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Here is a new edition of Xenophon's Hellenika, the primary source for the events of the final seven years and aftermath of the Peloponnesian War. --from publisher description.
Viviene Gray examinesthe Hellenika not as an account of historical events, but as piece of historical writing. In it, she attempts to discover the mentality of the writer.
The advances in Xenophontic studies of the last generation have still not resulted in a definitive literary treatment of the Hellenica 1-2, so Xenophon’s description of the Peloponnesian War deserves closer examination. This book aims to show that Xenophon has crafted his narrative in such a way as to reinforce the opinion of Thucydides, whose work he continued, that the development of the Peloponnesian War depended to a great extent on Persian money, but the factors that ultimately determined its outcome were the moral virtues and the skills of the military leaders of Athens and Sparta. Regarding Athens, Xenophon wants to show that despite Persia’s support of Sparta, Athens lost the war because of its troubled relationship with Alcibiades; the moral disintegration of the Athenians who condemned illegally the Arginousai generals and the appointment of generals who were greatly inferior. Concerning Sparta, Xenophon leads his readers to believe that in spite of- not because of- the interference of Persia in the Peloponnesian War the moral and military qualities of Lysander and Callicratidas were what turned the course of the war either in favor of or against Sparta in each phase of the war.
Introduces Xenophon's writings and their importance for Western culture, while explaining the main scholarly controversies.
This book involves a new historiographical study of the Hellenica Oxyrhynchia that defines its relationship with fifth- and fourth-century historical works as well as its role as a source of Diodorus’ Bibliotheke. The traditional and common approach taken by those who studied the HO is primarily historical: scholars have focused on particular, often isolated, topics such as the question of the authorship, the historical perspective of the HO against other Hellenica from the 4th century BC. This book is unconventional in that it offers a study of the HO and fifth- and fourth-century historical works supported by papyrological enquiries and literary strategies, such as intertextuality and narratology, which will undoubtedly contribute to the progress of research in ancient historiography.
This volume examines the issue of violence in Xenophon’s works, who lived in circumstances of war for many years. All the papers address issues of violence from different aspects. The exclusive focus on this issue is justified, since no previous detailed study exists on the subject. Most of the chapters focus on the Hellenica, because this work records more aspects of violence than the rest of his works. The volume is more concerned with examining violence in practice rather than the theory of violence, and violent practices are more frequently recorded in the Hellenica, which is the main historical work of Xenophon.This volume attempts to provide a comprehensive study of the subject of violence in Xenophon’s works and to demonstrate the coherence and consistency of his thought on it. This work aspires to be a contribution to classical scholarship since it attempts to: (1) shed further light on the literary character of Xenophon’s oeuvre; (2) offer new interpretation of passages and themes; and (3) put emphasis on passages that scholars have not pointed out and which offer important insights to the thought of Xenophon.
The Landmark Xenophon’s Anabasis is the definitive edition of the ancient classic—also known as The March of the Ten Thousand or The March Up-Country—which chronicles one of the greatest true-life adventures ever recorded. As Xenophon’s narrative opens, the Persian prince Cyrus the Younger is marshaling an army to usurp the throne from his brother Artaxerxes the King. When Cyrus is killed in battle, ten thousand Greek soldiers he had hired find themselves stranded deep in enemy territory, surrounded by forces of a hostile Persian king. When their top generals are arrested, the Greeks have to elect new leaders, one of whom is Xenophon, a resourceful and courageous Athenian who leads by persuasion and vote. What follows is his vivid account of the Greeks’ harrowing journey through extremes of territory and climate, inhabited by unfriendly tribes who often oppose their passage. Despite formidable obstacles, they navigate their way to the Black Sea coast and make their way back to Greece. This masterful new translation by David Thomas gives color and depth to a story long studied as a classic of military history and practical philosophy. Edited by Shane Brennan and David Thomas, the text is supported with numerous detailed maps, annotations, appendices, and illustrations. The Landmark Xenophon’s Anabasis offers one of the classical Greek world’s seminal tales to readers of all levels.
Xenophon and the History of his Times examines Xenophon's longer historical works, the Hellenica and the Anabasis. Dillery considers how far these texts reflect the Greek intellectual world of the fourth and fifth centuries B.C., rather than focusing on the traditional question of how accurate they are as histories. Through analysis of the complete corpus of Xenophon's work, and the writings of his contemporaries, Xenophon is shown to be very much a man of his times, concerned with topical issues ranging from panhellenism and utopia to how far the gods controlled human history. This book will be valuable reading for students on ancient history courses and for all those interested in Greek political and philosophical thought.
Xenophon is usually believed to have written his Hellenica as a general ''history of his own times'' in Greece, and is criticized for his disproportionately close attention to Spartan affairs and his apparent bias in favour of the Spartans. But his treatment of Sparta is much more coherent and purposive than has been noticed; and knowing the cirumstances of his life, we should consider that there were ample reasons of prudence (at least) for him to have written with much circumspection about Sparta and especially about Agesilaus and Agesilaus' friends. This methodical interpretative study of Lysander in the Hellenica as well as of the Polity of the Lacedaemonians demonstrates that Xenophon wrote aobut this city - famous for the communal life of its citizens - with critical and philosophic intent. As a case study in reading classical history, it might signal the need for a complete reevaluation of other historians as well.