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XAIPE (Greek for "rejoice"), which first appeared in 1950, contains some of E. E. Cummings's finest work. Among many poems can be found "dying is fine)but Death," "so many selves(so many friends and gods," "when serpents bargain for the right to squirm," "no time ago," "I thank You God for most this amazing," and "now all the fingers of this tree(darling)have."
Reissued with a new preface for the centennial.
Inhalt: Martina Aprile: A study on the procurement of offerings system for the funerary complex of Senwosret II at el-Lahun Alessio Delli Castelli: The Definition of Art and Sculpture Concerning Kai Widmaier's Bilderwelten Abraham I. Fernández Pichel, David Klotz: Fundamental Texts of Latopolitan Theology. The Bandeau Inscriptions from the Soubassements of the Ptolemaic Façade (Esna II, 16 and 30) Brendan Hainline: Markers of Non-Royal Ritual Utterances in the Pyramid Texts Sabine Herrmann: "Cette pyramide est bâtie en forme de pavillon". Zur Entdeckungsgeschichte der Pyramiden von Dahshur in Mittelalter und Früher Neuzeit Jochem Kahl, Mohamed Abdelrahiem, Anna Arpaia, Andrea Kilian, Chiori Kitagawa, Jan Moje, Philipp Scharfenberger: The Asyut Project: Sixteenth Season of Fieldwork (2022) Florence Langermann: Seven Fragments of a Healing Statue from Heliopolis/Matareya Bieke Mahieu: The Identification and Sequence of the Hyksos Kings in Dynasty 15 Mostafa Hassan Nour, John M. Iskander, Sameh Hashem: The Stela of King Apries from El-Qantara Gharb. A Royal Journey to the Eastern Borders Anthony Spalinger: Chariot Wheels
This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-century Anglophone poets in the Classical tradition. But for most of his life, and even for ten or twenty years after his death, this is how many readers and critics did see Cummings. He specialised in the study of classical literature as an undergraduate at Harvard, and his contemporaries saw him as a 'pagan' poet or a 'Juvenalian' satirist, with an Aristophanic sense of humour. In E.E. Cummings' Modernism and the Classics, Alison Rosenblitt aims to recover for the contemporary reader this lost understanding of Cummings as a classicizing poet. The book also includes an edition of previously unpublished work by Cummings himself, unearthed from archival research. For the first time, the reader has access to the full scope of Cummings' translations from Horace, Homer, and Greek drama, as well as two short pieces of classically-related prose, a short 'Alcaics' and a previously unknown and classicizing parody of T. S. Eliot's The Waste Land. This new work is exciting in its own right and essential to understanding Cummings' development as a poet.
Originally published in 1960. In E. E. Cummings: The Art of His Poetry, Norman Friedman argues that critics who have focused on what Cummings's poetry lacks have failed to judge Cummings on his strengths. Friedman identifies a main strength of Cummings as his being a "sensual mystic." The book unpacks Cummings's subject matter, devices, and symbolism, ultimately helping readers develop a deeper understanding and appreciation of Cummings's work.