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After many decades of neglect, the last forty years have seen a renewed scholarly appreciation of the literary value of the Greek novel. Within this renaissance of interest, four monographs have been published to date which focus on individual novels; I refer to the specialist studies of Achilles Tatius by Morales and Laplace and those of Chariton of Aphrodisias by Smith and Tilg. This book adds to this short list and takes as its singular focus Xenophon's Ephesiaca. Among the five fully extant Greek novels, the Ephesiaca occupies the position of being an anomaly, since scholars have conventionally considered it to be either a poorly written text or an epitome of a more sophisticated lost original. This monograph challenges this view by arguing that the author of the Ephesiaca is a competent writer in artistic control of his text, insofar as his work has a coherent and emplotted focus on the protagonists' progression in love and also includes references to earlier texts of the classical canon, not least Homer's Odyssey and the Platonic dialogues on Love. At the same time, the Ephesiaca exhibits stylistically an overall simplicity, contains many repetitions and engages with other texts via a thematic, rather than a pointed, type of intertextuality; these and other features make this text different from the other extant Greek novels. This book explains this difference with the help of Couégnas' view of 'paraliterature, ' a term that refers not to its status as 'non-literature' but rather to literature of a different kind, that is simple, action-oriented, and entertaining. By offering a definition of the Ephesiaca as a paraliterary narrative, this monograph sheds new light on this novel and its position within the Greek novelistic corpus, whilst also offering a more nuanced understanding of intertextuality and paraliterature.
Scholars are divided in their views about the teachings on riches in 1 Timothy. Evidence that has been largely overlooked in NT scholarship appears in Ephesiaca by Xenophon of Ephesus and suggests that the topic be revisited. Recently dated to the mid-first century C.E., Ephesiaca brings to life what is known from ancient sources about the social setting and cultural rules of the wealthy in Ephesus and provides details that enhance our knowledge of life and society in that place and time. In this volume, Hoag introduces Ephesiaca and employs a socio-rhetorical methodology to explore it alongside other ancient evidence and five passages in 1 Timothy (2:9–15; 3:1–13; 6:1–2a; 6:2b–10; and 6:17–19). His findings augment our modern conception of the Sitz im Leben of the wealthy in Ephesus. Additionally, because Ephesiaca contains some rare terms and themes that are found in 1 Timothy, this groundbreaking research offers fresh insight for biblical reading and interpretation.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T105254 Titlepage in red and black. London: printed for J. Millan, 1727. 112p.; 8°
Love and Providence provides the first study of the recognition scene in Greek "romantic" novels and its significance in the ancient literary tradition.
Analyzes the characterization of the protagonists in the five extant, so-called 'ideal' Greek novels of the first few centuries C.E., using the conceptual couples of typification/individuation, idealistic/realistic characterization, and static/dynamic character to show their complexity.
This book is about the bold, beautiful, and faithful heroines of the Greek novels and their mythical models, such as Iphigenia, Phaedra, Penelope, and Helen. The novels manipulate readerly expectations through a complex web of mythical variants and constantly negotiate their adventure and erotic plot with that of traditional myths becoming, thus, part of the imperial mythical revision to which they add the prospect of a happy ending.
Intertextuality has been recognised as an important feature of ancient prose fiction and yet it has only received sporadic attention in modern scholarship, despite the recent explosion of interest in the ancient novels. This volume is intended to make a contribution towards filling this gap by drawing attention to, and throwing fresh light on, the presence in ancient Greek and Roman narratives of earlier literary echoes. While one volume is by no means sufficient to remedy the problem of the relative lack of scholarship on the topic, nevertheless it is hoped that the present collection will create scope for debate and will generate greater scholarly interest in this area. Most of the articles collected here originated in the colloquium 'The Ancient Novel and its Reception of Earlier Literature', which was held at University College Cork in August 2007. They investigate the interconnection between Graeco-Roman narratives and earlier or contemporary works, and consider ways in which intertextual exploration is invited from the readers of these texts. What prompts the reader to associate a passage with an earlier text? What triggers in a text the evocation of motifs from antecedent literature? How might we interpret an identified allusion? In what ways can intertextuality function as a device of characterisation? These are among the questions explored by the chapters in this volume, which concentrate on the 'canonical' Greek romances and the Roman novels but also cover other novel-like works, such as the Alexander Romance and Alexander's Letter to Aristotle About India, and the Story of Apollonius King of Tyre.
"Speech in Ancient Greek Literature is the fifth volume in the series Studies in Ancient Greek Narrative. There is hardly any Greek narrative text without speech, which need not surprise in the literature of a culture which loved theatre and also invented the art of rhetoric. This book offers a full discussion of the types of speech, the modes of speech and their effective alternation, and the functions of speech from Homer to Heliodorus, including the Gospels. For the first time speech-introductions and 'speech in speech' are discussed across all genres. All chapters also pay attention to moments when characters do not speak"--
Introduces Xenophon's writings and their importance for Western culture, while explaining the main scholarly controversies.
The best known variety of the ancient novel - sometimes identified with the ancient novel tout court - is the Greek love novel. The question of its origins has intrigued scholars for centuries and has been the focus of a great deal of research. Stefan Tilg proposes a new solution to this ancient puzzle by arguing for a personal inventor of the genre, Chariton of Aphrodisias, who wrote the first Greek (and, with that, the first European) love novel, Narratives about Callirhoe, in the mid-first century AD. Tilg's conclusion is drawn on the basis of two converging lines of argument, one from literary history, another from Chariton's poetics, and will shed fresh light upon the reception of Latin literature in the Greek world.