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In Series 1 "YAMATAI-koku HIMIKO (SEQ1)", we looked at the distributions of the Remains at "Medium-stream riverside of the HOMAN river, Japan" of Queen HIMIKO age. We talked that there are "Wold" village group and " Plateau" village group. Furthermore we talked that "IRAIJYAKU Remains" the representative of "Plateau" village group and an Enemy Watchtower at WA-koku TAIRAN age. We will look at the details of "IRAIJYAKU". There are seven hundreds houses in 70 years. "IRAIJYAKU" was the big village which had regularly one hundred houses, if the housese were rebuilt every ten years. Therefore the reading is hard work. But we will pick up only the major and characteristic relics. Seven "Forging Iron Wing-Flanged Axe" were excavated in "IRAIJYAKU". That Iron Axe was only one each local village of the FUKUOKA Plain of Japan. We will look at "IRAIJYAKU" as these characteristic relics as well as the Enemy Watchtower which we saw in "続1".
HIMIKO was co-commended and entrusted as a queen at AD183 in "倭" of Japan. Immediately, she paid a tribute to the Later HAN Dynasty according to the previous "漢委奴國王印" gold seal. But in the Later HAN, Yellow Turban Rebellion happened at AD184 February. This Rebellion was big. The suppressing the rebellion was in the winter. On the other hand, a Iron Sword, which was excavated in Todaijiyama Tumulus of NARA-prefecture in Japan, was inscribed "中平" Chinese characters. "中平" (Zhong Ping) is the era name at "靈帝" (Emperor Ling) of the Later HAN Dynasty of China. And the gold purity of Gold-Inlay Inscription is high extremely. Therefore this Iron Sword was made in the Later HAN. But there was no records of this Iron Sword in the official text of the Later HAN Dynasty, "东观汉记". But "东观汉记" was burnt out and is no exist both the original and copy books completely now. Therefore we focus on "東觀漢記" editors. because they have written the records in their own handwriting.
This book is binding with the following five books of "YAMATAI-koku HIMIKO" SERIES. ◇SERIES 1 : WAkoku-TAIRAN and Queen enthrone ◇SERIES 2 : The Deleted Tribute Records to Later-HAN Dynasty ◇SERIES 3 : "針習" and "貝元" were not poisoned ◇SERIES 4 : Dazaifu Tenmangu in the 2nd and 3rd Century ◇SERIES 5 : Ever Burning Zoroaster's Fire In this book, we will see the Chikushino-city and Dazaifu-city of FUKUOKA-prefecture in Japan at AD150-250, that is, WA-koku-Tairan and Queen HIMIKO age. This area exists between the HOMAN River (Japan) and the MIKASA River. This area was the main battle field of WA-koku-Tairan. And Queen HIMIKO was enthroned. We will look at the important area just before Queen HIMIKO. PS. This English Edition is the translation from the Japanese Edition, "邪馬壹國 卑彌呼, 倭國大亂そして女王時代". The translation had been conducted by using Appendix "Words". If this English Edition are inexplicable, please see the Japanese Edition or the original books in "References".
In this YAMATAI-koku HIMIKO SEQ4, we look at "千塔山遺跡" (SENTOYAMA Iseki), which appeared only at the later-stage of the Late-YAYOI period. It is at the later life of the Queen HIMIKO. Imaging 'Why suddenly appeared', we refer from the printed and purchased book. Its just south "柚比遺跡群" (YUBI Iseki-gun) is the defeated side of WA-koku TAIRAN, that is, the pro-Queen side. Like "隈・西小田地区遺跡群" (KUMA-NISHIODA-chiku Iseki-gun), the photos of the headless skeletons and severe war-wounded skeletons appear again. This "柚比遺跡群" (YUBI Iseki-gun) is slightly 10 km east from "吉野ヶ里遺跡" (YOSHINOGARI Iseki), which is the capital of the Queen HIMIKO.
The third-century Chinese chronicle Wei zhi (Record of Wei) is responsible for Japan’s most enduring ancient mystery. This early history tells of a group of islands off the China coast that were dominated by a female shaman named Himiko. Himiko ruled for more than half a century as head of the largest chiefdom, traditionally known as Yamatai, until her death in 248. Yet no such person appears in the old Japanese literature. Who was Himiko and where was the Yamatai she governed? In this, the most comprehensive treatment in English to date, a senior scholar of early Japan turns to three sources—historical, archaeological, and mythological—to provide a multifaceted study of Himiko and ancient Japanese society.
In previous series "YAMATAI-koku HIMIKO", we looked at the photos of the headless skeletons and the war-wound skeletons of the final battle field, "隈・西小田地区遺跡群38" and "永岡遺跡" of Chikushino-city of FUKUOKA prefecture, Japan. These age is in WA-koku TAIRAN (AD146-183), which became the main factor for enthroning Queen HIMIKO. We had looked at "Upstream riverside of the HOMAN river (JP)" of Queen HIMIKO age, that is, the Late YAYOI period, Japan. In this series "YAMATAI-koku HIMIKO SEQ", we will look the remains at "Medium-stream riverside of the HOMAN River (JP)" of Queen HIMIKO age. We will look at the details of "隈・西小田地区遺跡群38", which had been seen the only war-wound skeletons in the previous series. On the other hand, new remain appeared in Queen HIMIKO age on the nearby hill as "以来尺遺跡". What is the mean of this "以来尺遺跡" ? And so on, we will look at the remains of "Medium-stream riverside of the HOMAN river (JP)" of Queen HIMIKO age.
This "YAMATAI-koku HIMIKO SEQ 3" (WA-koku TAIRAN Final Battle "隈・西小田地区遺跡群") is the Queen HIMIKO lineage. This site was previously also talked in "Series 1 : WA-koku TAIRAN and Queen enthrone" of "YAMATAI-koku HIMIKO" book. Many head-hunted skeletons and severe war-wounded skeletons were excavated there. Here, we will look at the situation during WA-koku TAIRAN period, looking at the excavated pottery, houses, and grave goods. In this site, the skeleton weared 41 shell-rings was also excavated. Therefore it is believed that this site was the castle of the king, which was the eastern base of YAMATAI-koku in the SAGA Plain, during the Civil War of WA period. And therefore, this site received a barrage of fire. Moreover the place of "Exposed Head" will be also talked. In this book, texts and figures were refered from the purchased printed original book.
If the source of manga and anime is physically located in Japan, the temptation for many critics and scholars is to ask what aspects of Japanese culture and history gave rise to these media. This ninth volume of Mechademia—an annual collection of critical work on anime and manga—challenges the tendency to answer the question of origins by reductively generalizing and essentializing “Japaneseness.” The essays brought together in Mechademia 9 lead us to understand the extent to which “Japan” might be seen as an idea generated by anime, manga, and other texts rather than the other way around. What is it that manga and anime produce that no other medium can precisely duplicate? Is anime its own medium or a genre of animation—or something in between? And how must we adapt existing critical modes in order to read these new kinds of texts? While the authors begin with similar questions about the roots of Japanese popular culture and media, they invoke a wide range of theoretical work in the search for answers, including feminist criticism, disability studies, poststructuralist textual criticism, postcolonialism, art history, film theory, phenomenology, and more. Richly provocative and insightful, Mechademia 9 both enacts and resists the pursuit of fixed starting points, inspiring further creative investigation of this global artistic phenomenon. Contributors: Stephen R. Anderson; Dale K. Andrews, Tohoku Gakuin U; Andrew Ballús; Jodie Beck; Christopher Bolton, Williams College; Kukhee Choo, Tulane U; Ranya Denison, U of East Anglia; Lucy Fraser; Fujimoto Yukari, Meiji U, Japan; Forrest Greenwood; Imamura Taihei; Seth Jacobowitz, Yale U; Kim Joon Yang; Thomas Lamarre, McGill U; Margherita Long, U of California, Riverside; Matsumoto Nobuyuki, Tokyo National Museum; Laura Miller, U of Missouri–St. Louis; Alexandra Roedder; Paul Roquet, Stanford U; Brian Ruh; Shun’ya Yoshimi, U of Tokyo; Alba G. Torrents.
In the year 57 C.E., the court of Later Han dynasty presented a gold seal to an emissary from somewhere in what is now Japan. The seal soon vanished from history, only to be unearthed in 1784 in Japan. In the subsequent two-plus centuries, nearly 400 books and articles (mostly by Japanese) have addressed every conceivable issue surrounding this small object of gold. Joshua Fogel places the conferment of the seal in inter-Asian diplomacy of the first century and then traces four waves of historical analysis that the seal has undergone since its discovery, as the standards of historical judgment have changed over these years and the investment in the seal’s meaning have changed accordingly.