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Savannah Sipple's voice is stark and crucial. Her debut poetry collection WWJD and Other Poems explores what it is to be a queer woman in Appalachia and is rooted in its culture and in her body. With a beer-drinking Jesus as her wing man, she navigates this difficult terrain of stereotype, conservative Evangelicalism, and, perhaps most, shame.
poems having to do with everyday life-experiences featuring rhyme and rhythm mostly, rather than free verse
Gothic Appalachian Literature examines the ways contemporary Appalachian authors utilize gothic tropes to explore the complex history and contemporary problems of the region, particularly in terms of their representation of economic and environmental concerns. It argues that across Appalachian fiction, the plight of characters to save their homes, land and way of life from the destructive forces of extractive industries brings sharply to bare the histories of colonization and slavery that problematize questions of belonging, ownership and possession. Robertson extensively considers contemporary manifestations of the gothic in Appalachian literature, arguing that gothic tropes abound in fiction that focuses on the impacts of extractive industries that connect this micro-region with other parts of the Global North and Global South where the devastating impacts of extractive industries are also experienced socially, economically and environmentally.
"The flood came at night, forcefully and quickly, destroying so many lives in its wake. Unfortunately, I'm afraid it will happen again and again."--Carter Sickels In late July 2022, a catastrophic flash flood claimed the lives of more than forty people and devastated homes and communities in Central Appalachia. The forty-fifth annual Appalachian Writers' Workshop at Hindman Settlement School in eastern Kentucky was in progress when surging floodwater forced the participants and staff to rush to higher ground. The school lost classrooms, housing, and gathering areas, as well as valuable equipment, and irreplaceable artifacts such as historical books and documents, photographs, and handmade musical instruments from the school archives were damaged. As the floodwaters receded throughout the region, countless lives were forever changed. In this visceral and powerful anthology, well-known and emerging Appalachian writers create an authentic space for processing and healing as they document and share the depth of the flood's devastation. Through words and images, Troublesome Rising reveals the writers' fears, desperation, sadness, and anger while detailing and examining the disaster's causes, the need for solutions, and how flooding has historically impacted the Appalachian community and culture. In a shared, varied, and resounding voice, this compelling collection not only serves as a historical document and an in-depth investigation of the event, but also as a celebration of Appalachian strength, determination, and resilience.
Winner of the 2019 Press 53 Award for Poetry. A Tom Lombardo Poetry Selection.
The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.
Appalachia holds a multitude of identities and experiences, and the Women of Appalachia Project's(TM) Women Speak anthology speaks to the complexity of the region. The essays, poems, stories, fine art, and songs collected here bear witness to the lived experiences of Appalachian women while simultaneously speaking against the narratives dictated to us and about us: acts of God, the notion of what makes a good girl, where and how and when we deserve to be visible. Despite the structures designed to silence us, the women in these pages are fierce and unflinching in sharing their stories and their truths. These are our voices, our women. Hear us. - Savannah Sipple, Author of WWJD and Other Poems
What Things Cost: an anthology for the people is the first major anthology of labor writing in nearly a century. Here, editors Rebecca Gayle Howell & Ashley M. Jones bring together more than one hundred contemporary writers singing out from the corners of the 99 Percent, each telling their own truth of today's economy. In his final days, Rev. Dr. Martin Luther King Jr. called for a "multiracial coalition of the working poor." King hoped this coalition would become the next civil rights movement but he was assassinated before he could see it emerge as the Poor People's Campaign, now led by Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis. King's last lesson—about the dangers of dividing working people—inspired the conversation gathered here by Jones and Howell. Fifty-five years after the assassination of King, What Things Cost collects stories that are honest, provocative, and galvanizing, sharing the hidden costs of labor and laboring in the United States of America. Voices such as Sonia Sanchez, Faisal Mohyuddin, Natalie Diaz, Ocean Vuong, Silas House, Sonia Guiñansaca, Reginald Dwayne Betts, Victoria Chang, Crystal Wilkinson, Gerald Stern, and Jericho Brown weave together the living stories of the campaign's broad swath of supporters, creating a literary tapestry that depicts the struggle and solidarity behind the work of building a more just America.
This collection, the first of its kind, gathers original and previously published fiction and poetry from lesbian, gay, bisexual, transgender, and queer authors from Appalachia. Like much Appalachian literature, these works are pervaded with an attachment to family and the mountain landscape, yet balancing queer and Appalachian identities is an undertaking fraught with conflict. This collection confronts the problematic and complex intersections of place, family, sexuality, gender, and religion with which LGBTQ Appalachians often grapple. With works by established writers such as Dorothy Allison, Silas House, Ann Pancake, Fenton Johnson, and Nickole Brown and emerging writers such as Savannah Sipple, Rahul Mehta, Mesha Maren, and Jonathan Corcoran, this collection celebrates a literary canon made up of writers who give voice to what it means to be Appalachian and LGBTQ.
A selection of early poetry, mostly narrative, some previously published in Iowa Review and Callaloo literary journals. Some previously unpublished. Titles include, along with "Deep Song," "Composition with Guitar and Apples," and "Waiting for the Miracle."