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Excerpt from Yackety Yack, 1938, Vol. 48 With all our frustrations and failures, you leave behind many real contributions to the immortal stream Of Uni versity life and carry into the world their enduring satis factions. In your college quadrennium, many improve ments have been made in the life of the college and the University by your own initiative or with your coopera tion and support. In the past four years were created, established, or made effective the following. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Yackety Yack, 1918, Vol. 18 One effect of the Great War has been that it' has brought all things to test. This test is not merely of physical courage and endurance, of the spirit of heroism, of the. Willingness to fight and, if need be, to die for that something not ourselves that is identified with justice and right; it is also a test of our conceptions of democracy, of our fitness to champion the ideals which humanity, through a long and painful evolution, has set up against arbitrary and pitiless despotism. Men and institutions are alike tried by fire. This test the university, like other institutions. Can not evade. The province of the university may be defined through combining the conceptions outlined a moment ago. It must act as custodian and interpreter of the spiritual inheritance of the ages: it must follow knowledge like a sinking star beyond the utmost bounds of human thought; and it must bring these ideals and this truth to bear on life. In the light of the first of these duties, Kultur and frightful ness, the ambition for a place in the sun, the false doctrine of the survival of the strongest, are put to a test that shrivels them and burns. In) the light of the second, the investigator untouched by the tumult and the shouting of warring hosts, adds bit by bit to the sum of knowledge that pushes back a little farther the realm of chaos and old night. In the light of the third, idealism and truth come down from the mountain top to bring the tables of the law to men. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
An illustrated biography of America's favorite cartoon character, garnered from the archives of Warner Brothers Studios
(Piano Adventures Supplementary). While nearly every pianist's training includes the renowned exercises of Charles-Louis Hanon, the power and weight of the modern grand requires an updated approach. This unique edition introduces vital pianistic warm-ups and routines that ensure correct gesture and relaxation. The pedagogical sequence omits inefficient and potentially damaging exercises and presents a long-needed pathway for dexterity and gesture that newly advances the virtuoso pianist. * Includes selected exercises from Hanon's The Virtuoso Pianist, Parts 1 and 2 * New transformative warm-ups develop gesture, dexterity, and virtuosity * For students in Levels 3A, 3B, and above
"Funny, I don't feel like a legend." -- Barbra Streisand She is a one-name legend, a global icon, the ultimate diva. Yet most of what we know about Barbra Joan Streisand is the stuff of caricature: the Brooklyn girl made good, the ugly duckling who blossomed into a modern-day Nefertiti, the political dilettante driving to the barricades in her Rolls-Royce, the Oscar-winning actress and bona fide movie mogul, the greatest female singer who ever lived, a skinflint, a philanthropist, a connoisseur and a barbarian, the woman whose physical characteristics are instantly identifiable around the planet -- the tapered nails, those slightly crossed eyes, that nose, the voice. Even to the multitudes around the world who idolize her, Streisand remains aloof, unknowable, tantalizingly beyond reach. Until now. In the manner of his #l New York Times bestsellers The Day Diana Died and The Day John Died as well as Jack and Jackie, Jackie After Jack, An Affair to Remember, and Sweet Caroline, Christopher Andersen taps into important sources -- eyewitnesses to Streisand's remarkable life and career -- to paint a startling portrait of the artist . . . and the woman. Among the revelations: Surprising new details about her wedding and marriage to James Brolin. New information about her many failed love affairs, including her never-before-revealed relationships with Prince Charles and Princess Diana's doomed lover Dodi Fayed -- as well as Warren Beatty, Ryan O'Neal, former Canadian prime minister Pierre Trudeau, Steve McQueen, Richard Gere, Kris Kristofferson, Don Johnson, Jon Voight, Andre Agassi, newsman Peter Jennings, and more . . . A provocative inside account of what really went on between Streisand and Bill Clinton in the White House, what their relationship is like today, and how Hillary feels about Barbra. From Funny Girl and The Way We Were to Yentl and The Prince of Tides -- and in the recording sessions that produced some of the biggest hits in music history -- new behind-the-scenes details of the brilliance, the obsessive drive for perfection, and the Callas-sized ego. New insights into Barbra's relationship with her only child, Jason. Whether you love her, hate her, or are simply spellbound by her titanic talent, Barbra is one thing above all others: a true American original.
"Remembering Charles Kuralt provides an off-screen look at the CBS newsman whose folksy reports from the back roads of America endeared him to millions."--BOOK JACKET.
Saul Alinsky, according to Time Magazine in 1970, was a "prophet of power to the people," someone who "has possibly antagonized more people . . . than any other living American." People Power introduces the major organizers who adopted and modified Alinsky's vision across the United States: --Fred Ross, Cesar Chavez, Dolores Huerta, and the Community Service Organization and National Farm Workers Association --Nicholas von Hoffman and the Woodlawn Organization --Tom Gaudette and the Northwest Community Organization --Ed Chambers, Richard Harmon, and the Industrial Areas Foundation --Shel Trapp, Gale Cincotta, and National People's Action --Heather Booth, Midwest Academy, and Citizen Action --Wade Rathke and ACORN Weaving classic texts with interviews and their own context-setting commentaries, the editors of People Power provide the first comprehensive history of Alinsky-based organizing in the tumultuous period from 1955 to 1980, when the key organizing groups in the United States took form. Many of these selections--previously available only on untranscribed audiotapes or in difficult-to-read mimeograph or Xerox formats--appear in print here for the first time.
Association of Recorded Sound Collections Awards for Excellence Best Research in Record Labels–Certificate of Merit (2012) The Starday Story: The House That Country Music Built is the first book entirely dedicated to one of the most influential music labels of the twentieth century. In addition to creating the largest bluegrass catalogue throughout the 1950s and '60s, Starday was also known for its legendary rockabilly catalogue, an extensive Texas honky-tonk outpouring, classic gospel and sacred recordings, and as a Nashville independent powerhouse studio and label. Written with label president and co-founder Don Pierce, this book traces the label's origins in 1953 through the 1968 Starday-King merger. Interviews with artists and their families, employees, and Pierce contribute to the stories behind famous hit songs, including "Y'all Come," "A Satisfied Mind," "Why Baby Why," "Giddy-up Go," "Alabam," and many others. Gibson's research and interviews also shed new light on the musical careers of George Jones, Arlie Duff, Willie Nelson, Roger Miller, the Stanley Brothers, Cowboy Copas, Red Sovine, and countless other Starday artists. Conversations with the children of Pappy Daily and Jack Starns provide a unique perspective on the early days of Starday, and extensive interviews with Pierce offer an insider glance at the country music industry during its golden era. Weathering through the storm of rock and roll and, later, the Nashville Sound, Starday was a home to traditional country musicians and became one of the most successful independent labels in American history. Ultimately, The Starday Story is the definitive record of a country music label that played an integral role in preserving our nation's musical heritage.
From abdabs to zit From pillock (14th century) to couch potato (20th century) From She'll be apples (Australia) to the pits (USA) This new collection brings together some 5,000 contemporary slang expressions originating in all parts of the English-speaking world. It gives clear and concise definitions of each word, supplemented by examples of their use and information about where and when they came into being. This entertaining reference work will be of use to students of English at all levels and a source of fascination to word-lovers throughout the world.
The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.