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In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.
This new story from the popular Vision Books series of saints lives for youth 9-15 years old is about the inspiring life of the great missionary to the Far East, St. Francis Xavier. After his wartorn boyhood in Navarre, Francis Xavier went to the University of Paris, determined to have a good time. He was interested in sports and became broadjumping champion of his college, and did not pay much attention to his studies. At first he scoffed at this fellow student, Ignatius Loyola, a former soldier who wanted to win the world for God. But Ignatius showed him that true champions are a far more heroic breed - those who risk their all to win the world for God. Francis joined Ignatius' followers, and became one of the first members of the Society of Jesus.Francis Xavier was selected by Ignatius to do missionary work in India. To all sixteenth-century travelers, a voyage from Portugal to India meant months of deadly peril from storms, pirates, and diseases. But to Father Francis Xavier, it also meant a chance to win the Orient for Jesus Christ. This great saint's eagerness to spread the Word of God involved him with the pearl divers of the Indian coast, the natives of Malaya and the Spice Islands, the cannibals of Morotni and the hostile feudal lords of ancient Japan. This book captures the true spirit of a daring man who braved the many dangers of India and Japan in amazing adventures of courage and faith.
Featuring spreads with raised, shaped objects that fit into scooped cutouts on their opposite page, these new TouchThinkLearn books offer the youngest learners an opportunity to explore in a hands-on, multisensory way. Seeing the image, tracing its shape, saying its name—these modes of perception combine to stimulate understanding of essential concepts. Discover a polar bear by tracing its raised outline on one side, and the concave shape of its cozy den on the other! Related words on each spread offer a springboard for further conversation to encourage the language skills crucial to later successful learning. In a format unlike any other, these groundbreaking books translate abstract thought into tangible knowledge.
This book investigates the idea of comic seriousness in Old Comedy. The issue has been a vexing one in classical studies, and the most traditional stance has been that Aristophanes' comedies reflect his personal ideology, reducing the plays to little more than political speeches. Riu concludes, in contrast, that we should abandon our preconceptions about comic seriousness and approach the language of Aristophanes with care and precision, alert to the nuances of meaning that the comic genre entails. Attempting to set Old Comedy in its proper context, Riu explores the myth and ritual of Dionysus in the city-state (including a reading of Euripides'Bacchae and other sources) and relates the patterns found in those myths to the works of Aristophanes. The book concludes with a section on the relationship between comedy and reality, the import of insults in comedy, comedy as ritual, the relationship between author and character, and the seriousness of comedy. With an appendix that examines the exceptional case ofClouds, Dionysism and Comedy is an important resource for students and scholars of classical comedy and the comedic genre
Japan has had three Catholic prime ministers, and its current empress was raised and educated in the faith. How did a non-Christian nation come to foster more Catholic leaders than the United States, particularly when Protestantism is said to define Christianity in Japan and Catholicism is believed to be but a fleeting element of Japan’s so-called Christian century? Far from being a relic of the past – something brought to Japan by sixteenth-century missionaries such as Francis Xavier and then forgotten – Catholicism offered, and continues to provide, an authentic way for Japanese believers to shape their cultural identities. This volume documents the appeal of Catholicism, not only among farmers and fishers but also among scientists, diplomats, novelists, and members of the imperial household who have found in Catholicism an alternative way to keep “tradition” and negotiate modernity since the late nineteenth century.
Sometimes Xavier wakes up feeling hopeless. Every new doctor this will fix it. Removing him from school this will fix it. The therapy group this will fix it. And his dad moving out. Maybe, this will fix it. His daily affirmations seem to be helping, yet the black dog never really goes away. But Xavier has a plan. Enlisting the help of best friend Aster, he tries to convince his dad to turn the family hogget farm into a therapy retreat for the group session kids. But he is up against decades of tradition, his parents who are on a break, and the spectre of the black dog. Can Xavier learn to cherish the moments in between the struggles - the moments in the meantime?