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The cartoon WuMo celebrates life's absurdity and bittersweet ironies, holding up a funhouse mirror to our modern world and those who live in it. Thanks to its delightful artwork and irreverent humor, this hilarious comic by writer Mikael Wulff and illustrator Anders Morgenthaler has grown from an underground sensation to one of the biggest and most popular strips in Europe.WuMo's inventiveness is reminiscent of their countryman Hans Christian Andersen--if Andersen's fairy tales had been populated by sadistic pandas, disgruntled office workers, crazy beavers, Albert Einstein, Snoop Dogg, and Darth Vader. Named WuMo, after the Danish duo’s last names, it appears in the largest papers in northern Europe, including Germany’s Die Welt, Denmark’s Politiken, and Norway’s Dagbladet.
The Complete Big Nate collects every daily and Sunday cartoon ever syndicated. Presented in a numbered series of e-books, each containing one year's worth of strips, this is a goldmine for all Big Nate fans to see many cartoons that have never been published in books. Aspiring cartoonist Nate Wright is the star of Big Nate. As a popular middle-grade book character, Nate is 11 years old, four-and-a-half feet tall, and the all-time record holder for detentions in school history. He's a self-described genius and sixth grade Renaissance Man. Nate, who lives with his dad and older sister, has a habit of annoying his family, friends, and teachers with his sarcasm.
Welcome to Truth Facts, a collection of information graphics that poke fun at societal quirks and everyday absurdities through charts and graphs. Danish writer Mikael Wulff and cartoon artist Anders Morgenthaler have taken the internet by storm with their humorous and perceptive infographics that turn commonplace phenomena into clever commentary. In distilling keen observations about universal experiences into elegant charts and graphs, Truth Facts gets to the heart of the paradoxical and wonderful world we all share, and puts modern reality into perspective in a funny and visceral way. These simple, colorful graphics explore societal quirks and everyday oddities, such as what happens when you call customer service (anything but service), when banks are open (only when you’re at work), the biggest lies on the internet (“LOL”), and much more. Playfully teasing readers even as it explores themes like perception vs. reality, this compendium of life’s truthiest facts prods us to laugh at ourselves, own up to our shortfalls, accept the strangeness of the world we live in, and continue on—happier and more connected to one another than ever before.
A collection of "Pearls Before Swine" comic strips by Stephan Pastis.
With fatherhood looming, I kept seeing that six-year-old version of myself drawing comics in his bedroom, and I thought how crushed he would be to find out that I had given up on our dream. . . . So, three months after my daughter was born, I submitted Cow and Boy." -Mark Leiknes, creator of Cow and Boy Evocative of a boy and his pet beagle, or a precocious six-year-old and his imaginary pet tiger, Cow and Boy isn't afraid to tackle the complex relationship that exists between a boy and his cow. More Cow and Boy To balance yin, there is yang. To complement day, we have night. There are just some things in life that harmonize with one another and Mark Leiknes's Cow and Boy creation definitely benefits from the paradox of its two central characters, namely one towheaded boy named Billy and his trusty bell-ringing sidekick Cow, who move through life's adventures with a refined balance of curiosity, meaning, pathos, and humor. From inspired games of chess to grassy afternoon talks of reincarnation to lakeside swimming-hole ponderings that make room for a game of charades, Cow and Boy thoughtfully explores a different species of friendship in the funny pages.
The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.
How the obsession with quantifying human performance threatens business, medicine, education, government—and the quality of our lives Today, organizations of all kinds are ruled by the belief that the path to success is quantifying human performance, publicizing the results, and dividing up the rewards based on the numbers. But in our zeal to instill the evaluation process with scientific rigor, we've gone from measuring performance to fixating on measuring itself—and this tyranny of metrics now threatens the quality of our organizations and lives. In this brief, accessible, and powerful book, Jerry Muller uncovers the damage metrics are causing and shows how we can begin to fix the problem. Filled with examples from business, medicine, education, government, and other fields, the book explains why paying for measured performance doesn't work, why surgical scorecards may increase deaths, and much more. But Muller also shows that, when used as a complement to judgment based on personal experience, metrics can be beneficial, and he includes an invaluable checklist of when and how to use them. The result is an essential corrective to a harmful trend that increasingly affects us all.
Isolation commiserations from the creator of the iconic “Cathy” comic strip, Cathy Guisewite! We’re all in this together…but it helps to see someone else with her face planted in the bowl of mashed potatoes. In the same way that Cathy was a relatable friend during the comic strip years, she’s returned to offer some happy relief, support, and a much-needed AACK from isolation. This little book is a compassionate companion for right now and, long after the pandemic is over, will be a treasured scrapbook of what we survived—the fear of droplets, the work-from-refrigerator wear, the revenge retail therapy of online shopping, the frustration of trying to teach Grandma to Zoom from 3,000 miles away, the little shreds of hope mixed in with the sourdough bread dough. From the introduction: I’ve worn the same pair of sweatpants for fourteen months. I’ve binge watched, binge eaten, binge shopped, binge prayed. I’ve Zoomed. Streamed. Screamed. Googled how to get hot fudge out of a duvet cover. Googled how to chop my insulting blue jeans into face masks. Googled how to permanently delete my Google search history. I’ve meditated, looked within and asked the big questions: “If no one’s allowed in my house for months, what’s the point of vacuuming?”
"Sacred cows make the best hamburger." --Mark Twain Virtually every American, regardless of social status, eats fast food. Cartoonist Mark Pett's Lucky Cow strip embodies the spirit of America's love-hate affair with fast-food joints and the traits they have in common: * High turnover: Two Lucky Cow employees argue over who has seniority; the one who was hired at 9:30 that morning eventually wins. * Uniformity: A Lucky Cow employee boasts that a customer can visit any of the restaurant's franchises and they are all the same--right down to the lackluster customer service. * Cleanliness (or lack of it): People's shoes adhere to the sticky floors, and an employee's skin absorbs so much of the restaurant's grease that water rolls right off it. * Food quality: The response to a customer's query about the Lucky Cluck Chicken Nuggets being organic is met with, "Well, they're made from organs." To help ensure that Lucky Cow would feel authentic, cartoonist Mark Pett worked at McDonald's for a month, experiencing fast-food "culture" for himself and interviewing his coworkers about their lives in the business. So it really is "funny because it's true."
A new light is shed on African women of the Sahel in this book about a brilliantly intelligent 19th century woman-jihadist whose legacy of verse contains political and social commentary.