architecture that was the result of many factors: Wright's resourceful Welsh forebears, his Midwest background, his experience with Lyman Silsbee and Louis Sullivan, his interest in Japanese art, and especially his native genius. During the same period Wright also set many precedents for nonresidential architecture, including Unity Church and the Larkin Building. These buildings--residential and nonresidential--plus the unexecuted projects shown add up to a new understanding of Wright's mentality. Grant Carpenter Manson first met Mr. Wright in 1939 while preparing his Harvard doctoral thesis, but his influence reaches back to Mr. Manson's childhood. He fell in love with the Husser House at the age of six and has been faithful ever since.
During the Great Depression, there were few clients coming to Frank Lloyd Wright for designs, so he turned to writing and lecturing. In 1932, he and his wife, Olgivanna, began the Taliesin Fellowship where 30 apprentices came to live and learn from the most influential and imaginative architect of the Twentieth Century. Earl Nisbet was one of those apprentices and Taliesin Reflections relates some of the day-to-day activities that occurred in the Taliesin Fellowship.