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Years ago I lost ‘the man I loved because I was a fool.’ Except he showed up when I was lost in Mardi Gras again. He was now rich, powerful and clearly never ever going to notice me . I’d rejected him before. Even if his nearness still sends a thrill through me. I should move on from wishing, but then he kissed me. I wasn’t worth him. I took a few minutes of happiness, but I knew we’d never last But it turns out I’m running out of reasons to reject him. ♥ I need him. ✓He’s going to want more than I can offer. He’s a trillionaire and I’m lost little rich girl. ★Yet his kisses make me wish I had more stamina to be with him forever. What happens when the party ends? I can’t think beyond the parade. I never expected a second chance at love, except, you’d never have expected what happened because I absolutely hadn’t.
In this first collection of film writing from Evergreen Review, the legendary publication's important contributions to film culture are available in a single volume. Featuring such legendary writers as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents writing on the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition. Editor Ed Halter began working on this book in 2001 with Barney Rosset, using his personal files and interviews with him as initial research.
Collected interviews spanning from 1957 to 2009 with the popular bad-boy actor and rebel director of Easy Rider
My Beloved Toto, a collection of letters written by Juliette Drouet to her lover, Victor Hugo, tells the story of a life and of the great love affair that shaped it. From 1833 until her death half a century later, Drouet wrote to Hugo twice daily on average, resulting in thousands of letters. The 186 translated here—most appearing in English for the first time—offer insights into nineteenth-century French culture as well as an insider's look at the character, behavior, working habits, and day-to-day life of France's most monumental man of letters.
A psychologist with intimacy issues, a man with secrets, and murder amid the madness of New Orleans Mardi Gras…where no one is what they seem, and evil is only a whisper away. Rita Brooks has her life in control, with a satisfying job and an online relationship with a man a safe distance away. But before she can meet Brian in person, Rita is nearly killed in a horrific accident. She emerges from a coma remembering a cryptic message given to her by another soul. When Brian’s brother, Christopher, shows up, demanding to know her part in his suicide attempt, she’s sure that soul was Brian. To make sense of his urgent message, she must go to New Orleans. Christopher is the shadow to Brian’s light, everything that both intimidates and draws her. Unfortunately, she needs his help, because Brian had shadows, too, and someone is trying to kill her to keep those shadows secret. Amidst the chaotic revelry of Mardi Gras, she is plunged into a bizarre masquerade where masks conceal dark secrets, deep longings … and murderous intent. ⭐⭐⭐⭐⭐ Tina has unforgettable female protagonists and action-packed, almost haunting plotlines. – Janet Evanovich New York Times bestselling author ⭐⭐⭐⭐⭐ “Tina Wainscott always delivers … I love to curl up with anything she writes.” New York Times Bestselling author Heather Graham ⭐⭐⭐⭐⭐ What She Doesn’t Know is suspenseful, tense drama of intrigue and deception. Ms. Wainscott does a wonderful job of keeping you in suspense about the true identity of the killer. With surprising twists and turns, this reviewer wasn't disappointed. – aromancereview.com
Purpose and Scope: This text has been produced to alert learners of English using Arabic as L1 to the most typical problem areas that tend to hinder their progress as they endeavor to overcome native language interference in the process of growing into the target language. The functions of capitalization and syntax have received special emphasis. The analytical perspective takes precedence over its pedagogical counterpart. Learner Focus: The primary readership is expected to grow beyond Arabic speakers per se and is most likely to include learners using Farsi, Urdu, or Turkish as L1. In addition, even a broad spectrum of learners using reference languages with various different alphabets (e.g. Bengali, Hangul, Hebrew, Hindi, Japanese, Mandarin) will find the text useful to a considerable extent. Appendices: The exercises included in the three appendices are ambitiously written and intended to reveal to the learner the formidable amount of lexical material that will have to be internalized on the road to solid proficiency. ESL instructors teaching Arabic speakers are aware of the difficult and time-consuming effort involved in the acquisition of vocabulary.
What happens after you get what you’ve always wanted? In Colleen Faulkner’s thought-provoking and emotionally compelling novel, a mother is reunited with the daughter who was abducted as a toddler—only to face unexpected and painful challenges . . . It’s the moment Harper Broussard always dreamed of. Her daughter Georgina, snatched fourteen years ago during a Mardi Gras parade, is standing before her, making cappuccinos behind the counter of Harper’s favorite New Orleans coffee shop. Harper’s ex-husband, Remy, has patiently endured many “sightings” over the years, and assumes this is yet another false alarm. Yet this time, Harper is right. The woman who kidnapped Georgina admits to her crime. Georgina, now known as Lilla, returns to her birth parents. But in all of Harper’s homecoming fantasies, her daughter was still a little girl, easily pacified with a trip to the park or a cherry snowball. In reality, she’s a wary, confused teenager who has never known any mother except the loving woman who’s now serving time. Harper’s younger daughter, Josephine, has spent her life competing with the ghost of a perfect, missing sister. Trying to bond with the real, imperfect version isn’t any easier. And though Remy has agreed to give their strained marriage another chance, he and Harper struggle to connect. Clinging to dreams of reuniting has been Harper’s way of surviving. Now she must forge new ones on an often heartbreaking yet ultimately hopeful journey—one that will redefine her idea of motherhood and family.
When it comes to humor, Americans are said to hold nothing sacred. Deadly Mistakes: Real Obituaries Gone Amusingly Wrong is an example of that sentiment. Given our near obsession with fame and celebrity, it should come as no surprise that "ordinary people" would go to extraordinary lengths to be considered noteworthy. Deadly Mistakes provides the evidence in the obituaries of the "unfamous." Average folks are remembered by family and friends in send-offs that unintentionally go off the rails in amusing and bizarre ways. What's to be said of someone whose family wants him to be remembered for inventing an electric pickle...that stinks? Of someone who, "not wanting to give up his love of uniforms, became a campus police officer?" Or of someone who achieved the mysterious title of "Puissant Sovereign of the Red Cross of Constantine"? Plenty. All this and more is included in Deadly Mistakes: Real Obituaries Gone Amusingly Wrong. These obituaries have not been edited (except for length and to remove last names). They stand on their own as commentary on the human need to find meaning in it all... somehow, some way. Deadly Mistakes should remind readers of one thing: it's best to go out laughing. Just ask the guy whose memorial service was held at Hammerhead's Bar, just east of The Strip, in Vegas.
With daily collective worship now compulsory in schools, this book is a source of short readings for today's assemblies. Many of the readings are in the form of anecdotes or thoughts for the day with either a moral or an obvious discussion point. To help in assembly planning, each passage comes with a succinct introduction outlining its purpose.