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A collection of cartoons about the band's history combined with entries from the author's diary written on the day the drawings were published provides insight into what was actually happening in the band's lives when the cartoons were drawn.
A history of the Blues genre and its celebrated musicians discusses how African-Americans expressed poverty, injustice, faith, and love in their music as they journeyed from southern plantations to northern cities.
Contemporary Art and Digital Culture analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East. This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cybernetics and net.art, and takes stock of how the art-world infrastructure has reacted to the internet’s promises of democratisation. An invaluable resource for undergraduate and postgraduate students of contemporary art – especially those studying history of art and art practice and theory – as well as those working in film, media, curation, or art education. Melissa Gronlund is a writer and lecturer on contemporary art, specialising in the moving image. From 2007–2015, she was co-editor of the journal Afterall, and her writing has appeared there and in Artforum, e-flux journal, frieze, the NewYorker.com, and many other places.
The story of an ancient ambush that devastated Rome—and the modern-day hunt that finally revealed its location and its archaeological treasures. In 9 A.D., the seventeenth, eighteenth, & nineteenth Roman legions and their auxiliary troops under the command of Publius Quinctilius Varus vanished in the boggy wilds of Germania. They died singly and by the hundreds over several days in a carefully planned ambush led by Arminius—a Roman-trained German warrior adopted and subsequently knighted by the Romans, but determined to stop Rome’s advance east beyond the Rhine River. By the time it was over, some 25,000 men, women, and children were dead and the course of European history had been forever altered. “Quinctilius Varus, give me back my legions!” Emperor Augustus agonized aloud when he learned of the devastating loss. As decades passed, the location of the Varus defeat, one of the Western world’s most important battlefields, was lost to history. It remained so for two millennia. Fueled by an unshakable curiosity and burning interest in the story, a British Major named J. A. S. (Tony) Clunn delved into the nooks and crannies of times past. By sheer persistence and good luck, he turned the foundation of German national history on its ear. Convinced the running battle took place north of Osnabruck, Germany, Clunn set out to prove his point. His discovery of large numbers of Roman coins in the late 1980s, followed by a flood of thousands of other artifacts (including weapons and human remains), ended the mystery once and for all. Archaeologists and historians across the world agreed. Today, a state-of-the-art museum houses and interprets these priceless historical treasures on the very site Varus’s legions were lost. The Quest for the Lost Roman Legions is a masterful retelling of Clunn’s search to discover the Varus battlefield. His well-paced and vivid writing style makes for a compelling read as he alternates between his incredible modern quest and the ancient tale of the Roman occupation of Germany—based upon actual finds from the battlefield—that ultimately ended so tragically in the peat bogs of Kalkriese.
The practice of sanctuary—giving refuge to the threatened, vulnerable stranger—may be universal among humans. From primate populations to ancient religious traditions to the modern legal institution of asylum, anthropologist Linda Rabben explores the long history of sanctuary and analyzes modern asylum policies in North America, Europe, and elsewhere, contrasting them with the role that courageous individuals and organizations have played in offering refuge to survivors of torture, persecution, and discrimination. Rabben gives close attention to the mid-2010s refugee crisis in Europe and to Central Americans seeking asylum in the United States. This wide-ranging, timely, and carefully documented account draws on Rabben’s experiences as a human rights advocate as well as her training as an anthropologist. Sanctuary and Asylum will help citizens, professionals, and policy makers take informed and compassionate action. A Capell Family Book
An autobiography, by the bass player, of the Rolling Stones band describing the band's early years and success.
In this provocative book, Marvin Perry and Frederick M. Schweitzer analyze the lies, misperceptions, and myths about Jews and Judaism that anti-semites have propagated throughout the centuries. Beginning with antiquity, and continuing into the present day, the authors explore the irrational fabrications that have led to numerous acts of violence and hatred against Jews. The book examines ancient and medieval myths central to the history of anti-semitism: Jews as 'Christ-killers', instruments of Satan, and ritual murderers of Christian children. It also explores the scapegoating of Jews in the modern world as conspirators bent on world domination; extortionists who manufactured the Holocaust as a hoax designed to gain reparation payments from Germany; and the leaders of the slave trade that put Africa in chains. No other book has focused its attention exclusively on a thematic discussion of historic and contemporary anti-semitic myths, covering such an expansive scope of time, and allowing for such a painstaking level of exemplification. Anti-semitism is an essential book that will serve as a corrective to bigotry, stereotype, and historical distortion.