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'Every thoughtful person, concerned for the future of this country, needs to read this book.' - Prof. Irfan Habib Yaadon ke Bikhre Moti, the Hindi translation of the bestselling Remnants of a Separation, is a unique attempt to revisit the Partition through objects that refugees carried with them across the border. These belongings absorbed the memory of a time and place, remaining latent and undisturbed for generations. They now speak of their owner's pasts as they emerge as testaments to the struggle, sacrifice, pain and belonging at an unparalleled moment in history. A string of pearls gifted by a maharaja, carried from Dalhousie to Lahore, reveals the grandeur of a life that once was. A notebook of poems, brought from Lahore to Kalyan, shows one woman's determination to pursue the written word despite the turmoil around her. The product of years of research, this book is an alternative history of the Partition - the first and only one told through material memory that makes the event tangible even seven decades later.
Seventy years on, the Partition of India fades from memory. Can it be restored?
This Day That Year as a title came from a TV program of the 90s called “This Week That Year”, that I used to watch on TV. I could relate to it very well as I remembered the release dates of most of the movies of the late 60s and early 70s and when the host spoke about it, I went down my memory lane and loved the experience. Once I became part of Facebook in 2009, I found a great forum to share my experiences of movie releases in Bombay then and now Mumbai. I found a lot of like-minded people who could relate to my post and shared their experiences and thoughts as comments. Quite a few of them encouraged me to share it with a larger audience and hence suggested publishing it. I never thought of doing it but when people kept telling me regularly to do it, I decided to give it a try, and here comes my experiences and thoughts of the movies released in the late 60s and early 70s. Hope you like what you read, though many of the statements would look repetitive. But do accept the experiences of a teenager who turns into a man in 1973.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
As we aspire for rising economic prosperity and a strong and confident India, this book forcefully reminds us of the values that make for a truly sustainable society, at the heart of which is the family. For it is not economic growth or military strength alone that will make India strong. Sustainable success comes from values, and these can sustain a society and a nation even in times of hardship. The book expresses an ideal by which Indian society may prosper and speaks of how spirituality can help create a noble nation and a better world. It provides a valuable counterpoint to the modern-day emphasis on consumerism and the philosophy of more is better, highlighting the sanctity of the natural world and its great power to evoke human creativity and love. Writing on this crucial subject are two iconic Indians. Together, Acharya Mahapragya and A.P.J. Abdul Kalam-- one a Jain muni revered as a saint, the other a visionary, a distinguished scientist and a former President of India-- bring their vast experience to bear on this important subject. As the authors put it, it's only a united and happy family that will lead to a strong nation, one that can be a true fulfilment of 5,000 years of India's civilization. The book takes up the difficult and pressing task of setting a new agenda in a time of radical social change. It shows us the path we need to follow to take India to its rightful place as a great nation.
It all started cos I wanted to mess with the Invincibles (the superbrats). #SorryNotSorry. But one thing led to another, and before I knew it, I was hitting out at everyone, even the Incredibles (the geeks) and the Invisibles (the losers). Seriously, my online persona is starting to mess with my head.The Secret Life of Debbie G. is the story of a sixteen-year-old who becomes an online sensation overnight. Except, it's her online persona that hits big time. Set in contemporary times, where the number of likes, comments, shares, DMs and followers determine a teenager's sense of self-worth, the story takes a close look at how social media influences their behaviour and affects their emotional health.Equal parts poignant and fun, this is a bittersweet coming-of-age story.
Drawing on the work of a large team of specialists, this book contains 500 entries on all the leading directors, stars, studios and genres in Indian cinema. In addition to comprehensive filmographies, it also features 1450 entries on key films from all periods and regions, with cast and credits as well as concise critical evaluations. A chronicle of film history, together with basic production statistics and an index, complete the volume.
Wild—untamed, hostile, remote. Yet, wild can be gentle, welcoming, and inspiring, too. This is the wild that preoccupies biologist Shankar Raman as he writes about trees and bamboos, hornbills and elephants, leopards and myriad other species. Species found not just out there in far wildernesses—from the Thar desert to the Kalakad rainforests, from Narcondam Island to Namdapha—but amid us, in gardens and cities, in farms, along roadsides. And he writes about the forces that gouge land and disfigure landscapes, rip trees and shred forests, pollute rivers and contaminate the air, slaughter animals along roads and rail tracks—impelling a motivation to care, and to conserve nature. Through this collection of essays, Shankar Raman attempts to blur, if not dispel, the sharp separation between humans and nature, to lead you to discover that the wild heart of India beats in your chest, too.
FOR FANS OF ALL THE LIGHT WE CANNOT SEE, A LUSH, SWEEPING LOVE STORY ABOUT A HINDU PERFUMER AND A MUSLIM CALLIGRAPHER, SET AGAINST THE BACKDROP OF PARTITION “Monumental...A far-reaching love story.” —NPR (A Best Book of the Year) “Mesmerizing.” —Publishers Weekly (starred review) “Exquisite.” —Library Journal (starred review) “Majestic.” —Booklist (starred review) On a January morning in 1938, Samir Vij first locks eyes with Firdaus Khan through the rows of perfume bottles in his family’s ittar shop in Lahore. Over the years that follow, the perfumer’s apprentice and calligrapher’s apprentice fall in love with their ancient crafts and with each other, dreaming of the life they will one day share. But as the struggle for Indian independence gathers force, their beloved city is ravaged by Partition. Suddenly, they find themselves on opposite sides: Samir, a Hindu, becomes Indian and Firdaus, a Muslim, becomes Pakistani, their love now forbidden. Severed from one another, Samir and Firdaus make a series of fateful decisions that will change the course of their lives forever. As their paths spiral away from each other, they must each decide how much of the past they are willing to let go, and what it will cost them. Lush, sensuous, and deeply romantic, The Book of Everlasting Things is the story of two lovers and two nations, split apart by forces beyond their control, yet bound by love and memory. Filled with exquisite descriptions of perfume and calligraphy, spanning continents and generations, Aanchal Malhotra’s debut novel is a feast for the senses and the heart.
WINNER of the 2022 INTERNATIONAL ASSOCIATION OF WORKING WOMEN AWARD for BEST FICTION OF THE YEAR! LONGLISTED for 2022 DUBLIN LITERARY AWARD! She rose from commoner to become the last reigning queen of India’s Sikh Empire. In this dazzling novel, based on true-life events, bestselling author Chitra Banerjee Divakaruni presents the unforgettable story of Jindan, who transformed herself from daughter of the royal kennel keeper to powerful monarch. Sharp-eyed, stubborn, and passionate, Jindan was known for her beauty. When she caught the eye of Maharaja Ranjit Singh, she was elevated to royalty, becoming his youngest and last queen—and his favorite. And when her son, barely six years old, unexpectedly inherited the throne, Jindan assumed the regency. She transformed herself from pampered wife to warrior ruler, determined to protect her people and her son’s birthright from the encroaching British Empire. Defying tradition, she stepped out of the zenana, cast aside the veil, and conducted state business in public, inspiring her subjects in two wars. Her power and influence were so formidable that the British, fearing an uprising, robbed the rebel queen of everything she had, but nothing crushed her indomitable will. An exquisite love story of a king and a commoner, a cautionary tale about loyalty and betrayal, a powerful parable of the indestructible bond between mother and child, and an inspiration for our times, Chitra Banerjee Divakaruni’s novel brings alive one of the most fearless women of the nineteenth century, one whose story cries out to be told.