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An ancient legend, an all-too modern murder, and Chief Superintendent Wycliffe must find the link between them ... Every year, at Halloween, high on the Cornish cliffs, a life-sized effigy of a man is strapped to a blazing wheel and run into the sea - a re-enactment of a hideous old legend where the figure had been a living sacrifice. And now Jonathan Riddle, well-known and respected local builder and undertaker, has disappeared - and it seems all too likely that his corpse has gone the way of the historic 'scapegoat'. As Chief Superintendent Wycliffe begins to investigate, more and more unpleasant facts emerge until he is left with an incredible, and seemingly impossible, solution . . .
An ancient legend, an all-too modern murder, and Chief Superintendent Wycliffe must find the link between them ... Every year, at Halloween, high on the Cornish cliffs, a life-sized effigy of a man is strapped to a blazing wheel and run into the sea - a re-enactment of a hideous old legend where the figure had been a living sacrifice. And now Jonathan Riddle, well-known and respected local builder and undertaker, has disappeared - and it seems all too likely that his corpse has gone the way of the historic 'scapegoat'. As Chief Superintendent Wycliffe begins to investigate, more and more unpleasant facts emerge until he is left with an incredible, and seemingly impossible, solution . . .
A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.
Chief Superintendent Wycliffe comes across evidence on his own doorstep - and it leads him into very deep water . . . Wycliffe's home overlooks a peaceful, West Country estuary - but even here he can't get away from crime. When he is taking a Sunday morning walk along the shore, he comes across a service revolver with one chamber recently fired. In recent years Wycliffe has often regretted the fact that his rank cuts him off from the early stages of an investigation, but here he is, in at the very start. The case takes Wycliffe into the world of art robberies and crooked dealers, to a suicide which may be a murder, and a hunt for a missing yacht. As the investigation escalates, Wycliffe begins to wonder exactly where the clues are leading . . .
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
This book represents a new direction at the interface between the fields of stylistics and corpus linguistics, namely the use of a corpus methodology to investigate how people's words and thoughts are presented in written narratives.
Focusing on the growing trend of employing the present tense in storytelling, this book explores present-tense narrative in contemporary fiction. Using a corpus approach, speech, writing, and thought presentation in 21st-century present-tense narrative is compared with 20th-century past-tense narrative. An in-depth comparative analysis reveals previously undiscovered innovative features specific to how character discourse is presented in modern narratives. Notably, narrative tenses have an impact on thought presentation; in present-tense narrative, Free Direct Thought (FDT) emerges as frequently as Free Indirect Thought (FIT), a departure from the dominance of FIT in modern past-tense narrative. This book will be of interest to stylisticians, narratologists, corpus linguists, and those who have found themselves absorbed in a 21st-century work of present-tense fiction.
This book will appeal to media and communication and public opinion researchers. It is a corpus-based study of the agenda-setting and framing effects of the print media on public opinion, and examines US and UK newspapers’ use of reporting strategies to shape their readers’ attitude towards the Second Gulf War. These strategies consist of four analytic tools, namely discourse presentation categories, discourse presentation sub-categories, subjectivity markers and reporting signals (mainly verbs). This investigation reveals that the choice of reporting strategies is not only ideologically-driven, but is also highly determined by other parameters such as country, style, and genre.